As writer/director Joe Swanberg wanders the corridors of marital discontent in his latest film, “Digging for Fire,” I could not help but wonder if this is what Stanley Kubrick’s “Eyes Wide Shut” would look like when refracted through the lens of low-budget indie cinema. Over the course of a weekend spent apart, previously unknown rifts and fault lines appear between Tim (Jake Johnson, also a co-writer on the film) and Lee (Rosemarie DeWitt) while they amble and converse freely.
Each’s journey appears cross-cut with the other’s, and the spouses might as well be occupying entirely different films. Tim hangs out to drink beers and smoke pot with his buddies – one of whom arrives with a young woman on each arm – but proves unable to put his mind at ease about some suspicious bones he spotted in the yard. Lee, meanwhile, drifts between scenes and choose mostly to let the words of others trigger her thought process. He is aggressively verbose in expressing his own frustrations; she reacts to hearing those from others.
At moments, “Digging for Fire” shows real insight into the listlessness of marriage and parenting. Johnson feels especially at home since he gets to speak (presumptively) dialogue he helped write. When Tim expresses his frustrations and anxieties, they clearly come from someplace personal and resonate accordingly. For all those looking to use art to deal with their own life, try to model this to avoid self-indulgence.
Swanberg, though, sometimes gets carried away by his posse of ever-ready actor pals. Since his movies shoot so quickly and efficiently, it makes sense that these stars want a chance to flex their muscles in between the paycheck gigs. In this case, the ensemble of comedians and dramatists alike can detract attention from what might have played more effectively as a tighter two-hander. Between the screen time allotted to Orlando Bloom, Brie Larson, Sam Rockwell, Mike Birbiglia, and Anna Kendrick, “Digging for Fire” can sometimes feel like a party at the Swanbergs for which he provided a loose plot and great camerawork. B / 
Marshall and the Movies 
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