What To Look Forward To In … November 2009

7 10 2009

The holiday movie season begins to kick into high gear in the month of November, as does exciting Oscar season.  Accordingly, this post is longer than the previous monthly preview posts.  Brace yourself for movie mania coming your way in a few weeks.  Sit back, relax, and let Marshall guide you through the coming attractions.

November 6

From the mainstream movie perspective, the hot movie of this weekend will be Robert Zemeckis’ adaptation of “A Christmas Carol.”  Shot with the same motion capture technology that Zemeckis used to make “The Polar Express,” the movie will cash in on premium ticket prices from 3D and IMAX 3D screenings.  My main concern about the quality of the movie itself lies with its principal actor, Jim Carrey, who will act as Scrooge and all three ghosts.  I doubt Zemeckis will permit it, but I fear that Carrey will make a mockery of Dickens’ classic novel much in the fashion of Mike Meyers with “The Cat in the Hat.”  Regardless of what critics say, I will probably end up seeing this with the family for some good old-fashioned family fun at the movies.

“The Men Who Stare at Goats” is the first movie of the holiday season to which George Clooney lends his talents.  Here, he plays a a military man in charge of a secret unit that attempts to use psychic powers for military purpose.  One such activity is to attempt to kill goats just by staring at them.  The movie also stars Ewan MacGregor as the reporter who discovers it all; the cast also includes Jeff Bridges and Kevin Spacey.  The movie is directed and adapted by Grant Heslov, previously nominated for an Academy Award for his work on “Good Night, and Good Luck.”  The trailer seems to show Heslov’s approach as similar to the Coen Brothers who usually provide a fun-filled romp.  Maybe the film will be a bona-fide indie hit, and Overture Films will be able to claim their first movie to gross over $50 million.  But we’ll have to see.

I’ve already written about the Oscar favorite, “Precious,” in a previous Oscar Moment.  I’ll post the trailer here just for the sake of promoting it, but if you want to hear my thoughts, read the post.

Two thrilling movies also open this week.  First, “The Box” with Cameron Diaz and James Marsden, seems to have an intriguing premise: if you push the button on the box, you will get a million dollars, but someone you don’t know will die.  However, it looks to be more interested in cheap thrills than exploring moral issues.  The other, “The Fourth Kind,” looks downright scary.  If horror is your thing, this looks like the movie for you.  I saw the trailer at “District 9,” and even if you don’t want to see it, you have to ponder the validity of the “true story” behind the movie.

November 13

Disaster porn reaches its pinnacle this weekend.  ”2012,” Roland Emmerich’s apocalyptic film, will have some of the biggest destruction and explosions the world has ever seen.  The trailer was so mind-blowing that I am willing to overlook all vices in the plot to see the world’s greatest landmarks get wiped off the earth.  My only comment is that if John Cusack somehow finds a way to stop the end of the world, I will be enraged.

The other major wide release of the week is “Pirate Radio,” a movie that Focus Features so desperately wants you to see that they changed the title from “The Boat that Rocked” just a few weeks ago to appeal to you. Are you flattered? You shouldn’t be. The movie seems like comedic Oscar Bait, but it didn’t do well Britain, the country of production. Focus scrambled to change their focus from awards movie to popular movie. So whenever this pops into a theater near you, be armed with the knowledge that “Pirate Radio” is merely a washed-up Oscars wannabe. But make the decision to see it for yourself.

New York and Los Angeles get the treat of watching Wes Anderson’s adaptation Roald Dahl’s “Fantastic Mr. Fox.”  I have the utmost respect for Anderson for not conforming to the growing trend to do all animation through computers.  Anderson’s film uses the stop motion technique, moving an object gradually to give the illusion that it is moving.  Even more exciting that Anderson’s eccentric style in an eccentric medium is the voice cast.  Clooney voices the titular character, the cunning Mr. Fox.  The cast also features Meryl Streep, Jason Schwartzman, Owen Wilson, and Bill Murray.  What’s not to like?  (NOTE: The movie expands on November 20 and enters wide release on November 25.)

For those who like very obscure indies, “That Evening Sun” with 87-year-old Oscar bridesmaid Hal Halbrook has his latest shot at the gold.

Read the rest of this entry »





F.I.L.M. of the Week (August 28, 2009)

28 08 2009

The F.I.L.M. (First-Rate Independent, Little-Known Movie) of this week is “Music of the Heart.” It was one of my favorites growing up, the first movie I saw at the then brand new Edwards Greenway Palace 24 Theaters in 1999. I occasionally catch it playing on Starz, and it still possesses the magic that enthralled me when I was 7.  The movie features one of the most underrated of Meryl Streep’s 15 Oscar-nominated performances, an emotionally compelling tour de force that connects with the audience on a level that very few ever have.

Roberta Guspari (Streep) is down on her luck.  After her husband runs off her with her best friend, she moves with her two young sons to the turbulent neighborhood of East Harlem in New York.  She starts a violin program in an inner city school, inspiring a love of music among youth who have never been given an opportunity to study it.  At first, it is tough to spark a work ethic among the kids and to convince their parents that the violin is a worthwhile skill to learn.  The program, over time, becomes a great success.  Unfortunately, many years later, budget cuts force the district to fire Roberta and cancel her program.  With help from teachers and parents, she fights for the right for kids to have access to arts education.

“Music of the Heart” is a movie that aims for the heart and hits it dead-on.  Immensely inspirational and uplifting, it provides wholesome entertainment with morals that don’t even fly over the little ones’ heads.  The film forges a deeply sentimental connection with the audience, and it pulls you in for a compelling experience.  It might be a hard find on the rental shelf, but it is worth the search.





REVIEW: Julie & Julia

29 07 2009

Yum.

According to Julie Powell, that word shouldn’t be used while eating.  But as America begins to devour “Julie & Julia,” I can’t help but think that audiences will use that word.  The movie is a delectable treat, serving a luxurious two-course meal: the story of Julia Child (Meryl Streep) before she became the published and televised chef that we know, and Julie Powell (Amy Adams) as she battles the boring world of bureaucracy by baking all 524 recipes in Child’s cookbook.

I do have to give the movie (and Julie Powell, more specifically) a great deal of credit – her blog, “The Julie and Julia Project,” is the inspiration for this blog.  At the beginning, Julie is struggling to find some purpose holed up inside her cubicle, forced to drone on and on about the company’s policies.  She envies her rich “friends,” who are writing cover stories for top New York newspapers and blogs because they seem to have found merit in their lives.  Much like movies are a constant source of comfort to me, Julie found solace in cooking.  And one day, she proclaims to her husband, “I can write a blog.  I have thoughts.”  As I have quickly discovered, it really only takes that little spark of inspiration to start something great (at least in Julie’s case … the verdict is still out on me).

It is really Julie’s story that captivated me the most.  As she works her way through 524 recipes in 365 days (some simple, others quite daunting), anyone who has ever stepped into the kitchen for therapeutic reasons can instantly relate to her struggles and successes.  Adams really is the heart and soul of the movie; she brings a pleasant charm to the role, but she also shows a more raw and emotional side than we are used to seeing from her. Read the rest of this entry »








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