My “Virginia Woolf” Cast WON!

16 06 2010

Back in May, I alerted you to a contest I was participating in, “LAMB Casting,” over at the Large Association of Movie Blogs (LAMB).  The premise was to recast a classic movie with modern actors.  The last contest asked bloggers to take their best crack at creating a new cast for Mike Nichols’ censorship-defying “Who’s Afraid of Virginia Woolf?”

Andrew from “Encore Entertainment” was in charge of the event, and he created some great graphics as well as great write-ups on each of the casts submitted.  Go over to the LAMB and check out his hard work, or better yet, go look at his site itself.

Andrew’s comments on my cast were as follows:

Marshall’s cast is the most Hollywood, and that is a compliment. I can see this one being made and the casting of Ms. Bening is largely responsible for that. From Carolyn Burnham to Julia Lambert to Deidre Burroughs how could I not think she can handle this? I’ll admit George Clooney does nothing for me, and though I’m somewhat sceptic of his ability to succeed Richard Burton he would probably surpise me. It would be interesting see good-boy Jake playing Nick, but it is the sort of role he could make work and his pairing would Amy Adams would be believable (who gets chosen once again).

My Favourite: Annette Bening

Sure enough, in a close race, I (or really, my Hollywood cast) won by two votes.  So, for my victory lap, I’ll explain my casting choices.

As soon as I heard that “LAMB Casting” was covering “Woolf,” I knew two things.  The first was that the cast needed to be all highly respected and established actors, preferably Oscar nominees since the entire cast received nominations back in 1966.  The second, and probably most key to my victory, was that Annette Bening had to be Martha.  She’s the best actress at suppressing rage underneath a fairly calm exterior and still making it terrifying when it inevitably explodes out of her.  Carolyn Burnham, her character from “American Beauty,” was incredibly influential in my decision.  Her constant frustration with her husband and the mediocre life they live clearly takes its toll on her to the point that she completely alters her lifestyle to keep from boiling over.

The other quick decision was casting Amy Adams, an Oscar nominee for “Junebug” in 2005, as the more innocent yet feisty Honey.  Few others can play that level slightly above ditzy, and none to more acclaim than Adams.  As for being sweet and lovable, look no further than “Enchanted.”  She hasn’t really taken on a role that shows us her wild side (the closest she got would probably be “Talladega Nights”), but the movie would definitely prove a chance for her to wow us with something new.

As for her husband, Nick, I was looking for someone with a good amount of charm and someone fairly “good looking” by Hollywood standards.  Thinking of Oscar nominees, Jake Gyllenhaal kept coming to mind.  His first big role was the modest and humble Homer Hickam in “October Sky,” which is enough to convince me that he can handle the at first polite Nick.  But as the movie progresses, he’ll have to become more serious and stand head-to-head with Bening.  He could clearly match her in intensity, as roles in movies like “Brokeback Mountain” and “Brothers” have shown.

My last role to cast, George, was kind of a toss-up.  I couldn’t really think of anyone with the same qualities as Richard Burton, who was very grave and serious basically throughout – a counterpoint to his wife who’s drowning in alcohol.  Ultimately, it came down to finding someone who could have some compelling arguments with Bening and wouldn’t be totally overshadowed by her either.  I settled on Clooney because “Up in the Air” showed us that he can share the spotlight with women, and I think his generally friendly personality might lend a little bit of lightness to George that wasn’t there with Burton.  And after that final scene in “Michael Clayton,” I know he can make one heck of a great argument (start the “Michael Clayton” video at 3:30 to see Clooney in action).

CAUTION: SPOILERS IN VIDEO BELOW

So, in closing, let me give a big “Marshall and the Movies” THANK YOU to everyone who voted for my cast.  As a result, I now get to pick the next “LAMB Casting.”  Any suggestions?  My initial thought was to keep the Mike Nichols theme going and recast “The Graduate,” but that has such a small cast.  I’ll field any ideas, no matter how crazy, in the comments below.





REVIEW: Prince of Persia: The Sands of Time

31 05 2010

We’ve all come up with our laundry list of complaints about summer blockbusters.  They all seem to fall into the same predictable pattern of making the same mistakes.  Every once in a while, a big summer popcorn flick surprises us by redressing these grievances and win us over by avoiding the normal pratfalls.  They really don’t have to be great in their own right.

However, Jerry Bruckheimer has found success in making ones that are.  He first struck gold with “Pirates of the Caribbean: The Curse of the Black Pearl,” a smart swashbuckling action movie with the most unlikely of sources – a theme park ride.  His latest summer tentpole release, the video game adaptation “Prince of Persia: The Sands of Time,” seemed more likely to tread the path of summer disasters.  But by addressing every problem on our laundry list, it becomes undeniable moviegoing fun and could wind up being one of the highlights of the summer movie season.

We hate having nothing but action.  Director Mike Newell seems to find the perfect balance between sprawling battle sequences and downtime for character and plot development.  And he also finds impeccable timing for the shifts; as soon as we begin to grow bored of one or thirst for the other, we get it.

We hate being insulted by terrible plots.  Much to my surprise, “Prince of Persia” actually sports an incredibly engaging storyline that grabs you from the get-go.  Unlike most video game movies, it does not concede and let the action tell the story.  To say it is intelligent may be a stretch, but it’s only a few rungs below it and certainly much smarter than your average summer popcorn flick.  It skillfully weaves fantasy into an otherwise very real world, and it ties the beginning and end together in a very gratifying way.  But perhaps most impressive, it actually seems to understand the concepts of destiny and fate.

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What To Look Forward To In … December 2009

14 11 2009

What is in my mind the finest month for the movies is almost here!  Let Marshall guide you through the best and steer you away from the worst, but most of all enjoy!  The studios have been holding back their best movies all year to dump them all here, where they can get serious awards consideration.

December 4

A major Oscars wild-card is “Brothers.”  No one really knows what to make of it.  If the movie hits big, it could completely change the game.  But it could just fly under the radar like most expect it to now.  However, the trailer makes it look as if it the movie could be absolutely mind-blowing.  Directed by Jim Sheridan, who has received six Academy Award nominations, “Brothers” follows Grace Cahill (Natalie Portman) as she and her daughters deal with the loss of her husband, Sam (Tobey Maguire), in war.  Sam’s brother, Tommy (Jake Gyllenhaal) comes to live with Grace to lend a helping hand.  But romantic sparks fly between the two at precisely the wrong time: the discovery that Sam is alive and coming home.  With the two brothers both tugging Grace’s heart for their share, a different type of sparks fly.

You have heard me say plenty about “Up in the Air.”  If you haven’t read my Oscar Moment on the movie or heard my bliss at the release of the trailer, let me give you one more chance to hope on the bandwagon.

But the movies don’t stop there.  “Armored,” an action-drama that is tooting its own moral horn, starring Matt Dillon and Laurence Fishburne.  “Everybody’s Fine” appears to be a holiday movie, so that might be worth checking out if you’re in the spirit.  The movie, a remake of a 1990 Italian film by the same name, stars Robert DeNiro as a widower who reconnects with his estrange children.  And “Transylmania” looks to cash in on the vampire craze sweeping the nation by satirizing it, but I doubt it will be financially viable because it is being released by a no-name studio and without any big names.

December 11

The highlight of the weekend for many will be “The Princess and the Frog,” Disney’s return to the traditional animation by hand musical.  The movie looks to capitalize on what we know and love Disney musicals for, adding some catchy tunes to a fairy tale we have known since childhood.  Anika Noni Rose, best known for her role as Lorrell in the film adaptation of “Dreamgirls,” lends her talented voice to the princess Tiana.  As a huge fan of “Dreamgirls” during the winter of 2006, I couldn’t think of someone better equipped to handle the sweet, soft Disney music (which isn’t designed for belters like Beyoncé or Jennifer Hudson).  That being said, the music won’t sound like anything you’ve ever heard from a Disney fairy tale.  It is being scored by Randy Newman, not Alan Menken (“Beauty and the Beast,” etc.), and will have a jazzy feel much like its setting, New Orleans.

This week also boasts the opening of three major Oscar players. Two have been featured in Oscar Moments, “Invictus” and “A Single Man.” The former opens nationwide this Friday, the latter only in limited release. I’ll repost the trailers below because they are worth watching. But read the Oscar Moment if you want to know more about the movies.

According to the people that matter, “The Lovely Bones” has all the pieces to make a great movie. But for summer reading two years ago, I read the source material, Alice Sebold’s acclaimed novel. I found it dreadfully melodramatic and very depressing without any sort of emotional payoff to reward the reader for making it through. But maybe Hollywood will mess up the novel in a good way. If any movie could, it would be this one. With a director like Peter Jackson and a cast including Saiorse Ronan (“Atonement”), Mark Wahlberg, Rachel Weisz, Stanley Tucci, and Susan Sarandon, it could very well happen.  It opens in limited release on this date and slowly expands until its nationwide release on Martin Luther King Day weekend in 2010.

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