Know Your Nominees: “Black Swan”

29 01 2011

The Oscars are a great cultural conversation for all to participate in, but it’s all too easy to only have surface knowledge of the nominees.  It’s all too easy to know “Black Swan” as the ballet movie, “The Fighter” as the boxing movie, and “The Social Network” as the Facebook movie.  But don’t you want to know more and stun your friends with your knowledge of the movies in the weeks leading up to the awards and ultimately during the broadcast itself?

That’s what my KNOW YOUR NOMINEES series hopes to do.  Every three days, I’ll feature ten interesting facts about the ten Best Picture nominees of 2010 that would be fascinating to pepper into any conversation.  My hope is that you will come away with an enhanced appreciation of the movies but also enjoy learning strange and interesting things about them.

So, as we proceed in alphabetical order, the logical starting place is “Black Swan.”

For all the acclaim “Black Swan” is receiving now, it seems silly that anyone WOULDN’T want to pour money into making the movie.  Yet according to director Darren Aronfosky, the movie was a surprisingly hard sell to production companies even with Natalie Portman and the rest of the cast all lined up.  When financing finally lined up, Aronofsky was forced to make the movie on $15 million, which was $10 million less than what he had hoped to have.  This meant a streamlined shooting schedule; for example, each act of the “Swan Lake” ballet shown at the end of the movie was shot in one day.

Maybe you’ve heard the mutterings that “Black Swan” was once the same movie as “The Wrestler.”  They are true. Director Darren Aronofsky brought it up once, and ever since, he’s been carefully clarifying exactly what he meant by that.  The movies originated out of the same idea: two performers whose craft drives them to physical and emotional extremes.  The end results are entirely different, but the two work together nicely as companion pieces.

A lot has been made of Nina’s sanity in the movie.  Is she ever sane?  When does she lose her mind?  Darren Aronofsky, in an interview with Cinema Blend said that “the only time she’s normal is right at the beginning of the film when she’s dancing before the demon shows up. That very first shot, she’s clear.”

We’ve all heard about Natalie Portman’s year of training to get ready for the role of Nina Sayers.  You’ve probably heard that she worked five hours a day doing swimming and ballet for eleven months and then a shocking eight hours a day in the final month.  She lost over 20 pounds practically starving herself to slim down.  But ballerinas have a long, lanky physique that’s hard to simply tone into.  So how did Portman overcome this challenge?  She had people pull on her arms and legs every day to stretch her out!

There was more to Natalie Portman’s physical commitment to “Black Swan” than her training.  While filming the movie, Portman broke a rib during a lift.  The film’s tight budget meant no on-screen doctor to help her, and the tight filming schedule didn’t exactly allow for much recovery time.  So how did they work around it?  They simply readjusted the lift.

And there’s even more commitment on Natalie Portman’s part than just physically embodying a ballerina.  She has been attached to “Black Swan” since 2000 when she met Darren Aronofsky in Times Square and said she wanted in on the project.   She claims Aronofsky had most of the movie laid out then.  Many other members of the crew have been committed to the movie for multiple years as well.

Did you see Winona Ryder in “Black Swan” and go “Woah, haven’t seen her in a while!”  According to Darren Aronofsky, Ryder was cast in the role of Beth because it echoes her career.  The “metacasting,” as he calls it, was crucial because the audience would likely feel more impacted by Beth if someone largely at the same point in their artistic life was playing her.

The movie could have been impossible to make as the acting qualifications were just as vital to the movie as the ability to dance ballet were.  Luckily, Natalie Portman took ballet from age 4 to 13, ultimately stopping to pursue only her acting career.  Thus, when she was needed to tap back into her ballet skills to prepare for “Black Swan,” the groundwork was already laid.

What was the hardest part of the movie to get right?  According to the choreographer, it was Natalie Portman’s undulating arms at the end of the movie that gave them such a hard time.

In case you haven’t heard, Portman is pregnant and engaged to Benjamin Millepied.  He was the film’s choreographer, and the two met on set.  Millepied also had a role in the film as pretty much the only male other than Vincent Cassel to speak in the movie – the lead dancer that drops Portman on opening night.  Portman referenced an ironic line he’s asked in the movie – “Would you f*** that girl?”

Check back on February 1 as the KNOW YOUR NOMINEES series continues with “The Fighter.”

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4 responses

1 02 2011
Fitz

She’s only sane at the beginning of the film? Odd. Although explainable considering how controlling her mother was.

1 02 2011
Sebastian

After seeing the effects reel, I have a new appreciation for all the visuals of the film. I always admire effects that are muted like that.

On another note, who ended up winning your Facebook contest, or is not done yet?

1 02 2011
CMrok93

I think when a star goes through as much crap, as Portman went through for this performance, that at least deserves some sort of recognition. She literally looked like a twig in this movie, and all of her moves were so genuine in this, that she literally “perfects” it all.

2 02 2011
Marshall

@ Fitz – Here’s my take: when she’s narrating the dream to her mother, she says she was dancing “the prologue when Rothbart casts the spell.” Perhaps there’s some sort of magical realism transition taking place here, or it’s just representative of her whole life before getting the role.

@ Sebastian – I noticed the rash, but there was so much work that is going sadly under-appreciated. And Tom won the contest – apologies for not publicizing it. As you may have noticed, I’m running a little behind on my posting schedule…

@ Dan – If she doesn’t win the Oscar, I’ll slaughter a swan.

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