REVIEW: Le Week-End

13 06 2017

Who says going to the City of Light is always a romantic, picturesque getaway? In Roger Michell’s “Le Week-End,” a British couple celebrating their 30th wedding anniversary finds the city a staging ground for their most practical and petty matters. For Meg and Nick (Lindsay Duncan and Jim Broadbent), this grand city does not necessarily demand grappling with grand problems.

Newell finds the sweet spot between the gentle compassion of Nancy Meyers and the plainspoken working-class mentality of Mike Leigh. Not to mention, his depiction of the city also occupies a halfway ground between the American romanticizing of Paris and the French highlighting of its underbelly. The film provides a window into the dissatisfaction a couple may face when the kids are gone and they have to truly face each other. As you stare down the end, whose hand do you want to hold?

“Le Week-End” might feel a touch more slight were the graying crowd not so underrepresented on screen. Were they as well represented in movies as they are in Washington, then surely I’d be echoing then-Variety critic Justin Chang in his savage takedown of a particularly bad prolonged adolescence indie when he called it “the latest American independent feature to suggest there are few things more intriguing than a young white guy trying to find himself.” But for what it is now, the film works just fine. B-

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