REVIEW: Snowpiercer

3 07 2014

SnowpiercerDirector Bong Joon Ho, like many cinephiles, is a big fan of Tilda Swinton.  And at the 2011 Cannes Film Festival, he tracked her down and professed his admiration at a brunch.  Afterwards, they mutually decided they would work together on something in the future.

Joon Ho was in the process of writing “Snowpiercer,” and he feared there would not be a part for Swinton in the script.  But then he had a stroke of genius: he would cast Swinton, no stranger to playing some rather gonzo roles, as the authoritative Minister Mason.  This part, however, was initially written for a man.

Swinton gets made-down quite amusingly by the hair and makeup department, pairing her with a drab wig and some nasty dentures.  She’s not her usually chic self, but Swinton isn’t identifiably masculine, either.  Joon Ho doesn’t change any of the personal pronouns in the script, so Mason is still referred to as a he.

Swinton’s performance, then, is not one that doesn’t choose a gender but seems to transcend our understanding of the binary altogether.  As a whole, “Snowpiercer” relishes in this spirit of breaking boundaries.  It can’t necessarily be tied down to one genre, constantly surprising us with each turn.

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