REVIEW: Popstar: Never Stop Never Stopping

7 06 2016

Comedy teams rarely come in trios. We have the Marx Brothers, the Three Stooges … and maybe the Wolfpack from “The Hangover” trilogy, if one is feeling generous and contemporary. Otherwise, the duo, the pairs, the buddies or whatever you call them rule the day. It makes sense given how hard developing and maintaining comedic synergy between two people can be. Adding a third person turns a game of catch into a bout of juggling.

Popstar: Never Stop Never Stopping” shows more than ever that The Lonely Island can juggle, albeit maybe more with clubs and scarves than swords or fire. The comedy group burst onto the cultural scene over a decade and essentially dragged sketch comedy into the Internet viral video era. After producing countless short musical sensations with their SNL Digital Shorts, they finally put their energies towards a more conventional vehicle – a feature film of their very own. (Not counting 2007’s “Hot Rod,” which they reworked from a script originally intended for Will Ferrell.)

The Lonely Island might be at their peak form when producing episodic, concentrated shorts, though becoming aware of this fact does not lessen the pleasures of “Popstar” in the slightest. The film holds together quite nicely as a piece with a forward-moving narrative engine all of its own, not merely a collection of sketch-like bits and musical numbers. The wacky invented boy band frontman-turned-rapper Conner4Real (played by Andy Samberg) shows they know quite a bit about the contours of modern pop stardom, although they poke fun at it far more in this mockumentary than they point out its hollowness.

But the real marvel of “Popstar” is not their understanding of pop culture. It’s their understanding of themselves.

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