Here’s something that generally serves as harbinger for an undeveloped movie: if a movie has to say its title multiple times to continually telegraph its themes. Bonus points if said theme is also the film’s title.
“Truth” is obsessed with, well, the truth and asking questions as it pertains to journalistic inquiry. James Vanderbilt’s film follows a “60 Minutes” squad led by Cate Blanchett’s Mary Mapes as they dig deeper into then-President George W. Bush’s dubious military record. Their investigation appears to uncover preferential treatment that kept him out of Vietnam.
However, that finding comes under intense scrutiny after a document’s authenticity cannot be proven. The fallout ultimately claims the position of longtime CBS evening news anchor Dan Rather, played unconvincingly by the great Robert Redford. Needless to say, this is pretty much a nightmare for the newsroom, yet somehow writer/director Vanderbilt tries to spin some shades of gray from it.
The argument, so it seems, is that Bush somehow deserved to be caught and that Mapes had every right to question him without airtight facts. I can only assume he wagers that the world would be better had Bush not been re-elected, journalistic ethics be damned. He has an “All the President’s Men”-level faith in the power of reporters to bring down a president with none of the respect for the rigorous procedures that allow them to speak truth to power.
What could have been a cautionary tale about confirmation bias – the interpretation of information to suit the narrative in one’s head – essentially just tries to turn Mapes into some kind of martyr. Blanchett does her best to sell this angle, mixing and matching elements from her performances in “Blue Jasmine” and “Notes on a Scandal” to make it work. But even she cannot transcend the victimization complex that plagues her character on the page, so the net result of “Truth” ends up being negative for the fourth estate. B- /