Dan Brown’s historically-inspired adventure tales have never felt more like a “National Treasure” movie than in Ron Howard’s adaptation of his most recent Robert Langdon tale, “Inferno.” What might pass as labyrinthine on the page proves laborious on the screen as the story runs in two opposite directions at once to cover 600 pages in 2 hours.
On the one hand, Langdon (Tom Hanks) tries to piece together two days he seems to have forgotten – during which time he went from Cambridge, MA to Florence, took a priceless artifact from the Uffizi and suffered massive head trauma. He lacks the luxury to sit down and calmly place all the puzzle pieces together, however, as a consortium of Italian police, World Health Organization officials, and corporate interests track him down. Langdon unwittingly possesses information from Ben Foster’s Bertrand Zobrist, a recently deceased billionaire who took Thomas Malthus a little too seriously and gives morbid TED Talk-style lectures about the grave dangers of overpopulation.
If it sounds like “Inferno” has one too many plates for Howard to keep spinning, that’s because it does. Screenwriter David Koepp ensures that none are ever dropped, which is a pretty remarkable feat, though plenty come close to breaking with all the character reversals upon which Brown insists. (Seriously, he makes the “Now You See Me” series look like a model of restraint in this regard.) There are worse things to watch than Hanks’ Langdon on the run with Felicity Jones’ Dr. Sienna Brooks, a child prodigy and early Langdon fan. Yet there are plenty better things as well, especially given the page-turning quality that Brown’s books possess. “Contagion,” but as a glorified chase movie, feels like settling for less. B- /