Random Factoid #83

19 10 2009

My mind constantly thinks about movies.  It’s just something I do as easily and thoughtlessly as breathing or walking.  In fact, when I study, I have to hide all the DVDs in cabinets because I will get lost in thought about movies.





Random Factoid #82

18 10 2009

In the now rare occasion that I read a book that isn’t about to be released as a movie, I can’t help but cast the movie in my head.  Not only that, but I also imagine how the cinematography would look and how the score behind it would sound.  For example, when I read “Fahrenheit 451,” I cast Edward Norton as Guy Montag.

In this case, I also imagined the books that would be burned.  I’d throw in some of the banned books like “The Catcher in the Rye” and “Harry Potter,” but of course, I’d have to cut to a few of my least favorite books.  I’d burn every copy of “The Lovely Bones.”





Random Factoid #81

17 10 2009

In third grade, my parents bought me a video camera designed for kids made by Intel.  Naturally, I put it to use filming myself giving moviegoing advice.  I discovered “Marshall’s Recommendations” on my home computer yesterday, and one of these days, it will end up on the site.  It isn’t going up now because I can’t figure out how to get the video to play with the audio and I am trying to maintain a thin veil of privacy between myself and the readers.  No pictures or videos of me for the moment.





F.I.L.M. of the Week (October 16, 2009)

16 10 2009

The “F.I.L.M.” (First-Class, Independent Little-Known Movie) of this week does not precisely fit its billing.  It is not independent (in fact, it’s a studio movie), but unfortunately it is little-known.  Released just last September, “Ghost Town” is one of 2008’s hidden jewels.  It is a witty and wry comedy with a simple yet fantastical premise.  While undergoing a surgical procedure, Bertram Pincus (Ricky Gervais) dies for seven minutes.  He walks out of the operation with a strange side effect – he can see and communicate with the souls of the dead.  While our natural inclination as skeptical moviegoers is to assume that we know the plot just by hearing the premise, “Ghost Town” defies the clichés.  The result is a sentimental movie that tickles the funny bone but warms the heart (and potentially rupturing the tear ducts).

As mentioned earlier, Pincus is unwillingly able to talk to dead people.  One such soul, Frank Herlihy (Greg Kinnear), takes a special interest in Pincus.  Frank wants to use Pincus to tie up some loose ends from his former life.  His widow, the gorgeous paleontologist Gwen (Tea Leoni), is engaged to a man who doesn’t deserve her.  However, the misanthropic Pincus is hardly an ideal wooer, and it will take all that is in him to unleash something resembling charm.  As he grows to know Gwen, patches of sensitivity are revealed beneath his Scrooge-like coating.  But even more unexpectedly, through the ghost that follow him and bark demands incessantly, Pincus begins to discover what a tremendous impact his life could have on everyone around him.

I love a movie with a message, yet it is nearly impossible to find one that has good values without being overly preachy.  “Ghost Town” strikes just the right cord, pushing its message but not getting in your face with it.  The lessons that Pincus learns are applicable to our everyday lives, and they can be summed up in a quote from Albert Einstein: “Only a life lived for others is worth living.”

I implore you to give “Ghost Town” a view sometime soon.  It plays all the time on HBO, so there’s no reason not to watch; resist the temptation to watch some other mindless movie.  If you want some light entertainment with a soul, this is your movie.





Random Factoid #80

16 10 2009

I have never listened to an audio commentary on a DVD.  I have no idea how much the director and the stars talk over the movie, but I feel like it would take something away from the experience of watching a movie.  Like I have stated before, there is something about having the full moviewatching experience that I hold sacred.  That is why I often refuse to watch a movie unless I can watch it from studio logo to finish.





Random Factoid #79

15 10 2009

I am horrified to report that in my fourth grade yearbook, I wrote that my favorite actress was Hilary Duff and that my favorite movie was “The Lizzie McGuire Movie.”  My, how things have changed.  If you lose a lot of respect for me now, I completely understand.  When I opened the yearbook the other day, I lost respect for myself.





Random Factoid #78

14 10 2009

Today, I turn 17!  Although the age contains nothing new societally, it means a great deal for me as a moviegoer.  I can now walk up to the ticket kiosk and buy a ticket for an R-rated movie!  I am excited for this new power, keeping in mind that with great power comes great responsibility.  I always forget who said that; was it Bill Shakespeare or Spider-Man’s uncle?





Oscar Moment: “An Education”

14 10 2009

This edition of “Oscar Moment” concerns “An Education,” a coming of age story in 1960s Britain.  The movie has been generating massive buzz since its premiere at the Sundance Film Festival, particularly around leading actress and breakout star Carey Mulligan.  She plays 16-year-old Jenny, dead set on going to study at Oxford.  However, things change when she meets the magnetic David (Peter Sarsgaard).  He is much older than she and offers her a glimpse of a world that she has never imagined.  After being introduced to a new lifestyle, her old ideals and values begin to fly out the window.  But their relationship is unable to transcend societal norms, and they come crashing down on unsuspecting Jenny.  Will she be completely broken?  Will the old Jenny return, or will a new and independent woman be born from the ashes.

I knew that the story involved coming-of-age since I first heard of it back in January, but I had no idea that it involved someone my age.  This is so thrilling to hear because no one makes good, independent, thought-provoking movies about people my age!

Some Oscar prognosticators I read have boiled the Best Actress race at the Oscars down to Carey Mulligan vs. Meryl Streep for “Julie & Julia.”  Others have gone as far as to say that she already has the statue in the bag.  Although I do like an exciting and unpredictable race, I love when a performance so magnificent comes along that allows people to call the race in January.  My humble prediction is that if other female performances fizzle and it does boil down to Carey and Meryl, the Oscars will choose the former just because Meryl already has two.  Not to mention recent trends show a tendency to honor up and coming actresses, such as in 2007 with the stunning victory of Marion Cotillard.

But the buzz isn’t around Mulligan solely.  Alfred Molina, who plays Jenny’s father, has been acknowledged as a strong candidate for Best Supporting Actor.  Some say that if the film hits big with the Academy, goodwill could result in nominations for some other cast members, like Rosamund Pike in Best Supporting Actress and Peter Sarsgaard in Best Actor.  The latter seems improbable just due to how stacked the Best Actor category appears this year.  The film’s director, Lone Scherfig, could find herself nominated due to the nature of the year and its spotlight on female directors.  Nick Hornby, author of the source material for “About a Boy” and “Fever Pitch,” penned the script based on Lynn Hornby’s memoirs; his chances seem somewhat more auspicious.  And the film itself, provided it registers as a blip on the public’s radar, seems likely to land itself in the Best Picture category.

It pains me to know that I have to wait until October 30th for “An Education” to hit a theater in Houston.  But until then, I will be enjoying selections from the soundtrack, which is stellar.  If you wonder what the catchy tune from the trailer is called, it is “You’ve Got Me Wrapped Around Your Little Finger” by Beth Rowley.

BEST BETS FOR NOMINATIONS: Best Picture, Best Actress (Carey Mulligan), Best Supporting Actor (Alfred Molina), Best Adapted Screenplay

OTHER POTENTIAL NOMINATIONS: Best Director (Lone Scherfig), Best Actor (Peter Sarsgaard), Best Supporting Actress (Rosamund Pike/Emma Thompson/Cara Seymour)





Random Factoid #77

13 10 2009

Whenever I buy tickets for the local AMC theater, I usually buy online from Movietickets.com.  After I buy a ticket, the site sends me an e-mail kindly asking if I would write a review of the movie I just saw.  Even before I started blogging, I submitted a brief something.  Yesterday, I submitted the first paragraph of my “Paranormal Activity” review and found out that I am among the top 250 contributors on their site.  I immediately swelled with pride because as a kid, I always dreamed of being a top reviewer on Amazon.com.  Although this is much less prestigious, I am still happy.

Paranormal Activity





Random Factoid #76

12 10 2009

In the promotional campaign for the movie “Step Brothers,” most of the advertising featured Will Ferrell and John C. Reilly in tacky family portrait photos in argyle sweater vests.  At a promotional screening for the movie, I was selected to participate in a trivia contest for prizes.  My question was … drumroll …

“What is Will Ferrell’s best Christmas movie?”

If you can’t answer that one, you need to spend more time at the movie theater.  I answered it correctly and won a “Step Brothers” T-shirt with argyle sweater print on the front.  I wear it around proudly much to my parent’s dismay.  It was even in my Facebook profile picture for a while.





Random Factoid #75

11 10 2009

Because there are very few movies released for kids, I made it a point to make my parents to take me to every G- or PG-rated movie. A lot of times, those movies were appropriate, but the subject matter would fly way over my head. For example, I completely missed the sub-plot in “Grease” that Rizzo was pregnant.





REVIEW: Paranormal Activity

10 10 2009

Fear is a common emotion, and filmmakers constantly work to goad it out of us.  The horror genre is most likely to instigate the aforementioned sentiment, and directors often resign to employing quick thrills and flashy graphics to force it out of us.  But with four actors, one camera, and $10,000, Oren Peli has shown that fear can be found in even the most ordinary places.  He conceived “Paranormal Activity” out of his own fear, stating,

“I think a lot of people can relate to the question of what happens at night when you’re most vulnerable.  You have no idea what’s going on.  This taps into the most primal fear, if something is lurking in your home and there’s not much you can do about it.”

Peli’s vision of horror is nothing short of brilliant, finding the surreal in the real and the paranormal in the normal.  The result is a truly terrifying experience for audiences.

The story revolves around the haunting of couple “engaged to be engaged” Micah and Katie.  We enter the story in medias res as they are beginning to deal with the suspicious incidents occurring in their home.  A psychic tells them that the culprit is most likely a demon that has followed Katie since childhood and something has occurred to aggravate the spirit.  Although Micah laughs off the opinion, Katie is deeply bothered and scared.  Micah purchases an expensive camera set in hopes of capturing the demon on film, and the entire movie is told from the vantage point of the camera lens.  As the days go by, events seem to point towards the validity of the psychic’s opinion.  But will the camera capture anything other than a distraught and disturbed couple?

Read the rest of this entry »





Random Factoid #74

10 10 2009

The first DVD I ever owned was a Pokémon episode given to me in late 1999.  The new computer my family had just purchased was pretty cutting-edge and included a DVD player.  We were still a VHS family then, but someone gave me a Pokémon DVD to give the new technology a whirl.  The first actual movie on DVD I ever owned was “Fantasia 2000,” my first grade obsession.  It was given to me as a Christmas present in 2000.





F.I.L.M. of the Week (October 9, 2009)

9 10 2009

“Girl, Interrupted” has the illustrious honor of being featured as this week’s F.I.L.M. (First-Rate, Independent Little-Known Movie).  The movie has gained some notoriety for establishing the star of Angelina Jolie, winner of the Oscar for Best Supporting Actress for her performance.  The movie made a small sum at the box office, but it has now been relatively forgotten.  I have seen it sitting in a bargain bin at Blockbuster a fair few times.  But I decided to watch it on HBO during the summer, and the movie definitely does not deserve to be buried in a cardboard box with several installments of “Saw.”  It is a well-thought, provocative study of a woman and the society that may have been the push off the cliff of sanity.  Virtually every element of director James Mangold’s movie is fully realized, unfortunately uncommon among movies nowadays.

The film begins with Susanna Kaysen (Winona Ryder) narrating: “Have you ever confused a dream with life? Or stolen something when you have the cash? Have you ever been blue? Or thought your train moving while sitting still? Maybe I was just crazy. Maybe it was the 60’s. Or maybe I was just a girl… interrupted.”

Her epigraph sets the tone for the whole movie as she is coaxed into entering an asylum with borderline personality disorder.  There, she meets compulsive liar Georgina, anorexic and self-destructive Daisy (Brittany Murphy), the loner and occasional transvestite Cynthia, burn victim Polly A.K.A. “Torch,” and the queen bee, possibly sociopathic Lisa (Jolie).  Susanna’s friendships define her stay at the hospital, especially the alluring Lisa.  As they swap pills, defy authority, gossip, abuse, and betray, Susanna is definitely affected.  But the more time she spends in the hospital, does the pendulum swing towards sanity or insanity?

As far as similar movies go, “Girl, Interrupted” is not a classic in the vein of “One Flew Over The Cuckoo’s Nest.”  But there is definitely some great stuff at work in this film.  Mangold manages to find humanity and happiness in a place as dark and dreary as an asylum.  The movie, while tough to digest at times, provides some very tender and touching moments as well.  I found my heart completely captured by a scene outside of the solitary confinement room where Lisa and Susanna sing Petula Clark’s “Downtown” to one of their friends to raise her spirits.  But the movie is more than just moments; the whole work gets the brain racing.  Don’t be surprised if the definition of insanity becomes a little hazier for you or if you start to wonder if the “millennial” decade has taken a toll on you.





Random Factoid #73

9 10 2009

This factoid is one especially tough for me to talk about just due to my nature as a guy.  Yes, the subject of today’s factoid is tearjerking movies.  I will admit that I am not impervious to the power of these types of movies.  I will soon shamelessly reveal one movie that makes me bawl uncontrollably.  In fact, I watched a clip on YouTube and got choked up within the first 5 seconds.  The other one you will really have to work out of me.  I am actually really ashamed to say I cried in this certain movie.  Any guesses?