Random Factoid #195

8 02 2010

Way back when, I talked about how I usually enjoy reading the source material of a movie before I plop down in the theater seat and watch.  Allow me to continue this thread in my mind.

Usually, a new edition of the book is released in tandem with the release of the movie adaptation.  The covers usually feature either artwork from the movie or the poster.

More often than not, I will wait until the “movie tie-in” edition is released to buy the book.  It makes me feel like I’m reading the movie, not just a book.





REVIEW: A Single Man

8 02 2010

The protagonist of “A Single Man,” George Falconer (Colin Firth), often references moments of clarity, in which he is able to forget the pain of his past and live in the present.  Director Tom Ford does an excellent job of highlighting these moments, and it is here where his first film absolutely glitters.  He has made a movie that stands as one of the most thoroughly beautiful aesthetic achievements in years.  And it isn’t beautiful just to be beautiful – Ford uses all these elements to subtly alert us to the true mood of the scene, but it’s never so subtle that the message is unattainable.

Set against the backdrop of the Cuban Missile Crisis in 1962, the film’s events take place on what very well could be the last day of George Falconer’s life.  He has had to mourn the death of his longtime lover Jim (Matthew Goode) in private, thus making him a ticking time bomb of grief, ready to self-destruct at any instant.  George passes through life as little more than a specter, a mere shadow of the charismatic man that once walked in the same loafers.  On this day, no one even seems to suspect anything out of the ordinary.

We follow George as he meticulously attempts to finish his business.  He teaches his english class to a largely insipid and bored college class – with the exception of Kenny (Nicholas Hoult), who seems to take an interest not only in the thematic relevance of the class to the real world, but also in George himself.  He has dinner with his old friend Charley (Julianne Moore), a woman with a high capacity for alcohol and heartbreak.  Yet in the midst of all this, life (or some might call it fate) keeps giving him reminders of why we live.  These fleeting instances of rapture are brilliantly captured by Ford’s lens, and they especially stand out against the bleak canvas of George’s life.

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Random Factoid #194

7 02 2010

The Los Angeles Times, you are simply amazing!  Literally, you are taking fanning the flames of my obsession to a whole new level and I love it!

It’s like the stock market, except you put your money on Oscar candidates!  It’s so much fun to play the strategy game, especially knowing that you aren’t losing any real money.  I’m putting big money on potential underdogs (such as “Inglourious Basterds” in Best Picture and “The Hurt Locker” in Best Screenplay) and significantly less on the locked winners (such as Mo’Nique).

I just downloaded this today, and it is already the most fun app I have on my iPhone.  Search “The Envelope” and download the one from the Los Angeles Times.  Even if you aren’t as obsessed as I am, it’s still a good time.





Random Factoid #193

6 02 2010

Although I may have managed to see all the Best Picture nominees on nomination day, I still haven’t seen all the nominated performances.

I got fairly close this year: 13/20.  Or, as it would be called at my school, an F.  Maybe next year I can pass…

(NOTE: It wasn’t possible for me to see them all without traveling to New York because “The Last Station” still hasn’t opened here.)





F.I.L.M. of the Week (February 5, 2010)

5 02 2010

The “F.I.L.M of the Week” is not independent, just to get that out of the way.  ”North Country” is, however, first-rate.  The movie’s critics will probably say, “Haven’t I seen this movie before?  Oh, right, every two hours on Lifetime and Hallmark channels!”  To them, I say – yeah, maybe a little bit.  Sure, it doesn’t stray too far from the stock story of courage in the face of terrible circumstances.  But it has a tremendous power which can make you forgive the formulaic nature of the movie.

This power comes from a fantastic ensemble cast, led by Charlize Theron and Frances McDormand, both of whom received Academy Award nominations for their performances.  Theron plays Josey, a determined woman with two children that she needs to feed.  She moves back to her hometown and takes a job at the local mine, where she can bring home the biggest paycheck.  There are very few women employed there, and the men go out of their way to make sure they know that they aren’t welcome.  Horrible epithets fly and despicable deeds are committed.  The men succeed in their goal of making the women dread coming to work.  Josey and the other women, including the tough-as-nails Glory (McDormand), try to stand up for themselves, only to be told to “take it like a man.”

But what they don’t count on is Josey’s iron will.  She calls friend and lawyer Bill White (Woody Harrelson) to take on a landmark case – the first ever class action sexual harassment suit.  The town instantly turns against her, thinking she might be trying to shut down the mine.  Josey even manages to earn the ire of her father (Richard Jenkins).  But, as all these movies tell us, humanity and courage triumph over all perils.

Keep an eye out for Jeremy Renner, the now Oscar-nominated star of “The Hurt Locker,” who delivers a particularly haunting performance as one of the main perpetrators.  He also has a unique position in the conundrum because he was an old flame of Josey’s during high school.  It’s another role filled with emotional depth that Renner absolutely nails.  If anyone had any doubts, he’s definitely not a one-trick pony.

I’m sure the real events that inspired “North Country” were much less campy and melodramatic.  Nonetheless, the film gets you worked up, emotional, and impassioned.  For just another inspirational movie, that’s about as good it gets.





Random Factoid #192

5 02 2010

I had an interesting dream last night.

I dreamed I was in the movie “Inglourious Basterds.”  Not as an actor, but as a person sitting in Shoshanna Dreyfus’ theater in the climactic moments of the movie.  It didn’t go like it happened in the movie, and I think when the rational part of my brain realized that it wasn’t broadcasting the right movie, it woke me up.

Which is a shame, because I would have really liked to have seen how it ended.





FEATURE: Unadjusted vs. Adjusted Box Office

4 02 2010

I don’t know if you have heard, but there is this little movie out in theaters now called “Avatar.”  It has been breaking box office record after box office record, every day stealing the top spot from movies like “The Dark Knight” and “Titanic.”

The past two weeks have brought a tidal wave of incredibly important titles for James Cameron’s motion capture epic.  On Monday, January 25, “Avatar” became the highest grossing film in overseas markets.  The very next day, it became the highest grossing movie worldwide.  On Tuesday, February 2, the day “Avatar” was nominated for nine Academy Awards including Best Picture, it became the highest grossing movie ever at the United States box office.  (All three titles were nabbed from Cameron’s “Titanic.)

Before I delve into deeper analysis, I think some hearty congratulations are in order for James Cameron and everyone involved in bringing “Avatar” to the screen.  No matter what you thought of the movie, you have to appreciate the tremendous amount of work that went into making it.  The amount of money that it takes to pay for a movie ticket has skyrocketed to prices that have forced Americans to reconsider how often they go to theater.  As a result, watching movies on laptops, iPods, and video game consoles has soared.  ”Avatar” has returned the urgency to getting full immersion in the theatrical experience, and James Cameron deserves to be raking in all the money that he is.

But does “Avatar” really deserve to be called the biggest movie of all time?  There are people who claim the system by which that claim is made is flawed.  What I want to do is introduce you to the system that the detractors swear by – the “adjusted” system – and let you decide what system you think is the best.

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Random Factoid #191

4 02 2010

I feel like a dinosaur writing this, but I remember whenever there were no such things as “fan pages” on Facebook.  More than that, I remember whenever fan pages were only for celebrities and TV shows and the like.

Now, everyone is becoming a fan of vague ideas and statements.  I’m sorry, but I refuse to become a fan of “flipping over the pillow to get to the cold side.”  I’ll smirk at seeing other people join it, but why would I waste my time joining it?

Anyways, I limit my fan pages.  Right now, I’m at a healthy 18 (I have friends with well over 500).  Of course, I am a fan of things related to movies – why else would I write about it here?  I am a fan of “Up in the Air,” “The Dark Knight,” and Gabourey Sidibe.





Another Great Honor!

4 02 2010

Despite what I often infer from the lack of comments on the blog, people are actually discovering “Marshall and the Movies.” A few days ago, I saw a link to a post on British film site Total Film called “600 Film Blogs You Might Have Missed.”  The purpose was to highlight blogs

I didn’t even click on it the first time I saw it.  I assumed it was for the big wigs, and I would be nowhere near contention for the list.

But then something inspired me to go back and look over the list.  Maybe by some strange stroke of luck I did make it.

Sure enough, on page 2, I found myself!

I am so tremendously honored to be listed amongst some of these amazing bloggers! If you ever get tired of reading me, head over to this list to find another blog. There is literally a blogger for every sort of strange movie quirk you might want to read about.





Random Factoid #190

3 02 2010

Yesterday afternoon, I had an exciting revelation.

For the first time in my life, I had seen every single Best Picture nominee on the day that the nominations were announced!  I can now speak without reservations about personal taste on the category!