REVIEW: Carnage

25 03 2012

Every medium has its distinct storytelling capabilities.  The written word can inundate us with rich details and vivid characterization.  The stage can engage our hearts and our eyes with proximity and unflinching reality.  Film can wow us through fast manipulation of image and story that words or actors alone cannot illuminate.  Some, but not many tales can bounce between the different media.  Those that make the jump require strenuous retooling to fit the expressive purposes of their newfound home.

The fatal flaw of Roman Polanski’s “Carnage” is that it is merely a carbon copy of its source play, Yasmina Reza’s Tony Award-winning play “The God of Carnage.”  The two masters of their respective crafts, collaborators on the script, ultimately fail to realize what is cinematic about the story.  As a result, it just feels like a performance of the play itself (which I have read and deeply admire!) merely caught on film.

Now don’t get me wrong, I’m certainly happy that more people will be exposed to Reza’s keen insights into our primal natures.  Not everyone can afford to see it on Broadway, nor are touring or repertory companies going to be performing this in every town.  But it does the work a disservice to merely slap it onto a screen when it belongs on a stage.

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