Oscar Moment: Final 2012 Predictions, Part 2 (Supporting)

6 01 2013

With the 2012 Oscar race now immobile until nominations are announced Thursday morning, January 10, now it’s time to take one last look at the contenders and the pretenders before the dust settles.  Today, I’ll be looking at Best Supporting Actor and Best Supporting Actress, two categories replete with former winners and nominees all vying for Oscar glory.

See my predictions for Best Original Screenplay and Best Adapted Screenplay.

Best Supporting Actress

  1. Anne Hathaway, “Les Misérables
  2. Sally Field, “Lincoln
  3. Helen Hunt, “The Sessions
  4. Amy Adams, “The Master
  5. Nicole Kidman, “The Paperboy

The race is Anne Hathaway’s to lose, and I’d be amazed if she did.  Even though so many critics are against “Les Misérables,” few can deny the power of her performance.  Some of the snootier groups have snubbed her, but take a look at this impressive domination of the category!

Hathaway Dominance

Safe to say, wins from the Critics’ Choice Awards, Golden Globes, and SAG Awards should lead her charge to take the stage at the Kodak Theatre.  Or they will hear the people scream.

FYC Anne HathawayAlthough, in the event of a “Lincoln” sweep (and me sticking my head in an oven), Sally Field could go 3-for-3 and win here for “Lincoln.”  She’s certainly had her fair share of recognition along the precursor circuit, including a high-profile win from the New York Critics’ Circle.

But in a year that could crown Daniel Day-Lewis (and maybe Robert DeNiro) a three-time champion, people will be aware that they would be ranking Field in an elite pantheon with Meryl Streep and Jack Nicholson, I bet they think twice and vote Hathaway.

Or maybe they vote Hunt, who’s all but assured a nomination for her work in “The Sessions.”  It’s the kind of role the Oscars eat up (good-hearted woman who likes to let loose), and the Best Actress of 1997 for “As Good As It Gets” has picked up the Big 3 nominations (Critics’ Choice, Golden Globe, SAG) along the way.  I think lukewarm support for the movie hurts her chances to win.  So does the fact that she’s competing against Anne Freaking Hathaway.

Beyond Hathaway, Field, and Hunt, the other two nominations are pretty much up for grabs.  The way I see it, there are 3 women vying for those two spots are Amy Adams for “The Master,” Maggie Smith for “The Best Exotic Marigold Hotel,” and Nicole Kidman for “The Paperboy.”  Each has missed a key stop on the circuit: Adams crucially at SAG, Smith with the Globes and Critics’ Choice, and Kidman only with Critics’ Choice.

The PaperboyOn paper, the smart money would be on Nicole Kidman to snag a nomination.  SAG is always the best indicator of actors’ sentiment, and she also has a key Globe nod.

But the Golden Globes are notorious for sucking up to stars so they have to show up to the ceremony.  They are also notable for having many favorite actresses who seem to get nominated for just about anything they do, and this goes well beyond your obvious Meryl Streep.  Nicole Kidman has been nominated for a whopping 10 Golden Globes and has won 3.  So I take their nomination with a grain of salt.

SAG also usually throws a major out-of-left-field nominee into the fray, which at first sight could be considered Kidman.  (Then again, since Maggie Smith has shown up nowhere else, maybe that would be her.)  Last year, it was Armie Hammer for “J. Edgar,” although most thought it was Demian Bichir for “A Better Life” … until he got an Oscar nomination.  In 2010, it was Hilary Swank for “Conviction.”  2009 gave us Diane Kruger for “Inglourious Basterds.”

But “The Paperboy” is, well, quite frankly a bad movie.  And a part of me thinks the Academy will recoil at just how trashy and terrible it is.  There’s certainly precedent for an actor being nominated for a bad movie: Cate Blanchett got a Best Actress nomination for “Elizabeth: The Golden Age,” which had a 35% on Rotten Tomatoes, and Sean Penn was nominated for the 34% fresh “I Am Sam.”  “The Paperboy” currently sits at 39%.

I predicted the snob factor would keep out Melissa McCarthy of “Bridesmaids” last year because she was crass and defecated in a sink.  I was wrong.  McCarthy didn’t even have the Globe nod that Kidman earned.  So, with that in mind, I will predict Nicole Kidman to get a bizarre Best Supporting Actress nomination for a role that involves her urinating on Zac Efron’s face.

The other spot, I believe, will go to Amy Adams for “The Master.”  Yes, the SAG snub hurt.  But she’s a new Academy darling, garnering three Best Supporting Actress nominations in six years.  And I’ll continue to assert that the Academy, though perhaps not quite ready to anoint her with a statue quite yet, wants to increase the inevitability of her win.  At four nominations, the cries of “why hasn’t she won yet?” will grow louder and louder.

Best ExoticAlthough don’t get me wrong, maybe they will not go with a perennial Oscar bridesmaid but rather a crowned Oscar queen.

Two-time winner Maggie Smith’s SAG nod makes her a formidable foe, though the fact that the Globes didn’t nominate her is troubling.  They were big fans of “The Best Exotic Marigold Hotel,” nominating it for Best Picture (musical/comedy) and Judi Dench for Best Actress.  If they loved it so much, where was Maggie Smith?  I suspect SAG got sentimental for a more senior member, like they did in 2010 for Robert Duvall in “Get Low.”

Another possibility I wouldn’t count out is Judi Dench for “Skyfall.”  It’s a sentimental swan song for Dench in the M role, and it will be one of her final roles since she’s going blind.  She won in 1998 for “Shakespeare in Love,” which she was in for all of six minutes.  In this meaty, tragic role, could the Academy be won over?  The BFCA was and gave her a Critics’ Choice Award nomination, although that was in a field of six.  I don’t think Dench is out of the question, but I would still be shocked if she cracked this field.

The BFCA also nominated Ann Dowd of “Compliance,” a character actor who has paid her dues … and now is paying for her own campaign.  She won Best Supporting Actress from the National Board of Review, although that group has faded in relevancy since they are no longer first out of the gate.  Perhaps a surprise nomination is in store for a hard-working non-star, in the Demian Bichir/Richard Jenkins mold?  A more relevant precedent, however, might be Jacki Weaver in “Animal Kingdom.”  However, she had the awards machine of Sony Pictures Classics working for her all fall.

But I’m sticking with Adams and Kidman.  I don’t have strong enough of a gut feeling to predict Dench or Dowd, and I don’t think Smith has enough heat to make it in the field.

Best Supporting Actor

  1. Robert DeNiro, “Silver Linings Playbook
  2. Tommy Lee Jones, “Lincoln
  3. Alan Arkin, “Argo
  4. Philip Seymour Hoffman, “The Master
  5. Javier Bardem, “Skyfall

Arkin

There are four set nominees in the field: DeNiro, Jones, Arkin, and Hoffman.  The latter three all scored the trifecta of nods from the BFCA, SAG, and HFPA, which essentially assures them nominations.  Last year saw two such actors, Leonardo DiCaprio and Tilda Swinton, get snubbed by the Academy.  I can’t pinpoint precisely why they got knocked out other than a strong field for DiCaprio in Best Actor and a strong competitor for Tilda Swinton in Rooney Mara.

The person I would assume is in the worst position is Philip Seymour Hoffman for “The Master” since it isn’t a slam-dunk Best Picture nominee like DeNiro, Jones, and Arkin’s movies are.  But Hoffman, the movie’s only SAG nominee, appears to be the one performance everyone can line up behind for the film.  And he’s been nominated for movies that did not play well with the Academy at large, as demonstrated by his nod for 2007’s “Charlie Wilson’s War.”

Argue as you might about the former being a sure thing because he missed out on a Golden Globe nomination, but watch his acceptance of their highest honor, the CecilB. DeMille.  Now tell me if you think the voting body of less than 100 would want to nominate someone after he essentially slapped them in the face a la Ricky Gervais?

If he’s nominated, I think DeNiro could win.  Though he has won twice, he hasn’t been nominated in two decades.  There’s a comeback narrative for one of the greatest actors of our time, and it may be too soon for Arkin and Hoffman to win again.  In the event of a “Lincoln” sweep, a rising tide could lift all ships including that of Tommy Lee Jones.

But who gets the fifth slot to compete against these four prior winners?  I had hoped it would be Eddie Redmayne or Russell Crowe for “Les Misérables,” but those are highly unlikely now.  If they were to pop up, put all your money on “Les Misérables” to win Best Picture.

Magic MikeCould it be Critics’ Choice nominee Matthew McConaughey for “Magic Mike?”  He’s had quite the career turnaround in 2012, and a nomination would be a nice pat on the back.  A nomination would be in the pattern of Robert Downey, Jr. in 2008 for “Tropic Thunder,” another unconventional comedic role from a resurgent actor.

McConaughey is unlikely, however, because the SAG Awards and Golden Globes overlooked him, two groups key to making people take Downey, Jr. seriously.  Though he won prestigious prizes from the New York Film Critics’ Circle and the National Society of Film Critics, McConaughey might have to wait until next year for his shot at Oscar glory.  Something tells me his massive weight loss for “The Dallas Buyer’s Club” is screaming Oscars 2013.

SAG didn’t leave off Javier Bardem for “Skyfall,” on the other hand.  Bardem, himself a prior winner in the category, would fit right in with the rest of the nominees.  His Silva from the movie would be the first Bond villain ever to be nominated for an Oscar, and though I was averse to his creepiness, others don’t seem to share my reservations.

Villains have been dominating the Best Supporting Actor category since Bardem’s win for “No Country for Old Men” in 2007.  There was Heath Ledger’s posthumous win for “The Dark Knight” and Christoph Waltz’s victory for “Inglourious Basterds.”  We’ve also seen nominations for Josh Brolin’s murderous monster in “Milk,” Stanley Tucci’s creepy rapist in “The Lovely Bones,” and Jeremy Renner’s tough-as-nails Jem from “The Town.”  Being bad has never been so good.

But the same argument could be made for Leonardo DiCaprio’s vile slave owner Calvin Candie in “Django Unchained.”  Tarantino wrote the despicable Hans Landa, the character that won Christoph Waltz an Oscar.  Could he earn DiCaprio his fourth Oscar nomination – or perhaps his first win?  I’d love to see it, but I’m worried about vote-splitting between DiCaprio and Christoph Waltz, back in the race for a character in “Django Unchained” not all that different than his Oscar-winning Hans Landa.

DjangoBoth DiCaprio and Waltz received nominations from the Golden Globes, but neither showed up on the Critics’ Choice list nor the SAG.  The latter can be explained by a lack of screeners being sent to the nominating committee, but the former is troubling.  I considered “Django Unchained” to be a non-factor in the season until it found some very vocal critical supporters and a large audience.  So I have to think at least one actor from the movie will show up, but I don’t think there’s a consensus on who that should be.

Waltz has won from a number of critics’ groups across the country, but none of them are particularly worth noting.  DiCaprio won from the National Board of Review, which is a far more significant accolade than anything Waltz has received.  If it was just Waltz from “Django Unchained” that DiCaprio had to contend with, I would predict him to receive his first Oscar nod since 2006’s “Blood Diamond.”  But there’s also Samuel L. Jackson from the movie, and many people are also a big fan of his performance.

Had “Django Unchained” unfurled earlier in the season, perhaps there would have been time for consensus to form around one actor.  DiCaprio could have helped himself by doing some press for the movie, yet he’s been remarkably silent.  The moment just doesn’t feel right for him either; I suspect 2013 will be more fortuitous for him with a juicy role in ‘The Great Gatsby” and another re-teaming with Martin Scorsese in “The Wolf of Wall Street.”

So, in the absence of consensus, I think vote splitting will knock out all Tarantino’s performers, paving the way for Javier Bardem’s fourth Oscar nomination.

Check back tomorrow, January 7, for my final predictions in the leading acting categories!

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LISTFUL THINKING: 2012 Superlatives

1 01 2013

New Year’s Day always marks a very interesting balancing act, reflecting on the old while also ringing in the new.  So while people are still thinking about 2012, let me offer up the first annual Superlatives post for the films of 2012.  I’ve already weighed in with the best and worst 10 of 2012, but what about the other 80 movies of the year?  What about the performances?  What about all sorts of other things?  This is the post where I get all sorts of stuff floating in my mind out there.

For the sake of review, I’ll go ahead and re-list my 10 best and worst of 2012.

Top 10 of 2012

10 Best of 2012: “21 Jump Street,” “Argo,” “Hitchcock,” “Killing Them Softly,” “Looper,” “Bernie,” “Zero Dark Thirty,” “Les Misérables,” “The Master,” “The Queen of Versailles

Prometheus

Honorable Mentions: “Rust and Bone,” “Prometheus,” “Beasts of the Southern Wild,” “Wreck-It Ralph,” “End of Watch,” “Holy Motors

Worst 10 of 2012

10 Worst of 2012: “The Grey,” “The Bourne Legacy,” “John Carter,” “Gone,” “The Vow,” “Killer Joe,” “The Paperboy,” “The Deep Blue Sea,” “The Watch,” “Casa De Mi Padre

pitchperfect2

Honorable Mentions: “Pitch Perfect,” “Something From Nothing: The Art of Rap,” “Abraham Lincoln: Vampire Hunter,” “First Position,” “Keep the Lights On,” “Being Flynn

10 More 2012 Releases I Still Need to See: “The Hobbit: An Unexpected Journey,” “The Impossible,” “Promised Land,” “The Intouchables,” “Seven Psychopaths,” “Hyde Park on Hudson,” “Not Fade Away,” “Smashed,” “The House I Live In,” “Searching for Sugar Man”

Vanellope

5 Most Surprising Movies of 2012: “Wreck-It Ralph,” “Bernie,” “End of Watch,” “Hitchcock,” “21 Jump Street

Denzel Washington in Flight

5 Most Disappointing Movies of 2012: “The Dark Knight Rises,” “Django Unchained,” “Lincoln,” “Flight,” “The Bourne Legacy

Bachelorette

10 Most Forgettable Movies of 2012 (in alphabetical order): “Bachelorette,” “Hysteria,” “Jeff, Who Lives at Home,” “Lola Versus,” “Man on a Ledge,” “Men in Black III,” “Salmon Fishing in the Yemen,” “Seeking a Friend for the End of the World,” “Take This Waltz,” “Trouble with the Curve

Silver Linings Playbook

5 Most Rewatchable Movies of 2012: “21 Jump Street,” “Silver Linings Playbook,” “Wreck-It Ralph,” “Argo,” “Ted

Lincoln

5 Movies of 2012 I’m Glad I Saw But Will Never Watch Again: “Lincoln,” “Amour,” “The Invisible War,” “Compliance,” “ReGeneration

Killing Them Softly

5 Most Underrated Movies of 2012: “Killing Them Softly,” “Les Misérables,” “Prometheus,” “Safety Not Guaranteed,” “End of Watch

The Avengers

5 Most Overrated Movies of 2012: “The Sessions,” “Lincoln,” “Django Unchained,” “Life of Pi,” “The Avengers

PSH

5 Movies That Got Better with Distance and Time: “Killing Them Softly,” “Zero Dark Thirty,” “The Master,” “Silver Linings Playbook,” “Prometheus

Brave

5 Movies That Got Worse with Distance and Time: “Brave,” “Lincoln,” “Flight,” “The Sessions,” “The Dark Knight Rises

Argo

5 Movies That Felt Shorter Than Their Runtime: “Zero Dark Thirty,” “Les Misérables,” “The Dark Knight Rises,” “Argo,” “Django Unchained

Keira Knightley in "Anna Karenina"

5 Movies That Felt Longer Than Their Runtime: “Lincoln,” “Anna Karenina,” “This Is 40,” “Damsels in Distress,” The Five-Year Engagement

BOTSW

Breakout Performances: Quvenzhané Wallis in “Beasts of the Southern Wild,”  Eddie Redmayne in “Les Misérables,” Ezra Miller in “The Perks of Being a Wallflower,” Garrett Hedlund in “On the Road,” Scoot McNairy in “Argo

Silver Linings Playbook

Breakthrough Performances: Bradley Cooper in “Silver Linings Playbook,” Michael Pena in “End of Watch,” Jack Black in “Bernie,” Channing Tatum in “21 Jump Street,” Elizabeth Banks in “People Like Us

Best Exotic

Breakdown Performances: Anna Kendrick in “Pitch Perfect,” Salma Hayek in “Savages,” Tom Cruise in “Rock of Ages,” Emile Hirsch in “Killer Joe,” Dev Patel in “The Best Exotic Marigold Hotel

frame 01021605R

Best Body of Work in 2012: (tie) Anne Hathaway in “The Dark Knight Rises” and “Les Misérables,” Jennifer Lawrence in “The Hunger Games” and “Silver Linings Playbook

The Deep Blue Sea

Worst Body of Work in 2012: (tie) Rachel Weisz in “The Bourne Legacy” and “The Deep Blue Sea,” Taylor Kitsch in “John Carter” and “Savages

Jessica Chastain in Zero Dark Thirty

Best Heroes: Jessica Chastain as Maya in “Zero Dark Thirty,” Mark Ruffalo as The Hulk in “The Avengers,” Hugh Jackman as Jean Valjean in “Les Misérables

John Carter

Worst Heroes: Andrew Garfield as Spider-Man in “The Amazing Spider-Man,” Taylor Kitsch as John Carter in “John Carter,” Jeremy Renner as Aaron Cross in “The Bourne Legacy

Catwoman

Best Villains: Anne Hathaway as Selina Kyle/Catwoman in “The Dark Knight Rises,” Russell Crowe as Javert in “Les Misérables,” Leonardo DiCaprio as Calvin Candie in “Django Unchained

Skyfall

Worst Villains: Tom Hardy as Bane in “The Dark Knight Rises,” Javier Bardem as Silva in “Skyfall,” Rhys Ifans as Lizard in “The Amazing Spider-Man

Joaquin

Best Possessed Performance: Joaquin Phoenix in “The Master

The Paperboy

Worst Possessed Performance: Nicole Kidman in “The Paperboy

Bernie

Best Comedic Performance: (tie) Jack Black in “Bernie,” Channing Tatum in “21 Jump Street

The Watch

Worst Comedic Performance: The cast of “The Watch

Uggie

Best Cameo: Uggie in “The Campaign

Ryan Reynolds

Worst Cameo: Ryan Reynolds in “Ted

Eddie Redmayne

Best Singing: Eddie Redmayne in “Les Misérables

Alec

Worst Singing: Alec Baldwin in “Rock of Ages

That’s about all I can come up with for now … may add to this later!  Happy 2013, everyone!





LISTFUL THINKING: 10 Movies That Are More Pro-Torture Than “Zero Dark Thirty”

29 12 2012

You probably came to this post expecting some sort of meaningful meditation on the use of torture in “Zero Dark Thirty,” when in reality this is anything but that.  It’s a silly mockery of the ten most torturous moviegoing experiences I had in 2012.  These ten films believe in moviegoing as a potent form of torture.  They wielded it well.  (And by well, I mean to terrible effect.)

So without further ado, the ten films of 2012 that are more pro-torture than “Zero Dark Thirty.”  AKA the worst 10 movies of the year.

The Grey

#10
The Grey

The Bourne Legacy

#9
The Bourne Legacy

John Carter

#8
John Carter

Gone

#7
Gone

The Vow

#6
The Vow

Killer Joe

#5
Killer Joe

The Paperboy

#4
The Paperboy

The Deep Blue Sea

#3
The Deep Blue Sea

The Watch

#2
The Watch

Casa De Mi Padre

#1
Casa De Mi Padre





REVIEW: The Paperboy

12 12 2012

The PaperboyThere’s no way Lee Daniels’ “The Paperboy” came from the same director as “Precious.”  A film this sweaty, steamy, and trashy simply does not follow a movie so emotionally searing and poignant.  And not only is the movie purely sordid, it isn’t even done artfully or tastefully.

I pray you haven’t seen director Lee Daniels’ debut film, “Shadowboxer,” because your eyes will never forgive you for it.  There’s a reason you probably haven’t heard of it, and that’s because the movie is an absolute mess from beginning to end.  Oh, and there’s also the matter of Cuba Gooding, Jr. and Helen Mirren having a pretty graphic sex scene.  Thanks, but no thanks.

But it’s Lee Daniels of “Shadowboxer” who showed up to direct “The Paperboy,” not Lee Daniels of “Precious.”  Now we are all left to wonder if Oprah directed “Precious” for him or something.  I’m serious, watch “The Paperboy” and try not to let these types of conspiracy theories bubble up in your head.  Well, actually don’t watch “The Paperboy” and just take my word for it that you would feel this way.

Read the rest of this entry »





Marshall Takes Cannes: Day 10-12

28 05 2012

The festival is over and I have so much to report from these last few days!  I don’t know if I was in Cannes for my whole life or a nanosecond; in some strange way, I feel like it’s both simultaneously.  Now that the all the awards have been handed out and everyone has left the Palais (and basically the city of Cannes as well), I figure I’ll put a bow around my tales of Cannes to wrap it all up.

To all those who have been reading, thanks for following my adventures!  If you felt even a fraction of the thrill I felt at the festival, then I feel truly blessed to have brought even the smallest pinch of excitement into your day.  I’m traveling throughout Europe for the next 11 days, but I’ll try to post some outstanding reviews during my trip.  I wound up seeing 12 of the 22 competition films, which was far more than I ever expected!  I was very blessed and fortunate, and hopefully I can convince you to see or skip what I saw!

Day 10 – Friday, May 25

Thought about rushing “Cosmopolis” in the morning … yeah, that didn’t happen.  Still feeling a little queasy and definitely feeling extremely tired, I slept past that 7:00 alarm to get up for an 8:30 screening.  I arrived around 11:30 A.M. to rush the 1:00 P.M. screening, and no one from the rush line was able to gain entry to the screening.

Not wanting to waste another day without seeing a movie, I didn’t mope for long and went almost straight to the line outside the 60th Room (a rooftop tent theater on the roof of the Palais – yeah) for the reprise screening of “The Paperboy” at 2:00 P.M.  But I should have known something was up when the movie didn’t start on time.  I found two friends in the theater and we talked vaguely about people’s reactions to the film.

Then, at 2:30 P.M., the film started … in Spanish.  I suddenly realized that I was not going to be seeing Lee Daniels’ “The Paperboy” with stars like Nicole Kidman and Zac Efron.  Instead, I mistakenly walked into “Post Tenebras Lux,” the Mexican expressionist film that seriously made me want to rip my head off.  Thankfully, a character in the film showed me what that would look like, and that pretty much talked me out of it.

The Pavilion where I worked held a big party that night, which mostly hosted our normal guests (and “Beasts of the Southern Wild” director Benh Zeitlin) plus a few big names including Macy Gray and Lee Daniels, Oscar-nominated director of “Precious” and “The Paperboy.”  Don’t worry, I finally got a picture with a celebrity – not a blurry shot taken from God knows how far away!

Day 11 – Saturday, May 26

This one would be an early morning, though, as I managed to score a ticket to the morning press screening of Jeff Nichols’ “Mud.”  It was much different than I expected, veering away from the visual and visceral brilliance of “Take Shelter” and more towards a plot-driven mainstream Hollywood film.  I’m curious to see what this means for Nichols’ career and onto what trajectory this launches him.

I then quickly ran to see if I could spot Reese Witherspoon at her photo call on the roof of the Palais.  It was initially unsuccessful, but I would not be deterred!  I lingered around the back of the building hoping she would come out of the star entrance, and my loitering eventually paid off as I eventually spotted she and Matthew McConaughey walking across the bridge into the main building!

Naturally, I ran into the building hoping to catch her before she got into her car, but that never panned out.  I decided to go into the Palais to use the restroom, and I walked past a TV that showed the press conference for “Mud.”  Thanks to getting lost a decent amount of times in that Death Star, I knew exactly where press conferences at Cannes were held.  I decided to wait outside the room near the elevator where I assumed she would have to go; there was also another area closed to the entrance to the press conference room, but I thought she would pay them no attention.

Well, I was an idiot.  I never should have doubted that Reese Witherspoon is magnanimous.  Turns out, she went over to the other area and signed a few autographs before leaving – not out the elevator, but through some back entrance.  Grr.  I did get to glimpse her magnificent beauty and become dazzled by her radiant smile.  She’s even better than I ever could have imagined over the past ten years.  Here’s the picture I did get; Reese is the blonde blob in the middle.

The day was destined to go downhill from Reese sighting, but I didn’t think it would get as bad as “Cosmopolis.”  The Robert Pattinson-starrer was a serious disappointment, mainly due to the dialogue and direction.  R-Pattz wasn’t half bad, and I actually thought he was pretty good at the end.  Maybe there is hope…

It was also the last beach screening, which was listed as a “surprise screening” on the schedule.  Rumors circulated like mad about what the movie could be – I had heard “The Dictator,” Brian DePalma’s new film “Passion,” and footage from the new Bond film “Skyfall” all mentioned as possibilities.  Turns out, it was only a short film program that lasted for over an hour and a half.  I was a little underwhelmed and upset to say the least.

Day 12 – Sunday, May 27

The last day of the festival meant a lot of packing, a lot of cleaning, and a lot of goodbyes.  There wasn’t much of a wasted moment to be had – oh, and every single one of the 22 competition films was replaying again.  I got a chance to see “Holy Motors,” the French film featuring Kylie Minogue and Eva Mendes getting her armpit licked, and that was pretty fun.  I also saw “Beasts” director Benh Zeitlin yet again, just chilling and seeing a movie like a regular Joe.  Gosh, I hope he wins an Oscar or something – the man just seems so humble, modest, and unassuming.

I thought about trying to see “The Paperboy” after my Friday fiasco, but I ultimately wound up opting for food and fun with friends.  I’ll get to see it in no time at all back home in the States.  After convincing myself that I would go out on a high note with “Holy Motors,” the jury announced all the awards.  There was one big winner that I still had the chance to see – “Reality,” winner of the Grand Prix (essentially second place).  I quickly caught a bus from my apartment and made it to the theater in time to see the movie.  Don’t know that it was worth the trip, but I’m glad I can say I saw it – especially since it looks like Oscilloscope is going to hold it for release until 2013 in the US.

Oh, and going to the bathroom in the artist’s entrance finally paid off as I saw Emmanuelle Riva, the leading actress from the Palme D’Or-winning “Amour.”

I wound up seeing all but one of the North American films, the Palme D’Or, Grand Prix, Best Director, Best Actor, and Camera D’Or winners, as well as a smattering of other films that ran the gamut from great to God-awful.  Overall, a very interesting festival – hopefully, it won’t be my last.  There’s plenty of unfinished business I have left with Cannes, and so many things I want to do better in the future.  But for now, as I close this chapter, I am satisfied and truly grateful.

Much thanks to my parents for making this trip possible!  Hopefully, Cannes 2012 is just the beginning of many great things to come.