My first film in theaters, officially, was Disney’s “Pocahontas” as an impressionable young 3-year-old. But the first movie I really remember seeing was another animated gem from the Mouse House – “Hercules.” I distinctly remember the energy of the sneak preview crowd, the toe-tapping jams and the inspirational journey of a hero finding his place in a cosmic plan.
Nearly 20 years later, I found much of those same elements at work in the latest Disney animated feature, “Moana.” (It’s probably no coincidence that the two films share the same directing pair, Ron Clements and John Musker.) Both films thrive on theatricality, creativity and sincerity. Their stakes might tip towards the fate of entire civilizations, yet they never lose track of their human factor: a longing for self-actualization that unites us all.
This story of a young Hawaiian chieftess, Auli’i Cravalho’s titular character, seeking both her higher calling and salvation for the villagers that count on her shares a similar mythic dimension as “Hercules.” In a sign of evolution for the studio, though, they take the time to learn and care about the culture in which they place their narrative. From tattoos to topography and language to lore, Disney portrays Hawaii’s traditions respectfully and without exoticizing. There’s more to this Hawaii than one might gather from dinner theater at a resort, in other words.
Seeing as how she got her start on “Saturday Night Live,” Kristen Wiig is certainly no stranger to satire. While her work on that topical comedy show often brilliantly pointed out human error and ridicule, most of it pales in comparison to her scathingly incisive new film, “
Marshall and the Movies 
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