As I said in my review of “Only Lovers Left Alive,” I have not seen enough of Jim Jarmusch’s work to make a definitive statement as to whether or not he is a great director. But I have seen Jarmusch’s 2005 Cannes prize winner “Broken Flowers,” which is enough to inform me that he has at least one great film to his name.
This dryly humorous pick for the “F.I.L.M. of the Week” is second wave Bill Murray at his best (yes, even better than “Lost in Translation“). He seems to have reached a status where he seems to reject the need for validation through actively courting our laughs, instead just allowing the comedy arise naturally from the events. Murrray can then just sit back, maintain a stolidly unruffled facade, and just let the bizarre run-ins of “Broken Flowers” guide his reactions.
In the film, Jarmusch casts him as an aging Don Juan – appropriately named Don Johnston – served with a letter that suggests he fathered a child 19 years prior. Don would be content to never investigate any further, but his inquisitive neighbor Winston (Jeffrey Wright) insists that he go visit the potential mothers. So, in a sort of inverted “Mamma Mia,” Don takes off on a series of painfully awkward encounters with former lovers.
The parade of women, including Sharon Stone, Frances Conroy, Jessica Lange, and Tilda Swinton, always entertains. But Jarmusch isn’t just wheeling out stereotypes or stock characters. “Broken Flowers” takes each of these women and sets them on an unpredictable but well-imagined path after their split with Don. It can’t help but raise the question of what exactly his effect on these women was.
To say too much more of what each woman brings to the film is to spoil the fun. But just dive head first into “Broken Flowers” for off-beat fun throughout and a startling conclusion that packs an unexpected punch.
On paper, “
Marshall and the Movies 
Recent Comments