“Fifty Shades of Grey” boasts a killer soundtrack of catchy pop tunes from some top artists – Beyoncé, Ellie Goulding, Sia – to spruce up what might otherwise be boring, forgettable montages. But while I watched the dominant sadomasochist Christian Grey (Jamie Dornan) attempt to lure the innocent, virginal Anastasia Steele (Dakota Johnson) into a contract as his submissive, another song kept playing in my head.
Here’s an excerpt from that song, “Never Learn Not To Love” by The Beach Boys.
“Cease to resist, come on say you love me
Give up your world, come on and be with me
I’m your kind, I’m your kind, and I seeSubmission is a gift given to another
Love and understanding is for one another
I’m your kind, I’m your kind, and I see”
The surfing rock group makes those lyrics sound pleasant, even romantic. But they become rather frightening when considering who they essentially plagiarized the song from: Charles Manson.
There’s something decidedly demented (or, dare I say, “Haunted” like the Beyoncé track from the film) about Grey’s psychology. He pulls heavily from pimp logic, the same rationale Manson used to lure and maintain his followers. Grey obsesses over making Anastasia sign a contract that allows him free license, within mutually agreeable bounds, to exploit her endlessly for the purposes of whetting his niche sexual appetites. He gets pleasure, while she gets an odd mixture of fear and love. (Seems like a rather uneven balance of power, but I’m single – so what do I know?)
Getting her John Hancock serves as the conflict and obstacle that keeps the thin plot of “Fifty Shades of Grey” going, although there is a compelling case that the one-upmanship of the successive sex scenes is what really keeps the interest in an otherwise standard-issue “romance.” Those just watching for skin should not even bother tuning in until the 45 minute mark, when the conventional courtship tale switches gears into the kind of soft-core porn film that plays around midnight on HBO.
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