REVIEW: The Hobbit: The Desolation of Smaug

5 01 2014

It’s a shame that it has not yet become en vogue for a deep voice to announce “previously on…” at the beginning of a film like they do at the start of an episode of “Homeland” or “Lost.”  This would certainly have come in handy for “The Hobbit: The Desolation of Smaug,” the middle chapter of Peter Jackson’s film adaptation-cum-trilogy.  I will confess that I found the first entry, “An Unexpected Journey,” so forgettable that I spent 15 minutes reading the plot summary on Wikipedia  – and even longer trying to figure out how to remember or comprehend it.

Call me crazy, but I’ve always been rather immune to the appeal of Jackson’s Middle Earth epics.  While I admire the impeccable make-up work, the gorgeous cinematography, and the sheer amount of attention to detail apparent in the creation, the whole always feels less than the sum of its parts.  The plots never really engage me, and I find myself mentally exhausted by the end simply trying to both follow the chain of events and keep the characters straight.

“The Desolation of Smaug” seems about on par with its predecessor.  Neither have the same sense of urgency that propelled the original “Lord of the Rings” trilogy, thus making their north-of-160-minute runtimes feel more like a chore than an afternoon of entertainment.

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