REVIEW: Hateship Loveship

13 08 2014

Hateship LoveshipCraig Johnson, director of the upcoming Kristen Wiig vehicle “The Skeleton Twins,” remarked that even in her funniest moments, there’s a certain sadness to the characters Wiig portrayed.  I had never really thought of the comedienne in such a way, so I scoured YouTube to examine her work through such a lens.  Sure enough, the undercurrent is there in everything from her bit part in “Knocked Up” to her infamous Penelope sketches from “Saturday Night Live.”

In “Hateship Loveship,” we can see what’s left when you drain all the humor out of Wiig – and, as it turns out, it’s quite a morose sight.  She plays her character, Johanna Perry, with all the quietude of a church mouse.  Such restraint turns out to be devastatingly effective in creating a believable woman who is so passive that she practically lacks a personality altogether.

Sadly, the film veers off into such unbelievable directions – particularly in its second half – that it undermines the potential for Wiig’s performance to be a major breakthrough.  The premise of “Hateship Loveship” starts off with promise: Johanna moves into the home of an aging man (Nick Nolte) to be his caretaker and gets catfished by his granddaughter Sabitha (Hailee Steinfeld) in a rather mean-spirited prank.  Yet right when the film seems ready to veer into the realm of the tragic, it takes an unexpected turn.

After this rather shocking development, “Hateship Loveship” seems rather detached from reality.  Characters’ motivations seem hardly plausible, casting a shadow of doubt over the entire film.  The tone gets rather wonky, too.  It’s a pity that director Liza Johnson didn’t model her helming on the restraint and good judgment that Wiig brought to her character.  C2stars

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