Today, my AMC MovieWatcher card breathed its last. While buying a student ticket for “Rabbit Hole,” I whipped out my card to get two points towards a ticket. However, the ticket lady told me that the program had ended. So now there’s a hole in my wallet and a hole in my heart as I wait for the Stubs program to begin.
In its 2 1/2 years in my wallet, the AMC MovieWatcher card garnered nearly 190 points – that’s 95 tickets, for those of you who need a more relatable figure. It has served me well, and I will miss it dearly.
I loved “Rabbit Hole.” I gave it A- back in November and ranked it #9 on my 10 best of 2010. In defense of the movie, I wrote:
“Grief is either overdone or understated. In ‘Rabbit Hole,’ it’s presented in a manner so raw that it manages to be both at the same time, making for one of the most moving experiences of the year. A story about a husband and wife, played to brilliance by Nicole Kidman and Aaron Eckhart, grieving their lost child, the movie shows many ways to cope. Kidman’s Becca wants to move on, Eckhart’s Howie wants to live with it, and in the middle of it all is Becca’s mother, played by Dianne Weist, offering her advice on how to get to the peaceful state in which she resides. There’s no answer to the question of who handles it best or which way is best; in fact, there’s not even an attempt to answer it. But there’s something beautiful about an unanswered question, and maybe that’s why the grace of ‘Rabbit Hole’ has stuck with me for so long.”
So I’m a little upset that it has flown under the radar all season with the exception of Nicole Kidman’s moving work. Aaron Eckhart and Dianne Weist both turned in astounding, Oscar-worthy performances as well. The movie itself deserves to pop up in the expanded Oscar Best Picture field.
But alas, my hope is in likely in vain. Despite the one voter in the poll who said it would be nominated for Best Picture back in October on my Oscar Moment about the movie, it just doesn’t look likely. Anything is possible, I suppose, but this would make “The Blind Side” look like an expected nomination.
By the time the clock runs down on 2010, I will have seen over 90 movies. Most of them were average, nothing special but nothing horrible. An alarming number were downright terrible. But, as always, there are enough gems that shine above the coal to fill out a top 10 list. It wasn’t quite as agonizing a process this year, but that’s beside the point. I want to leave 2010 smiling because, for the most part, it was a good year for the movies – provided you were willing to look off the beaten path.
What I found in common with these 10 special movies released in 2010 was a challenge. Each movie, in an entirely different way, issued a challenge to the moviegoer. These movies weren’t complacent just providing two hours of escapism; they went so far as to engage our minds, hearts, and souls in the moviegoing experience. They provided something that stuck with me, the movie watcher and reviewer, long after they ended and will continue to stick with me well into 2011.
So, here’s to the challenge, here’s to 2010, and here’s to movies!
“Easy A” (A Challenge to High School)
Directed by Will Gluck
Written by Bert V. Royal
Starring Emma Stone, Penn Badgley, and Amanda Bynes
It was about time that a movie like “Easy A” came along and perfectly encapsulated what it’s like to be a high school student in the era of texting and Facebook. I was scared that my generation wasn’t going to get a Hollywood spotlight until twenty years later, and that would make us look like some kind of hokey antiques like the kids in “Grease.” What makes “Easy A” so brilliant is how it incorporates the modern with the past, be it as distant as the Puritans or as recent as the Breakfast Club, to show how fundamentally different the high school experience has changed even since 2004’s “Mean Girls.”
For me, very few moments were so beautifully authentic this year as the movie’s high-speed mapping of the rumor mill, which now moves at the speed of light (or a 3G connection). Propaganda posters after World War II suggested that loose lips cost lives, but in 2010, “Easy A” shows how it can cost reputations, something much more precious in high school. Technology may have evolved, but high school hasn’t. Society may have improved thanks to these innovations, so why haven’t we?
“Rabbit Hole” (A Challenge to Coping)
Directed by John Cameron Mitchell
Written by David Lindsey-Abaire
Starring Nicole Kidman, Aaron Eckhart, and Dianne Weist
Grief is either overdone or understated. In “Rabbit Hole,” it’s presented in a manner so raw that it manages to be both at the same time, making for one of the most moving experiences of the year. A story about a husband and wife, played to brilliance by Nicole Kidman and Aaron Eckhart, grieving their lost child, the movie shows many ways to cope. Kidman’s Becca wants to move on, Eckhart’s Howie wants to live with it, and in the middle of it all is Becca’s mother, played by Dianne Weist, offering her advice on how to get to the peaceful state in which she resides. There’s no answer to the question of who handles it best or which way is best; in fact, there’s not even an attempt to answer it. But there’s something beautiful about an unanswered question, and maybe that’s why the grace of “Rabbit Hole” has stuck with me for so long.
“Get Him to the Greek” (A Challenge to Remain Silent)
Written and Directed by Nicholas Stoller
Starring Jonah Hill, Russell Brand, and Sean Combs
Okay, you can forget the challenge here. It’s not coming from “Get Him to the Greek,” it’s coming from me – I dare you not to laugh at this movie. Between the dynamite comedic pairing of Jonah Hill and Russell Brand, the scene-stealing farce that is Sean Combs’ foul-mouthed music exec Sergio, the ridiculous and totally awesome music of Infant Sorrow, and the hilarious situations that drive the movie, “Get Him to the Greek” was my favorite comedy of 2010. It’s filled with endless quotables and capable of many repeat viewings without any diminishing laughter.
“Fair Game” (A Challenge to Patriotism)
Directed by Doug Liman
Written by Jez and John-Henry Butterworth
Starring Naomi Watts and Sean Penn
Rather than fall into the pile of scathing movies about America’s involvement in Iraq, “Fair Game” takes its anger in a fresh and different direction and funnels it into something constructive. The story of Valerie Plame Wilson, a scapegoat for the federal government in the wake of their exposure, is meant to rouse us, not to dismay us. We are proud that there are still people in this country who believe in the Constitution and the principles on which we were founded, and staying silent is simply not an option. While it hits you with rage, the knockout punch is of pride in Valerie and her courage to stand up for herself. “Fair Game” stands out as an exuberant flag-waving fan while all other movies of the same vein just mope in dreary cynicism.
“Inside Job” (A Challenge to Care)
Written and Directed by Charles Ferguson
Narrated by Matt Damon
Who is responsible for the financial collapse of 2008? Charles Ferguson lets us know who he thinks in the activist epilogue, which you can more or less disregard if you choose to do so, but in the hour and 40 minutes prior, he points the finger at just about everyone possible. Including us. Sure, there were many factors leading to a worldwide meltdown of the economy that were out of our control, but a little bit of oversight, we could have seen it coming. By his systematic explanation of everything you need to know to understand what went down (call it “Global Meltdown for Dummies” if you must), he is challenging us to be the oversight that was lacking two years ago. And judging by how things have developed since then, we are going to need a whole lot of it.
“Inception” (A Challenge to Imagination)
Written and Directed by Christopher Nolan
Starring Leonardo DiCaprio, Joseph Gordon-Levitt, and Marion Cotillard
For as much as I love the four movies I’m ranking ahead of “Inception,” none had such a monumental impact on the way movies are perceived and made quite like it. Christopher Nolan successfully redefined what imagination means for millions of moviegoers, many of whom had to see the movie multiple times to figure out what was going on in his labyrinthian dreamscape. With a massive spending allowance, he brought the spectacle to life and managed not treat the audience like children, which proved to be one of the most thrilling and psychologically satisfying experiences ever. If a movie like this can’t change the fabric of filmmaking, maybe we are headed for the dark ages like Roger Ebert cries.
“The Social Network” (A Challenge to Modernity)
Directed by David Fincher
Written by Aaron Sorkin
Starring Jesse Eisenberg, Andrew Garfield, and Justin Timberlake
As an old adage goes, “Every time history repeats itself, the price goes up.” David Fincher and Aaron Sorkin’s “The Social Network” may appear to be a movie planted in the digital era, but as has been said many times, it’s a movie about age-old themes like power, greed, and betrayal. In essence, we’ve seen it before. Yet retold as the story of the site we visit every day, it’s fascinating. And it’s sublime thanks to brilliantly sculpted characters who never fit traditional hero/villain roles driving the narrative. However, this is not just a rehash; it’s a brilliant cautionary tale for our times about individuality, innovation, and solitude. “The Social Network,” along with its cryptic leading man Mark Zuckerberg, is the best movie of 2010 for serious conversation that’s relevant away from the screen and out of the theater.
“Toy Story 3” (A Challenge to Feel)
Directed by Lee Unkrich
Written by Michael Arndt
Voices of Tom Hanks, Tim Allen, and Joan Cusack
So maybe the whole prison escape plot wasn’t the most original thing in the world. But “Toy Story 3” has a heart so big that nothing else matters. I have no shame in admitting that I cried like the child that the movie made me feel like. For the last 20 minutes of the movie, I felt the most beautiful mix of nostalgia, sadness, and joy that may just be the most powerful potion Pixar has brewed. To be my age and watch this movie is like an ultimate realization that childhood can’t last forever. But the tears aren’t just mourning, they are happy as the torch is passed to a new generation. I pray, for their sake, that no technology can ever replace the comfort that a toy and a little bit of imagination can bring to any child.
“127 Hours” (A Challenge to Live)
Directed by Danny Boyle
Written by Danny Boyle and Simon Beaufoy
Starring James Franco
Life-affirming isn’t a word I get to use to describe movies very often, and that’s precisely what makes “127 Hours” one of the most special experiences of 2010. The perfect combination of Danny Boyle’s superhuman directing with James Franco’s rawly human acting makes for a movie experience defying the odds. Who would have thought that a movie about a man losing his arm would be the movie that made me most glad to be alive? The movie that made me most appreciative for the relationships in my life? The movie that took me on the most gut-wrenching yet blissfully rewarding roller-coaster ride? I don’t know if I’ll be able to watch “127 Hours” again, but I’m so glad I watched at least once because it truly was a movie I’ll never forget.
“Black Swan” (A Challenge to EVERYTHING)
Directed by Darren Aronofsky
Written by Mark Heyman, Andres Heinz, and John MacLaughlin
Starring Natalie Portman, Mila Kunis, and Vincent Cassel
It’s such a fantastic irony that “Black Swan” is a movie about the inability of humans to achieve perfection, yet Darren Aronofsky’s movie is the closest thing to cinematic perfection in 2010. Behind Natalie Portman, who delivers one of the finest, if not the finest, performances I’ve ever seen from any actress, the movie soars to heights that I had previously thought unfathomable. It challenges just about every cinematic boundary that still exists and then proceeds to demolish them. But “Black Swan” doesn’t just destroy these boundaries for fun; it’s a purposeful and intelligent movie that gives a reason to change the boundaries of cinema for better and for good. Fearless director Darren Aronofsky choreographs a master ballet of a movie that weaves together horror, beauty, and psychological breakdown with such poise that you’ll wonder why every movie can’t be as thrilling as his. “Black Swan” is a glorious exaltation of cinema and a monumental achievement that will go down in history.
Hard to believe we are just around the corner from a new year! 2011, here we come … er, here we enjoy 2010’s movies a little while longer until the new year offers us something good. Here are January’s sincerest efforts!
Nicolas Cage just keeps distancing himself further and further from his Oscar win for “Leaving Las Vegas” back in 1995. He kicks off another disappointing year of quirky movie selection with “Season of the Witch,” originally slated for release about 9 months ago. This supernatural thriller where he plays a 1300s Crusader and gets involved in some sort of black magic. Needless to say, go see “Little Fockers” again.
Speaking of 2010, most theaters will finally be receiving “Country Strong” this week; whether it comes with any sort of awards season heat though is yet to be seen. Gwenyth Paltrow’s vehicle as a fading country music star in desperate need of rehab looks a little corny and cliched, but would you rather see “Season of the Witch?” My guess is no.
“The Green Hornet” was going to be a fanboy favorite, despite the casting of Seth Rogen as the title character. Then some footage was released at Comic-Con, and everyone saw that it was just a typical Rogen slacker humor-a-thon. They got angry, but I got happy. I love Seth Rogen’s shenanigans, and I’m happy to see him move them to some genre other than gross-out comedy.
Is it possible for a movie’s trailer to get more coverage than the movie itself? That’s likely the case for “The Dilemma,” a comedy of best friends, secrets, and infidelity strangely directed by Academy Award-winner Ron Howard. With the use of the word gay, the trailer sparked an uproar and plenty of discussion on the power of words in society. Apparently the joke stayed in the movie, and while I won’t head to the movie just to see that, I’ll probably hit it some other time once I’ve knocked out my mandatory 2010 viewing.
Also worth noting: “Rabbit Hole” should be getting a wide expansion this weekend. If you haven’t seen it, SEE IT! As for other 2010 movies just seeing release in the new year, there’s also “Barney’s Version,” the dramedy starring Paul Giamatti, Minnie Driver, Rosamund Pike, and Dustin Hoffman. All those names together can’t be too bad.
Opening as well is “Every Day” with Liev Schrieber, Carla Gugino, and Helen Hunt in a rare appearance. But given the no-name distributors, it’s going to be a while before it hits anywhere other than New York or Los Angeles. And for all environmentalists out there, “Plastic Planet” looks at how safe plastic really is.
“No Strings Attached” looks like a suitable romantic comedy. Starring Natalie Portman and Ashton Kutcher, the movie tells the story of two lovers who only want a physical connection – in other words, the flip side of the coin of “When Harry Met Sally.” It’s directed by Ivan Reitman, who helmed old classics like “Stripes” and “Ghostbusters” but also new stinkers like “Evolution” and “My Super-Ex Girlfriend.” All I can say is that this had better not be for Natalie Portman what “Norbit” was for Eddie Murphy.
If “The Way Back” didn’t look interesting and gritty as you-know-what, I’d probably joke that it’s the “Defiance” of 2010/2011. But alas, I can’t poke fun at this trailer.
And for the third time, “The Company Men” has been moved, this time to 2011 and out of Oscar contention. So now everyone can safely stop worrying about Tommy Lee Jones pulling another “In the Valley of Elah” and get back to writing this movie off.
Hey, look! It’s another movie starring Jason Statham and a gun! In other words, you’ve probably seen “The Mechanic” before. As for other retreads, there’s another Catholic Church conspiracy theory movie combined with an exorcism movie. Top it off with a little creepy Anthony Hopkins, and you get “The Rite!”
“From Prada to Nada” opens also in limited release, but this Jane Austen wannabe tale looks entirely dismissable. Unless, of course, you want to see Carmen from “Spy Kids” all grown up.
So, what’s the verdict on January? Are you going to don the glasses for “The Green Hornet” or just see “TRON: Legacy” again?
Losing a child is painful in the real world, but in the sphere of cinema, it’s hardly breaking new ground. In order to communicate the emotional trauma of such an event, movies have to take the material in different and unexpected directions. “Rabbit Hole” is a success story, presenting the story of husband and wife affected by the preventable death of their four-year-old son in entirely different ways. John Cameron Mitchell takes the great theatrical aspects of David Lindsey-Abaire’s Pulitizer Prize-winning play and reminds us the power that great dialogue can have while also using the great resources of film to supplement the already incredibly powerful film.
Nearing the one-year anniversary of their son Danny’s passing, Becca (Nicole Kidman) and Howie (Aaron Eckhart) are still reeling. Caught in the unenviable conundrum of choosing to mourn or move on, each find a different way to cope with the void in their lives. Becca tries to find life by acting like the hole isn’t there, removing the traces of Danny that remind her that he is gone. She finds solace, strangely, through talking with the teenager that hit her son. Becca also has to deal with the pregnancy of her irresponsible sister (Tammy Blanchard), which only complicates her volatile emotional state, and the intervention of her mother (Dianne Wiest), eager to offer advice after going through the loss of a son in her own right.
Howie, on the other hand, tries to hang on to the fading memories of his son, particularly by watching a video of Danny on his phone. Rather than try to adjust to life without his son, he advocates starting a new life altogether. He pitches selling their house and having another child, neither of which are received well by his wife. Howie has faith in the traditional methods of dealing with grief, holding onto the belief that the group therapy sessions can work long after Becca gives up on them. When those who look to religion to solve their problems finally drive her away from the group for good, he strikes up a friendship with an eight-year veteran (Sandra Oh) still looking to make peace with the loss of her child.
Hard to believe we are rapidly approaching the last month of 2010! Enjoy the movies now, because soon Hollywood will be offering us its scraps. We have an interesting December slate peppered with Oscar contenders and blockbusters, so it makes for an interesting mix. Let’s get started at our look!
I’ve already seen “Black Swan” (mwahaha), and you need to see it. Not for the faint at heart, I must warn.
FINALLY opening after being shuffled from preview post to preview post is “I Love You Phillip Morris,” the racy comedy starring Jim Carrey and Ewan McGregor as lovers. It’s changed release dates so many times, in fact, that I’m not going to write anything about it just in case I jinx it. Also opening is “The Warrior’s Way,” which looks to potentially play “Norbit” for Geoffrey Rush’s Oscar chances. And “All Good Things” looks like a jumbled mess that might be worth checking out on video if for no other reason than to see Kristen Wiig’s first major dramatic turn. If you really need a Christmas movie, check out no-name distributor Freestyle’s release of “The Nutcracker” in 3D with Dakota Fanning’s sister and Nathan Lane!
Also in limited release is a documentary on Benazir Bhutto, the assassinated former Prime Minister of Pakistan, called “Bhutto.” I think she would be a fascinating subject, and I sure hope it comes to Houston.
“The Chronicles of Narnia: The Voyage of the Dawn Treader” looks to undo the disastrous effects of Disneyfication on C.S. Lewis’ classic series. After “Prince Caspian,” the series needs a strong recovery. Here’s to hoping the venture with Fox can do it.
As for “The Tourist,” I like anything with Angelina Jolie and Johnny Depp. This could be a totally formulaic thriller, but it’s Christmas and I have time to see whatever.
For all those interested in having Julia Taymor’s bad trips mess with their mind, “The Tempest” opens in limited release this Friday. The weekend also brings us “The Company Men” with Ben Affleck, which tackles the issue of unemployment in America. Unfortunately, the zeitgeist movie market has pretty much been cornered with “The Social Network,” so it’s going to take a backseat. “Hemingway’s Garden of Eden” also heads your way in limited release, yet even with the big name expatriate author out in front, this still doesn’t excite me in the slightest.
Oh, and opening limited this weekend and wide December 17 is a little movie called “The Fighter.” It just stars a few no-names like Mark Wahlberg and Christian Bale. It’s kind of got some minor buzz, so it could be worth checking out. (Note the sarcasm.)
“How Do You Know” is my top mainstream pick for December. The combination of the light dramedy of James L. Brooks with stars like Reese Witherspoon, Owen Wilson, Paul Rudd, and Jack Nicholson is just endlessly appealing to me.
I feel like the jury is still out on what will become of “Tron: Legacy.” It’s sure going to be a visual effects phenomenon worth my IMAX money, but is it going to be any good? Quality doesn’t seem to shine through the numerous trailers. Maybe it’s some ’80s child thing I don’t get.
I’ve also seen “Rabbit Hole,” and it is more than worth your time and money in the busy Oscar bait season. Nicole Kidman is astounding. Also in the indie spectrum, Kevin Spacey stars in the late George Hickenlooper’s “Casino Jack,” a story of big influence on Capitol Hill. Expect the two-time Oscar winner to hit out of the park as usual.
In case your family was looking to fill the void that “Alvin and the Chipmunks” left in the holiday season, Warner Bros. has quite a treat in store for you with “Yogi Bear!”
As for big name, sure-fire Oscar bait, it doesn’t get much better than the Coen Brothers’ “True Grit.” It’s the perfect holiday movie that is totally not for the holiday season.
For more shoddy kids’ entertainment, you could also check out “Gulliver’s Travels” if you think that a non-animated Jack Black still has the capability to be funny. I don’t think he does, to be honest. As for “Little Fockers,” I don’t want to ruin whatever jokes the movie has up its sleeve by watching the trailer. Who knows, there could be few to be had.
In limited release, moody hipster Sofia Coppola has a new movie, “Somewhere,” to totally disrupt the mood of your holiday season. There’s also Gwenyth Paltrow in “Crazy Heart” — I mean, “Country Strong.” More on that when it opens wide in January.
I’ve been hearing good things all year about “The Illusionist,” an animated movie about a magician, NOT the Edward Norton starrer from 2006. It obviously won’t be making Houston in 2010, but I hope I get to catch it some time before it hits Netflix.
The year closes with three awards-type movies: the depressing “Biutiful,” the Mike Leigh unfunny comedy “Another Year,” and the intense NC-17 “Blue Valentine.” I’ll see all three, but the only one I’ll be rushing the box office for is the latter, starring Ryan Gosling and Michelle Williams.
So, what are YOU looking forward to in December? I’m tightening up the poll this month to save some space by eliminating some of the less popular titles that never get votes.
We didn’t really enter 2010 with a huge frontrunner, but when “Rabbit Hole” was cast back in spring 2009, it sure looked like one. With Nicole Kidman and Aaron Eckhart tackling an intensely dramatic Pulitzer Prize-winning play, how could it not be an instant contender?
The movie flew under the radar for quite some time until it reemerged with a bang on the festival circuit, making a premiere in Toronto that got critics talking and buzzing. In mere minutes, Nicole Kidman was sure-fire Best Actress nominee, and the trailer let everyone else know that this is a performance to make the Oscar voters giddy. (For a hilarious take on Kidman and the trailer, see Stuart Heritage’s post for The Guardian.)
Kidman hasn’t exactly fared too well since her 2002 Best Actress win for The Hours, suffering unfortunate role after unfortunate role in the typical post-winner fashion. Over the past fifteen years, only two winners in this category have been nominated again (Charlize Theron and Frances McDormand) and one has won again (Hilary Swank). I think the Academy would love to recognize her again and show that an actress can maintain poise after winning their prize. It also helps that the role won a Tony for Cynthia Nixon. However, unless she gets serious traction from critics groups, I doubt she could be a real threat to win given the deserving factor of Annette Bening, Julianne Moore, and potentially even Natalie Portman.
But beyond Kidman, what are the movie’s chances? Her spouse is played by Aaron Eckhart, a fantastic actor deserving of some Academy recognition. He has been getting good marks for his role as a grieving father from people in high places. Dave Karger of Entertainment Weekly writes:
“[Eckhart] shines in the film’s comedic and dramatic moments, showing range I’ve never seen before. And he gets to rant and rave a bit more than Kidman does, which doesn’t hurt with the Academy. He’s delivered sturdy work for years (“In the Company of Men,” “Nurse Betty,” “Thank You for Smoking”), and I’d love to see him score his first career nomination. And fortunately, the supporting actor field isn’t nearly as dense.”
I’m a huge Eckhart fan, particularly of his underrated and overshadowed work in “The Dark Knight” and especially his fast-talking tobacco lobbyist in “Thank You For Smoking,” which I thought was the best leading performance for any male in 2006. He could easily find a place in the Best Supporting actor category, which has some pack leaders but no top dog yet. He would be fighting out competitive players like Geoffrey Rush, Andrew Garfield, and Mark Ruffalo, but he has enough prestige to do it. Plus film adaptations of plays usually score acting nominations with a fair amount of ease – just look at “Doubt,” which collected four in 2008.
I have also heard lots of love for Dianne Wiest, who plays Kidman’s mother. She’s a two-time winner of Best Supporting Actress, and something tells me that the Academy isn’t quite ready to put her in the same category as Jack Nicholson in the parthenon of actors great enough to win three Oscars. Nonetheless, in this complete ragtag band of actress in the supporting category this year, we have to consider any possibility. She’s clearly a favorite, 62 years old, and apparently turns in quite a performance. According to Katey Rich of Cinema Blend, “Dianne Wiest delivers a monologue about grief that is all the more stunning for how simply and succinctly she presents it.”
Although the movie may become more of an acting showcase, let’s not forget that this play won a Pulitzer Prize, so it has to be considered in Best Adapted Screenplay. “Doubt,” written for the screen by the same man who brought it to the stage, managed to score a nomination in 2008 for being a nearly carbon copy. According to the film’s director, David Lindsey-Abaire, who will be adapting the movie from his play, will be staging a “complete cinematic reimagining of the material.” If it manages to enchant on a different level, the movie could easily net a nomination.
What about Best Director? John Cameron Mitchell has never taken on a directorial venture anything like this. “Hedwig and the Angry Inch” and “Shortbus” were both for indie, off the beaten path niche audiences; “Rabbit Hole” is a venture into serious Academy territory. It would take a lot to get him onto a list that is bound to include names like David Fincher, The Coen Brothers, and Danny Boyle. Mitchell wouldn’t be the first outsider to make the cut, but it seems like a longshot at best.
And I’d say if Kidman keeps up the strong buzz throughout the season, “Rabbit Hole” is a serious Best Picture contender. According to Jeffrey Wells of Hollywood Elsewhere, “A few people applauded at the end of [the] press screening. I haven’t heard any clapping at all at any TIFF press screenings so far, so this probably means something.” It will clearly have support from the actors, and I wouldn’t be at all surprised to see it get a SAG Ensemble nod (along with I’ll assume “The Social Network,” “True Grit,” “The Fighter,” and “The Kids Are All Right”). The critics seem to really like it, and their support always helps.
The deciding factor could be the audience. Are they going to fall head-over-heels for a depressing adult drama about a couple grieving the loss of their young son? Not exactly light and uplifting, eh? But “Precious” got a nomination, as have many movies considered too dark for the average moviegoer. “Rabbit Hole” is definitely in the hunt, but it’s no sure bet at the present time.
BEST BETS FOR NOMINATIONS: Best Actress (Kidman), Best Supporting Actor (Eckhart), Best Supporting Actress (Wiest), Best Adapted Screenplay
OTHER POSSIBLE NOMINATIONS: Best Picture, Best Director