REVIEW: Blue Is the Warmest Color

15 06 2013

Blue is the Warmest ColorCannes Film Festival – Official Competition

Producers of the upcoming film adaptation of “Fifty Shades of Grey,” I have found your director.  Thank me later.

In the past three weeks since I’ve seen Abdellatif Kechiche’s “Blue Is the Warmest Color,” I have gone back and forth on whether I deem it to be pornography.  What I can say without a doubt, however, is that it features the most graphic depictions of sexuality between any two people that I have ever seen on film.  It takes that honor away from Steve McQueen’s 2011 masterpiece “Shame,” which used pornographic aesthetics to ironically point out just how little pleasure was present in the carnality occurring before our eyes.

Kechiche’s camera, whether voyeuristic or artistic, captures human sexuality between the timid young Adele (newcomer Adele Exarchopolous) and the nubile Emma (Lea Seydoux) at an extremely intimate level.  On the one hand, it seems almost animalistic as we feel their every body movement, see the saliva drip, and hear their every moan.  Yet at the same time, it’s also highly erotic.  Kechiche seems more focused on capturing the act from every angle and less on the experience that Adele and Emma are having.

The story just stops as we are left to gaze at Adele and Emma entangling in a frenzied sexual embrace.  Acting halts as well since the camera just cares about Exarchopolous and Seydoux’s extremities, not their faces.  In addition, Kechiche’s segues into sensuality are so abrupt and unexpected that once the first scene occurs, it’s impossible not to be constantly wondering if the next edit will lead into intertwining limbs or passionate moans.

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F.I.L.M. of the Week (May 14, 2010)

14 05 2010

With the kickoff of the Cannes Film Festival this week, it seems fitting that the “F.I.L.M. of the Week” honor a recent winner of their most prestigious prize, the Palme D’Or.  That winner would be “The Class,” the French film which also scored an Academy Award nomination for Best Foreign Film.  The movie is an interesting look at an at-risk classroom in France from the preliminary teacher meetings in summer to the final bell of the year.  It particularly concerns itself with the style and methods of the teacher, François Marin.

It’s supposedly semi-autobiographical, but I would have completely believed it was a documentary.  The film is shot with a very realistic style, using mostly long, drawn-out scenes in the classroom.  These work effectively to show us not only what teaching to a class of lazy and uninspired students is like, but also to introduce us to the students and Marin.

Most of the movie serves to make us ponder about Marin’s tactics as a teacher.  What makes him a good teacher?  Why can he inspire some students but not all of them?  What are his weaknesses?  You don’t have to be teacher to find it thought-provoking.  Marin fights not only for their attentiveness, but he also has to act as a mediator between ethnic conflicts.  With such a diverse class, harsh words often fly.  I can’t think of a better and more honest portrayal of such issues than this movie.

One more note (and I have to thank Brokenprojector.com for these observations): the original title of the movie in French was Entre les murs, which is literally translated as “Between the Walls.”  Indeed, “The Class” does take place between the walls.  The camera never leaves the school, but more than that, it alludes to both the teachers and students being trapped inside a school, neither being able to come up with a solution that can serve as an ultimate panacea.





What To Look Forward To In … December 2009

14 11 2009

What is in my mind the finest month for the movies is almost here!  Let Marshall guide you through the best and steer you away from the worst, but most of all enjoy!  The studios have been holding back their best movies all year to dump them all here, where they can get serious awards consideration.

December 4

A major Oscars wild-card is “Brothers.”  No one really knows what to make of it.  If the movie hits big, it could completely change the game.  But it could just fly under the radar like most expect it to now.  However, the trailer makes it look as if it the movie could be absolutely mind-blowing.  Directed by Jim Sheridan, who has received six Academy Award nominations, “Brothers” follows Grace Cahill (Natalie Portman) as she and her daughters deal with the loss of her husband, Sam (Tobey Maguire), in war.  Sam’s brother, Tommy (Jake Gyllenhaal) comes to live with Grace to lend a helping hand.  But romantic sparks fly between the two at precisely the wrong time: the discovery that Sam is alive and coming home.  With the two brothers both tugging Grace’s heart for their share, a different type of sparks fly.

You have heard me say plenty about “Up in the Air.”  If you haven’t read my Oscar Moment on the movie or heard my bliss at the release of the trailer, let me give you one more chance to hope on the bandwagon.

But the movies don’t stop there.  “Armored,” an action-drama that is tooting its own moral horn, starring Matt Dillon and Laurence Fishburne.  “Everybody’s Fine” appears to be a holiday movie, so that might be worth checking out if you’re in the spirit.  The movie, a remake of a 1990 Italian film by the same name, stars Robert DeNiro as a widower who reconnects with his estrange children.  And “Transylmania” looks to cash in on the vampire craze sweeping the nation by satirizing it, but I doubt it will be financially viable because it is being released by a no-name studio and without any big names.

December 11

The highlight of the weekend for many will be “The Princess and the Frog,” Disney’s return to the traditional animation by hand musical.  The movie looks to capitalize on what we know and love Disney musicals for, adding some catchy tunes to a fairy tale we have known since childhood.  Anika Noni Rose, best known for her role as Lorrell in the film adaptation of “Dreamgirls,” lends her talented voice to the princess Tiana.  As a huge fan of “Dreamgirls” during the winter of 2006, I couldn’t think of someone better equipped to handle the sweet, soft Disney music (which isn’t designed for belters like Beyoncé or Jennifer Hudson).  That being said, the music won’t sound like anything you’ve ever heard from a Disney fairy tale.  It is being scored by Randy Newman, not Alan Menken (“Beauty and the Beast,” etc.), and will have a jazzy feel much like its setting, New Orleans.

This week also boasts the opening of three major Oscar players. Two have been featured in Oscar Moments, “Invictus” and “A Single Man.” The former opens nationwide this Friday, the latter only in limited release. I’ll repost the trailers below because they are worth watching. But read the Oscar Moment if you want to know more about the movies.

According to the people that matter, “The Lovely Bones” has all the pieces to make a great movie. But for summer reading two years ago, I read the source material, Alice Sebold’s acclaimed novel. I found it dreadfully melodramatic and very depressing without any sort of emotional payoff to reward the reader for making it through. But maybe Hollywood will mess up the novel in a good way. If any movie could, it would be this one. With a director like Peter Jackson and a cast including Saiorse Ronan (“Atonement”), Mark Wahlberg, Rachel Weisz, Stanley Tucci, and Susan Sarandon, it could very well happen.  It opens in limited release on this date and slowly expands until its nationwide release on Martin Luther King Day weekend in 2010.

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