REVIEW: Bad Moms

5 09 2016

We’re at a cultural moment where parents are more stressed and confused than ever as they try to prepare children for a newly competitive world while also imparting the requisite cultural norms necessary for survival. (Never mind having any time for their own personal happiness and satisfaction.) It’s the perfect time for a movie like Jon Lucas and Scott Moore’s “Bad Moms” to come along and assure audiences that there is still value in just being a good, decent person. If only it were a little bit funnier, the film would be a cultural touchstone for generations to come.

Lucas and Moore’s background writing “The Hangover” shows as the film’s key trio bears a striking resemblance to the Wolfpack. Mila Kunis’ Amy has her act most together but struggles to find satisfaction amidst the demands placed on her by a louse of a husband (think Bradley Cooper’s Phil Wenneck). Kristen Bell’s Kiki is a meek, sexually naive mother of four who mistakes her ignorance for happiness (see Ed Helms’ Stu Price). Kathryn Hahn’s single swinger Carla proves a wild card in any scenario (sounds like Zach Galifianakis’ Alan Garner).

As they fight back against societal pressures to maintain the image of perfection, enthusiasm and optimism, these moms’ antics are more likely to spark discussion groups in sociology seminars than set social media ablaze with a killer line. Their candid conversations, easily more memorable than their Top 40-scored romps of bad behavior, are notable for the way the women speak to each other. They speak less as characters or friends and more as field workers looking for answers to research questions about modern motherhood.

Never fear, humor-seekers: Lucas and Moore always provide a joke line as a response. But “Bad Moms” doesn’t need a sequel so much as it needs a sitcom. In that format, the creators might really be able to delve into the issues that so clearly concern them without succumbing to the pressure for a giant comedic set piece on such a consistent basis. B-2stars

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REVIEW: Madagascar 3: Europe’s Most Wanted

23 06 2012

I had just finished sixth grade when the first “Madagascar” film came out, and I must say, I enjoyed it probably as much as the six-year-olds in the theater.  Then I was in tenth grade when “Madagascar: Escape 2 Africa” hit theaters, and I disdained it like a ten-year-old who thinks he’s too cool for school and animated kids entertainment.  Now, I’m heading into my sophomore year of college while “Madagascar 3: Europe’s Most Wanted” is taking over screens in three dimensions.  Regardless of your age watching this movie, if you can just accept the inherent childishness of the series, you can enjoy it.

DreamWorks Animation found a way to reclaim what they do best (and thus separates them from their main competitor, Pixar): providing a family movie experience that creates a bottom line of ridiculous, zany antics for the kids while also littering the film with very sophisticated wordplay and adult humor that flies right over the little ones’ heads.  Pixar tries to level the playing field and get child, parent, and grandparent to view the movie from the same viewpoint; that’s what makes “Up” one of my all-time favorites.

But only DreamWorks provides maturely humorous animation that you can watch the tykes around, and it’s pretty ingenious how they can create two totally different intellectual experiences.  I know you probably don’t expect to hear intellectual tossed around in many reviews of the “Madagascar” series, but it’s a smart way to make money and maybe turn that ticket stub into a DVD purchase.

If you can’t handle Chris Rock’s ludicrous “Circus Afro” song or any of the New York Zoo crew’s antics, then maybe your appetite for humor will be met by their numerous pot shots at Europeans.  Kids aren’t going to get all the jokes about European labor laws and culture, but if you’ve tuned into CNN in the past year, you might get a kick out of it.  (Seeing this just two days after coming back from Europe sure made me chuckle – these movies may ask you to suspend reality, but they sure nailed Europe.)  I’m not saying that any sort of comedic brilliance exists in the DNA of “Madagascar 3;” however, I will say I think you’ll be hard-pressed to sit through the movie without having a few good laughs.  B /