Random Factoid #544

23 01 2011

The seriocomedy is probably one of my favorite sub-genres.  Who says you can’t have your cake and eat it to?  The seriocomedy lets you have the sweetness of the icing (comedy) with all the bulk and substance of the cake itself (drama).

But name the last really good one produced inside of the studio system in the last ten years or so.  (“The Kids Are All Right” was independent, so try again.)  It’s hard because so many of them miss the mark.  “Love & Other Drugs” and “How Do You Know” both could have been so good but wound up falling short.

Here’s The Los Angeles Times on what could be a dying genre after “The Dilemma” flopped:

“The seriocomedy has never been easy creative ground for directors. To make a good one you need to be proficient at constructing both laughs and drama, and have the dexterity to switch between them. From a business standpoint it’s even dicier: How, in this age of marketing, do you retail these tweeners?

Movie-making these days seems to have calcified into genres. Dramas are intense and serious, like ‘The Social Network,’ or weepie and inspirational, like ‘The Blind Side’ or ‘Secretariat.’ Comedies are  broader and more gross-out, like the best of Adam Sandler or Apatow.

‘The problem is trailers,’ said James Schamus, the Focus Features chief who released “The Kids Are All Right.” ‘These days with the Internet, it’s more important than ever, and it’s very hard to cut a good trailer for [seriocomedies]. If you go for the laugh you never get the full laugh because the humor is situational, and you can’t play the drama because then you kill the comedy vibe.'”

I think the death is due to two things: the declining quality of studio output and the hyperfocused nature of the American moviegoing audience.  We want straight drama or straight comedy when we go to the movies; a hybrid just doesn’t satisfy much as it often feels like a muddled mess.  That’s partially the fault of filmmakers, but I think that most moviegoers nowadays can’t handle them both together.

So, is the seriocomedy DEAD?  Sound off!

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