REVIEW: Get Him to the Greek

10 06 2010

Some movies really do need to come with a health warning.  “Get Him to the Greek,” for instance, should inform all moviegoers that that it packs enough laughs in under two hours to make you hurt all over.  Along with the usual beautiful gut-wrenching pain, the comedy is so potent that it can hit you as high as the throat.

For a year now, we have been waiting for a movie as hilarious as the runaway smash hit “The Hangover,” and that movie has finally arrived.  I’ll even be as bold to say that upon repeat viewings, “Get Him to the Greek” could prove to be better.  And I’m not being sensational to grab attention or to wind up on the DVD case; I think I laughed harder, louder, and more consistently.

“Get Him to the Greek” is a spin-off of “Forgetting Sarah Marshall,” and it manages to make the movie that introduced us Aldous Snow look like the ugly step-cousin in every way.  It’s infinitely funnier; the characters are more interesting; the plot is more absorbing.  I didn’t think Brand was all that funny in “Forgetting Sarah Marshall,” but now it’s clear that the emotional aspect of the movie weighed him down.  Here, he is unleashed and immature as ever.  And it’s an absolute riot.

Brand and Jonah Hill, who plays young record label employee Aaron Green, are the “Odd Couple” for a new generation.  A pairing such as theirs might be labeled a “comic man-straight man routine,” but the movie neither fits those labels nor feels like a routine.  Both get the chance to side-splittingly hilarious, and it absolutely works.  As much as I expected Brand to run away with the movie, Hill gets some of the best laughs of the movie as he tries to adjust to the crazy antics of the rockstar he’s attempting to control.

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REVIEW: Funny People

31 07 2009

Funny People” is a solid effort by director/screenwriter Judd Apatow, but it falls just short of what it hopes to accomplish: a perfect blend of comedy and human drama that is both touching and amusing.  I walked out of the theater just thinking about all the potential it had, and I nailed the main factor as to why it paled in comparison to Apatow’s previous features, “The 40-Year-Old Virgin” and the uproarious “Knocked Up.”  It loses the sense of realism and relatability that Apatow nails so brilliantly.  The story concerns itself with comedians, one a superstar, one at the cusp of stardom, and several right underneath that cusp.  These people have a funny exterior, but when you peel back the layers, they are vulnerable, troubled, and quite dark.  It is harder to identify with these people because their problems are so detached from our own, as supposed to previous Apatow characters like the slacker, the virgin, the control freak, and many other “normal people.”

If you saw the first trailer for the movie, you know just about all there is to know about the plot.  George Simmons (Adam Sandler) is a lonely comedian diagnosed with a terrible disease and prepares himself for death, mainly by trying to form a true human relationship with another comedian, Ira Wright (Seth Rogen).  But when he appears to be cured, he tries to reclaim what he has lost in his life, mainly Laura (Leslie Mann), an old girlfriend who he let slip away.  Sprinkle in a ripped Australian husband for Laura (Eric Bana), a few of Ira’s friends trying to make it big (Jonah Hill, Jason Schwartzman), a quirky love interest for Ira (Aubrey Plaza), and a few celebrity cameos, and you have “Funny People” in essence. Read the rest of this entry »