The slogan for “Rampart,” though not on the poster I’ve embedded in this review, is “the most corrupt cop you’ve ever seen on screen.” To that, I merely laugh.
So I guess they assume we haven’t seen “Training Day.” Or “Crash.” Or “The Departed.” Heck, I’d even say “Pineapple Express” and “Date Night” had more crooked cops than “Rampart.”
Sure, Woody Harrelson’s Dave Brown is working outside the law. He’s a foul racist who uses excessive force on the regular. By no means am I saying that I didn’t deplore his actions and conduct. But for whatever reason, I just didn’t feel hatred welling up inside me for him.
Harrelson brought nothing new to the character that he hasn’t shown us in everything from “The People vs. Larry Flynt” to “The Messenger” to Haymitch in “The Hunger Games.” He’s great at playing total jerks, and Brown is in a league of his own. But there’s nothing special about this character, nothing that stands out in his repertoire.
Add that to direction from Oren Moverman that lacks any compelling action or camerawork and you’ve got one heck of a bore. As much as I wanted to feel repulsion or loathing, all I could feel was apathy. C /
“The Messenger” – it’s just like “Up in the Air,” only with graver situations and implications. And that’s a very good thing!
The movie captures with a haunting realism the journeys of two enlisted men (Ben Foster and Woody Harrelson) assigned to notify the families of killed soldiers. It’s a tough job, and they deal with some furious people (the most memorable of which is a livid father played by Steve Buscemi). They eventually grow used to the reactions and train themselves to be callous to the anguish of the families, largely by sticking to a set script. Yet they never allow themselves to be a broken record, always performing their duties with the intent of honoring the fallen soldier.
It gives them quite a shock whenever one wife, Olivia (Samantha Morton), anticipates their bad tidings and shows little emotion at receiving the news. Her unusual calmness rattles them both, particularly Foster’s Ben Montgomery, who winds up forging a deep connection with her. But when his job entails conveying only the emotion of deep respect, it causes some friction between the two soldiers.
While the movie did receive an Oscar nomination for its screenplay, this is definitely a movie to see for the actors. It’s not exactly a breakout role for Foster, but the up-and-comer sure shows promise of great things to come. He’s great on the road, but the mushier scenes with Olivia. Previous Oscar nominee Morton is powerful as ever as she keeps her grief repressed inside. At the heart and soul of the movie is Harrelson, who delivers a truly compelling performance truly worthy of the Academy Award nomination it received.
As great as everything is, I left the movie not knowing how the filmmakers wanted me to feel. The movie begins to drag as it comes to a close, mainly because of the muddled emotions. ”The Messenger” loses a lot of its ability to rivet us in the last thirty minutes, but there’s plenty of powerful scenes and moments beforehand to still leave us very satisfied. B+ /
I guess this sort of serves as a “fall movie preview.” With this, I want to present what I’m looking forward to in September, what other might be looking forward to, and hopefully introduce you to some movies that you might not have heard of yet.
September 4
The movie that I’m most excited for opening this week is “Extract,” the latest comedy from Mike Judge, creator of “Office Space” and TV’s “King of the Hill.” The movie stars Jason Bateman, who has been in nearly every comedy and yet I still have not tired of him, as the owner of an extract factory who is a bit down on his luck. Also featuring a great supporting cast which includes J.K. Simmons (“Spider-Man,” “Juno”), Mila Kunis (TV’s “That ’70s Show”), Kristen Wiig (“SNL”), and Ben Affleck, the movie looks to be truly hilarious entertainment.
Other releases this week include “All About Steve,” a comedy with Sandra Bullock and Bradley Cooper (“The Hangover”), and “Gamer,” a non-stop action film with Gerard Butler (“The Ugly Truth”).
September 9 & 11
Opening on 9/9/09, “9” uses a clever marketing ploy to hopefully drive audiences its way. But I’m not sold. The ever creepy and quirky Tim Burton is behind it, and I have never really been into his type of movies. The story revolves around nine CGI animated rag dolls living in a post-apocalyptic world. Maybe this will be some sort of a breakout hit, but until I hear buzz from friends or other bloggers I trust, I’m not throwing my money at it.
“9″ is the big attraction of the week. Also opening is Tyler Perry’s latest movie “I Can Do Bad All By Myself,” starring Taraji P. Henson of “Benjamin Button” fame, the thriller “Whiteout” starring the gorgeous Kate Beckinsale, and the horror flick “Sorority Row.”
September 18
There are several movies to get excited about that open this weekend. First and foremost is “The Informant,” starring Matt Damon. It takes your usual FBI rat story and flips it on its head, turning it into a comedy. I have always thought Damon has a great knack for subtle comedy, perfectly illustrated in the “Ocean’s” movies. The director is Steven Soderbergh, Oscar winner for “Traffic,” but has also helmed “Erin Brockovich” and all three “Ocean’s” films. And the good news is that this is only Matt Damon’s first role of the year with Oscar potential (see the December preview later).
Also opening is “Jennifer’s Body,” which is the first film written by Diablo Cody since winning the Oscar for “Juno.” It stars Hollywood’s beauty queen Megan Fox as a vampire who eats guys at her high school. Her presence alone will drive every young guy in America to this movie. It also features Amanda Seyfried, one of the bright spots in the otherwise disastrous film adaptation of “Mamma Mia!” I love the quick-witted humor of “Juno,” and although this doesn’t appear to offer similar antics, curiosity (and Megan Fox) will probably get me.
In limited release, “Bright Star” opens, a movie consider by many to be a major Oscar player. It isn’t the kind of movie that excites me just from watching the trailer, but the buzz surrounding it coming out of the Cannes Film Festival can’t be discarded. The movie follows the life of the poet John Keats in the early 1800s. It is directed by Jane Campion, writer/director of “The Piano,” and features a cast of nearly no recognizable names. I feel obliged to tell you about it because many are sure that you will be hearing about it during awards season and also because so many people love movies set in the beautiful English country with tons of beautiful costumes and people.
Also opening is “Cloudy with a Chance of Meatballs,” an animated adaptation of one of my favorite books growing up. Unfortunately, their idea of adapting it is taking the basic premise of food raining from the sky and destroying the rest of the original story. Maybe I will check it out for old time’s sake, but I’m not expecting anything special. The week also puts forth a romantic drama “Love Happens” starring Aaron Eckhart (“The Dark Knight”) and Jennifer Aniston. And technically, the writer/director of “Babel,” Guillermo Ariaga, releases his latest movie, “The Burning Plain,” to theaters this weekend, but you can watch it on demand starting August 21 if you are that curious.
September 25
Being a musical theater junkie, I feel that it is my duty to push “Fame.” The movie is a musical that follows a group of talented artists throughout their four years in high school in New York. At a time in their lives where they don’t know if they have what it takes it to make it big, all the emotions appear to run high. The movie features no stars. so hopefully this will launch some very promising careers.
For action fans, Bruce Willis is at it again in a high concept sci-fi called “Surrogates,” in which everyone in the world controls a robotic version of themselves from home called a surrogate. Willis plays a detective who investigates the possibility of the surrogates killing the user who operates it. For sci-fi fans, a screamfest called “Pandorum” with Dennis Quaid and Ben Foster (“3:10 To Yuma”) looks to deliver. For all those craving a raunchy comedy, a little studio will try to pack you into “I Hope They Serve Beer In Hell,” adapted from the tales of drinking and its consequences in the book of the same name. In limited release, those who like the costumes of “Bright Star” get “Coco Before Chanel,” the story of the legendary fashion designer. (NOTE: “The Invention of Lying” was pushed back to October 2.)
So, readers, what is your most anticipated in September? Anything I left off? Take the poll and let me know.
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