If anyone is skeptical that our culture may be reaching a saturation of Christmas narratives, Jonathan Levine’s “The Night Before” ought to dispel that last shred of doubt. The film, co-written with Seth Rogen’s creative partners Evan Goldberg, Ariel Shaffir and Kyle Hunter, is a loving ode to just how much Americans love their holiday movies. The film pays homage to everything from “Home Alone” to “Elf” and even “Die Hard” during a crazy Christmas Eve shared by three old friends.
The Christmas movie appreciation leaks into the very fabric of the script, a half-baked attempt at making a stoner version of Dickens’ classic “A Christmas Carol.” (And with a bit of “It’s A Wonderful Life” as a cherry on top, to boot.) Only, instead of following one character, “The Night Before” splinters into three separate narratives bundled together.
The film follows Seth Rogen’s soon-to-be new father Isaac, Anthony Mackie’s recently famed pro quarterback Chris and Joseph Gordon-Levitt’s hapless musician Ethan on what could be their last Yuletide celebration … and not just because each is lucky to survive the shenanigans. Each guy gets their hilarious moments with a very game supporting cast, especially Isaac’s unnaturally supportive expectant wife Betsy (Jillian Bell), streetwise bandit Rebecca (Ilana Glazer), Ethan’s straight-shooting ex Diana (Lizzy Caplan) as well as Sarah, a character so Mindy Kaling-esque she had to be played by Mindy Kaling.
The film plays to the strengths of its ensemble so well that it becomes hard to spite the movie providing little more than the good time such a cast portends. “The Night Before” does not add up to more than the sum of its parts, mostly because the fragmented narrative never quite coheres by the end. It’s good for a laugh, but those hoping for a new adult holiday classic to play after the kids go to bed should probably just go for a repeat viewing of “Bad Santa.” B /