REVIEW: Cosmopolis

16 08 2012

Woah, woah, woah, slow down, there! What on earth did you just say? What could that possibly mean? Why should I care at all?

Such are the questions that will inevitably be invoked by anyone watching David Cronenberg’s “Cosmopolis.”  While a billionaire driving around the streets of New York in a limousine amidst massive social upheaval certainly packs a timely, relevant thematic punch, you can’t puzzle over the film’s deeper meaning because it’s so difficult to get past the first layer: the dialogue!  I’ve even read another book by Don DeLillo, author of the novel “Cosmopolis” from which the film was adapted, and I found the way the characters talked to be absolutely infuriating.

Everyone speaks in non-sequiturs, and no one ever seems to say exactly what they mean or have any sense of urgency.  At times, the dialogue even seems to delve into absurdism – where nothing relates to anything.  The film’s structure, in addition, jumps from conversation to conversation with very little explanation.  One second, Robert Pattinson’s Eric Packer is discussing the intricacies of global currency with Shiner (Jay Baruchel) … and then a quick cut to the next scene where he’s having sex with his art dealer (Juliette Binoche) – all in the limousine!

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