REVIEW: Bad Teacher

10 07 2011

High concept comedies like “The Hangover” and “Horrible Bosses” work because they maintain a level of implausibility and ridiculousness throughout.  In the end, no one is going to get so drunk that they forget marrying a stripper or pulling out a tooth, just like no one is going to get so worked up at work that they execute a plan to murder their boss. Because their humor borders on fantasy, we can laugh despite the incorrectness of it all.

Bad Teacher,” on the other hand, walks on some dangerous ground by presenting its central character with an unflinching realism.  Cameron Diaz’s teacher is a pot-smoking, whiskey-gulping, foul-mouthed, shallow mess that could care less about the kids that she’s getting paid to educate.  Instead, she would rather focus on getting a nice new pair of breasts and a rich man to fondle them.  When she needs money, rather than work hard like a respectable person, she embezzles, cheats, steals, and bribes.

Sadly, this actually happens in the real world; it’s not some cock-and-bull story concocted by some bored screenwriters.  In just the past five years going through private secondary school, I have seen two teachers lose their jobs from accusations of sexual impropriety with a minor and possession of child pornography.  These people are very much real.  Same goes for negligent teachers, which are very prevalent in poorer school districts.  My cousin works in junior high public education (not unlike Diaz’s character) in one of the most at-risk neighborhoods in the country, and I’ve heard too many horror stories from her about the people who work there that don’t even deserve to be called an educator.

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REVIEW: You Will Meet A Tall Dark Stranger

11 06 2011

With Woody Allen and his latest film, “Midnight in Paris,” very much the toast of the town, I figured now would be as good a time as ever to burst his balloon because the input of one 18-year-old blogger can really induce a neurotic panic attack in the famed director. I’m sorry to say that Woody doesn’t always make them like that; in fact, they usually turn out much more like “You Will Meet A Tall Dark Stranger,” a redundant statement of the director’s worldview that lacks the pop and charisma of his earlier work.

Allen’s annual entry into his cinematic canon, circa 2010, features a vintage cynicism and defeatism that stifles the possibility of any charm his impressive ensemble could endow the movie.  It shapes its grim worldview around this little Shakespearean nugget of wisdom: “[Life] … is a tale told by an idiot, full of sound and fury, signifying nothing.”  That really puts you in a jaunty, comedic mood, doesn’t it?

The movie takes shape around a group of interconnected Londoners dealing with issues of love and faith in transitory phases of life, all of which begins with the divorce of Alfie and Helena, played respectively by Anthony Hopkins and Gemma Jones.  She can’t get over it and begins seeing a fortune teller in distress while he quickly hits the scene and gets engaged to a prostitute, portrayed beautifully by the very funny Lucy Punch.  This puts an added strain on the marriage of their art-dealing daughter Sally (Naomi Watts) and her failed author of a husband Roy (Josh Brolin), tempting them to begin affairs with exotic people they see on a regular basis.  For her, it’s her boss Greg (Antonio Banderas).  For him, it’s the new Indian beauty (Freida Pinto of “Slumdog Millionaire” fame) that moved in across the street … who just happens to be engaged.

But remember, it all signifies nothing, right?  There is no point!  It’s all just a meaningless charade and a stupid exercise of emotions before we inevitably meet our mortal doom?  If you answered yes to both of those questions, perhaps you are better off saving the 90 minutes of your life that would be spent watching “You Will Meet A Tall Dark Stranger” and using them to find the beauty in life.  Because it does exist, just not in this movie.  C /