You’ve almost assuredly heard all the bad buzz surrounding “The Last Airbender.” And yes, it’s pretty bad. But don’t let the 9% fresh rating on Rotten Tomatoes convince you that this some sort of cataclysmic flop. It’s no worse than any of the other mindless, soulless blockbusters that studios engineer to turn our suffering into their profit.
The root of the movie’s problems is producer, writer, and director M. Night Shyamalan and his decade-old hubris from creating one of the greatest thrillers ever made, “The Sixth Sense.” The allure wore off in 2004 with the release of “The Village,” and it’s been all downhill since. No longer can he coast on the glory of that one movie; you can’t feed America crap and then fall back on dusty laurels. One can only hope that this wakes Shyamalan from his stupor, and he will go back to making good movies. That would make one good thing that could come from “The Last Airbender.”
Everything suffers from Shyamalan’s ignorance. His script is unimaginative and dull. Simply put, he just cannot handle themes or dialogue. The plot does move, although at the pace of molasses sliding down a mountain. It’s no simple task to dumb down genocide, but Shyamalan does it with ease (and that’s not a compliment).
The acting is all pretty laughable, even Dev Patel (for whom I yelled “JAMAL!” upon seeing). I normally don’t think ethnic casting too big of an issue, but it did bug me that the three leads were white and everyone else was Indian. Unfortunately, the worst among the ranks is Noah Ringer, who plays top dog Aang thanks to his discovery at an open casting call. Apparently, they weren’t looking for anyone with any talent or acting skills. You could have stuck one of the E-Trade babies in the movie and gotten a more emotionally compelling and appropriate performance. Never did I think I would see the day when I would pine for models turned actors, but watching “The Last Airbender” made me do just that.
The visuals aren’t terrible, and the bending of the elements looked pretty cool. I could even get over the fact that the art of bending looks like a step-by-step instructional for urban dancing. But once again, Shyamalan undoes what the visuals could have done for the movie by sculpting horrible action sequences. His use of slow-motion is more than excessive, it’s outrageous. And when the adrenaline-fueled action moves as slowly as the rest of the movie, you know you’re in for a painful ride. C- / 
Marshall and the Movies 
I don’t think I’ll ever see this. Not my cup of tea, I don’t like the series and the trailer gave me a headache.
I think you can’t really blame the actors for the acting. You can only do so much with such a terrible script. I call it the “Star Wars”/George Lucas effect. You know Natalie Portman and Liam Neeson are amazing actors, but they weren’t so amazing with the script they had to work with. I really hope this wakes up Shyamalan, because this script was so BORING and STUPID.
The difference is I didn’t wince and cringe watching Natalie Portman and Liam Neeson.
This is very disappointing, but not unexpected. I was rooting for Shyamalan to make a “come back,” but was prepared for the more likely outcome of it not happening. I read once that Hitchcock made more than fifty films, but only thirteen of them (“Psycho”, “Rebecca”, “North by Northwest”, ect) were note worthy. While Shyamalan is not on the same level of Hitchcock by any means, in many reviews of “Signs” and “The Sixth Sense” he has been compared to the master of suspense. Unfortunately, Shyamalan probably already had his “good streak,” and we can’t expect anything of importance from the director again.
No worse than any of the other mindless blockbusters? Really? I thought this was so much worse then any other movie to come out this year. I was hard pressed to find one thing in this movie that I could speak positively about. Well, that’s not true. I thought Patel was alright. Everything else was just terrible.