REVIEW: The Karate Kid

26 06 2010

Oh, the lessons a jacket can teach us.

The Karate Kid” is a remake of questionable necessity – after all, the original is barely a quarter of a century old. Don’t worry, Pat Morita won’t be rolling over in his grave when he gets wind of the update. It’s not awful, and no harm or foul is done; except maybe to kung fu, which is the actual martial art taught in the movie but doesn’t get the honor of being mentioned in the title.

The movie is Jaden Smith’s vehicle, who really needs it because he didn’t get enough exposure in “The Pursuit of Happyness.” I’m not expecting some fantastic performance from someone who obviously only got the job because his dad is Will Smith. And it’s wrong to expect him to give us all the charisma and swagger that his old man has spent decades developing. As Dre, Jaden Smith brings to the table two assets that will serve him well if he chooses to keep acting: confidence and presence, which is pretty good for 11.

Dre is making the strange and unexplained move from Detroit to China with little sympathy from his mother (Taraji P. Henson). After catching the eye of a dedicated young violinist, he is unexpectedly launched into a mismatched rivalry with a savage band of ruffians. It doesn’t help matters that these kids have been taught a brand of “no mercy” kung fu (not karate!) by a brutal master. The first half of the movie plays out like an anti-bullying PSA as Dre attempts to avoid his tormentors. All the while, we can’t help but think, “Hey! If only you knew his dad was Will Smith, then I’d like to see you try to beat up this kid!”

And then, as if by some misplaced stage direction, enter Mr. Han, the hermit-like maintenance man of Dre’s building who helps turn the tide in his fight against the bullies by pulling out some unexpected moves. While offering that assistance, he also manages to get a then untrained Dre into a kung-fu tournament against the same people that would love nothing more than to give him a black eye and a bruised rib.

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What To Look Forward To in … June 2010

16 05 2010

Summer heats up with June’s releases.  We have the welcome return of an old franchise (“Toy Story”) and the unwelcome return of a newer one (“Twilight”).  We have reboots (“The A-Team”) and remakes (“The Karate Kid”).  We have old comedic stars (Adam Sandler) and new ones (Russell Brand).  Whatever the month give us, let’s just hope for some entertainment.

June 4

“Get Him to the Greek” looks to provide some summer humor in the same weekend that made “The Hangover” the smash success of 2009.  I’m not even watching the trailer in an attempt to make it the most hilarious experience possible.

“Splice” stars Oscar-winner Adrien Brody and Oscar-nominee Sarah Polley (for writing, not acting) as scientists who create a monster.  This looks really freaky.

Really, Katherine Heigl?  You quit an Emmy Award-winning show so you can focus on movies, and now you are doing this?  And you really expect people to take you seriously?  Really?  SNL references aside, “Killers” looks absolutely horrific.

June 11

“The A-Team” looks to reboot the franchise with only a little bit of nostalgia.  Good luck.  With Liam Neeson, Bradley Cooper, Sharlto Copley of “District 9,” and some guy who looks like Mr. T, it might be possible…

A remake of “The Karate Kid” already?  The original only came out 25 years ago, and Pat Morita only just passed away.  I’m curious to see how this fares.  Jackie Chan isn’t exactly on a hot streak – “The Spy Next Door,” anyone?  Jaden Smith is unproven other than “The Pursuit of Happyness,” which was all his dad.  It’s only going to corner the market on the family crowd for one week, so Sony had better hope all the families come out on opening weekend.

Opening in limited release is “Winter’s Bone,” a Sundance hit which made it onto my list of the ten most anticipated movies of the summer.  It reminds me a bit of “Frozen River.”  That movie got 2 Oscar nominations.   We’ll see how this turns out.

I’m really excited to see what makes Joan Rivers tick in the documentary about her, “Joan Rivers: A Piece of Work.” What lies behind that plastic face will most certainly be entertaining. Now it just has to get to Houston…

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