INTERVIEW: Paolo Sorrentino, writer/director of “Youth”

4 09 2016

In the social sciences, published literature carries a bias of statistical significance. If a journal accepts a given study or finding, it rises to the level of carrying less than a 5% likelihood of occurring due to chance. What that leaves out of the record is what doesn’t work – an equally valuable set of knowledge for anyone looking to do similar research.

What does any of this have to do with my interview of Paolo Sorrentino, writer/director of last year’s “Youth” and Academy Award winner for “The Great Beauty.” Well, aside from some notable cringe-worthy interviews that can play for laughs, we seldom see interviews with talent that don’t go well. As much as I’d like to say everyone can form rapport with their subject in an exchange, it doesn’t always happen.

And let’s just say my talk with Sorrentino wasn’t pretty. It’s been almost 10 months since I recorded this 10 minute phone interview, and I’ve been too scared to listen to it again. I don’t know what all went wrong. I was the last interview of the day, so was he tired from a long day of talking? We had to speak through an translator, so did something get lost in Italian? Could he tell that I just didn’t feel passionately about his movie?

Whatever it was, I feel compelled to revisit my pain on the occasion of Sorrentino’s mini-series “The Young Pope” premiering at the Venice Film Festival. Perhaps it will provide someone with the tools to avoid a similarly awkward interview. The talk definitely taught me to be careful about assuming autobiographical links, even when a film like “Youth” featuring an aging director makes the temptation too irresistible. Here we go…

Paolo Sorrentino directing Youth

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