REVIEW: Pirate Radio

21 01 2013

Musical theatre thrives on the creative sparks of others.  Not to diminish the many accomplishments of that art form, but in recent years, just about everything has been an adaptation.  (Except “The Book of Mormon” – you go Trey Parker and Matt Stone!)  Many have been taken from books, but recently, the trend has become to adapt films onto the stage.

One of the greatest advances has been the invention of the “jukebox musical,” where a story forms around immediately recognizable music, whether a fictional tale like “Mamma Mia!” or a biographical one such as “Jersey Boys.”  (It also gave us “Rock of Ages,” but we can pretend it didn’t.)

Before you ask, no, “Pirate Radio” is not an adaptation of a Broadway or a West End musical.  There’s plenty of music, but the record player does all the singing.  However, I felt that while watching Richard Curtis’ film, it was practically BEGGING to be staged as piece of musical theatre.  The music is phenomenal, and there’s so much capability for it to define a generation – because it does.

The story of the film isn’t all that interesting: banned from playing rock and roll on normal British airwaves, a group of rebels broadcast it in international waters.  The gang is full of eclectic types, ranging from characters played by Philip Seymour Hoffman and Bill Nighy to then unknown Chris O’Dowd (the cop from “Bridesmaids“).  There’s little character or story development, and when the boat finds itself in peril, I could have cared less what happened to whom.  Not to mention that it feels interminable even at 20 minutes shorter runtime from its British release under the name “The Boat That Rocked.”

But with some slight tweaking of the story – a little bit less of the people on the boat, a little bit more of the people on land, the same amount of the government censors led by an uptight Kenneth Branagh – “Pirate Radio” could actually play quite well on stage given the caliber of music.  Think about it … and I’d like to request royalties if it happens because of this review.  C2stars





What To Look Forward To In … November 2009

7 10 2009

The holiday movie season begins to kick into high gear in the month of November, as does exciting Oscar season.  Accordingly, this post is longer than the previous monthly preview posts.  Brace yourself for movie mania coming your way in a few weeks.  Sit back, relax, and let Marshall guide you through the coming attractions.

November 6

From the mainstream movie perspective, the hot movie of this weekend will be Robert Zemeckis’ adaptation of “A Christmas Carol.”  Shot with the same motion capture technology that Zemeckis used to make “The Polar Express,” the movie will cash in on premium ticket prices from 3D and IMAX 3D screenings.  My main concern about the quality of the movie itself lies with its principal actor, Jim Carrey, who will act as Scrooge and all three ghosts.  I doubt Zemeckis will permit it, but I fear that Carrey will make a mockery of Dickens’ classic novel much in the fashion of Mike Meyers with “The Cat in the Hat.”  Regardless of what critics say, I will probably end up seeing this with the family for some good old-fashioned family fun at the movies.

“The Men Who Stare at Goats” is the first movie of the holiday season to which George Clooney lends his talents.  Here, he plays a a military man in charge of a secret unit that attempts to use psychic powers for military purpose.  One such activity is to attempt to kill goats just by staring at them.  The movie also stars Ewan MacGregor as the reporter who discovers it all; the cast also includes Jeff Bridges and Kevin Spacey.  The movie is directed and adapted by Grant Heslov, previously nominated for an Academy Award for his work on “Good Night, and Good Luck.”  The trailer seems to show Heslov’s approach as similar to the Coen Brothers who usually provide a fun-filled romp.  Maybe the film will be a bona-fide indie hit, and Overture Films will be able to claim their first movie to gross over $50 million.  But we’ll have to see.

I’ve already written about the Oscar favorite, “Precious,” in a previous Oscar Moment.  I’ll post the trailer here just for the sake of promoting it, but if you want to hear my thoughts, read the post.

Two thrilling movies also open this week.  First, “The Box” with Cameron Diaz and James Marsden, seems to have an intriguing premise: if you push the button on the box, you will get a million dollars, but someone you don’t know will die.  However, it looks to be more interested in cheap thrills than exploring moral issues.  The other, “The Fourth Kind,” looks downright scary.  If horror is your thing, this looks like the movie for you.  I saw the trailer at “District 9,” and even if you don’t want to see it, you have to ponder the validity of the “true story” behind the movie.

November 13

Disaster porn reaches its pinnacle this weekend.  “2012,” Roland Emmerich’s apocalyptic film, will have some of the biggest destruction and explosions the world has ever seen.  The trailer was so mind-blowing that I am willing to overlook all vices in the plot to see the world’s greatest landmarks get wiped off the earth.  My only comment is that if John Cusack somehow finds a way to stop the end of the world, I will be enraged.

The other major wide release of the week is “Pirate Radio,” a movie that Focus Features so desperately wants you to see that they changed the title from “The Boat that Rocked” just a few weeks ago to appeal to you. Are you flattered? You shouldn’t be. The movie seems like comedic Oscar Bait, but it didn’t do well Britain, the country of production. Focus scrambled to change their focus from awards movie to popular movie. So whenever this pops into a theater near you, be armed with the knowledge that “Pirate Radio” is merely a washed-up Oscars wannabe. But make the decision to see it for yourself.

New York and Los Angeles get the treat of watching Wes Anderson’s adaptation Roald Dahl’s “Fantastic Mr. Fox.”  I have the utmost respect for Anderson for not conforming to the growing trend to do all animation through computers.  Anderson’s film uses the stop motion technique, moving an object gradually to give the illusion that it is moving.  Even more exciting that Anderson’s eccentric style in an eccentric medium is the voice cast.  Clooney voices the titular character, the cunning Mr. Fox.  The cast also features Meryl Streep, Jason Schwartzman, Owen Wilson, and Bill Murray.  What’s not to like?  (NOTE: The movie expands on November 20 and enters wide release on November 25.)

For those who like very obscure indies, “That Evening Sun” with 87-year-old Oscar bridesmaid Hal Halbrook has his latest shot at the gold.

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