REVIEW: Spy

6 06 2015

Prior to “Spy,” Melissa McCarthy was one lumbering burlesque of a physical performance away from entering Adam Sandler or Will Ferrell territory.  This land, beyond typecasting, is a dump of sneering self-parody churned out at breakneck speed.  After breakout success in “Bridesmaids,” roles in “Identity Thief” and “Tammy” reduced her to little more than a one-dimensional punchline (not to mention a bit of a punching bag as well).

Thankfully, maestro Paul Feig arrives with Susan Cooper, a part that provides a well-timed reminder of McCarthy’s remarkable comic agility and versatility.  As an unlikely secret agent tracking down a rogue nuclear weapon on the black market, Susan often has to shift gears into new – and often unflattering – identities on the fly.  While playing a character who goes from shy and sheepish to brash and outspoken within a matter of minutes, McCarthy never appears anything less than completely confident.

Unfortunately, Feig’s script for “Spy” reserves all the surprises and range for its star.  In his past collaborations with Melissa McCarthy, Feig worked with screenplays from other comediennes: Kristen Wiig and Annie Mumolo (“Bridesmaids”) as well as Katie Dippold (“The Heat“).  When tasked with creating the humor he has to orchestrate, Feig falls into rather predictable patterns that often feel one-note.

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