REVIEW: Collide

4 07 2017

What do you do when you’re making a vehicular-centered action thriller but you don’t have the stunt budget of a “Bourne” film or the pyrotechnic capabilities of the “Fast & Furious” franchise? Hopefully not what Eran Creevy does in his film “Collide,” which is to do a low-key version of those series and not to compensate by adding onto another element.

The easiest thing to do would have been further developing Nicholas Hoult’s Casey, an American living in Germany and participating in its seedy underbelly – until he falls in love with Felicity Jones’ Juliette. They enjoy a brief courtship and fall in love quickly only for her to develop a medical condition requiring dialysis and a hefty sum of cash. In order to cover the cost of her care, Casey delves back into the Cologne black market. One simple task, however, gets him caught in the crosshairs between two kingpins.

The vast majority of “Collide” details Casey’s escape, evasion of capture and ultimate showdown with his pursuers. That makes sense: look at the poster, watch the trailer, read the logline – this is a car chase and explosions movie. But I so desperately wanted them to mean more. Creevy fails to connect them back to the human core of Casey’s mission, which makes the scenes feel like soulless metal clanging and gears shifting.

He had incredibly capable actors in Hoult and Jones to hold the emotional center, too! Jones rarely gets to be more than an accessory in “Collide,” but there are moments when Creevy rests the camera on Hoult’s shifting eyes and restless face that speak volumes for his character. The film needed about twice the length of exposition on Casey and Juliette’s relationship to make the film work. That would be just 15 minutes added onto a movie that only runs an hour and 30 minutes, and it would have made all the difference. C

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