There is nothing explicitly wrong, so to speak, with being a throwback to a type of movie that does not get made much anymore. Such is the case with “The Gift,” written and directed by Joel Edgerton, a film that harkens back to Adrian Lyne-style thrillers like “Fatal Attraction.” The setup is practically identical, even, with an outsider posing a threat to a young professional couple.
In “The Gift,” however, the menace is not the temptation of sexual gratification in the future but the looming specter of the past. Jason Bateman’s Simon finds himself and his wife, Rebecca Hall’s Robyn, pestered by his old high school classmate Gordo (Edgerton – in front of the camera as well). The annoyance goes far beyond the social awkwardness Gordo tends to exhibit, and it draws Robyn’s curiosity to answer the question why exactly her husband just wants this guy to go away.
Her quest for clarity provides some decent thrills as it also invites an escalation of creepy defensiveness from both men. Yet, in equal measure, “The Gift” also manages to feel so … expected. Why Edgerton brings out these somewhat dusty genre tropes remains a bit perplexing. This style of thriller is not yet so outmoded that other filmmakers should be paying loving homage, so that motive does not feel right. He’s neither in conversation with the conventions nor revising them.
Perhaps, for his feature debut, Edgerton just wanted to go with something that generally tends to work. Hard to blame him for choosing safety, though it’s a somewhat disappointing start as a director for a man who makes such riveting choices as an actor. B- /