A poor man’s version of Martin Scorsese’s crime classic “GoodFellas” with Australian accents, “Animal Kingdom” is a tale from down under that’s quite a few rungs down from the movies it so desperately wants to be. Considering that it’s a debut film from writer/director David Michod, it’s somewhat more impressive, and I have a feeling that we can look for big things in the future. But for now, we’re left with a movie that’s filled with one-dimensional characters played by actors without any gusto.
After the death of his mother, twenty-ish J (James Frecheville) is forced to take up residence with his estranged grandmother “Smurf” (Jacki Weaver), the matriarch of a crime family who’s grizzly enough to make Sarah Palin cower. He unwittingly gets caught up in the exploits of his uncles, whose activities jeopardize his chances for a normal life with his girlfriend. J is recognized by a cunning police officer (Guy Pearce, the movie’s only familiar face) as pliable, and he is faced with the choice between blood loyalty or the comforts available within the law.
The problem with “Animal Kingdom” is that it starts off really slow, and it takes a long time to get acquainted with the characters enough to care about them. The movie starts getting really interesting around the hour mark, but by then, it feels like we’ve spent an abysmally long time in the Aussie underworld. Michod throws plenty of action and twists at us in the second half, yet without dynamic characters, it ultimately goes in one ear and out the other.
As for Jacki Weaver, the reason I plopped this movie in my DVD player, I saw why she needed an Oscar campaign but not why she deserved a campaign. She plays a one-note character that doesn’t play much of a part in the storyline until the conclusion. Her big emotional scene falls pretty flat, unless, of course, you consider changing her facial expression ever so slightly compelling enough for an award. Had I not heard all the buzz around Weaver, I would have forgotten about her as quickly as I’ll forget “Animal Kingdom.” Neither have any teeth, something necessary to make a crime thriller bite. B / 


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