Random Factoid #23

20 08 2009

For several years, I subscribed to the New York Times for the Sunday edition only for the sole purpose of looking at the giant movie ads that they ran in the Arts & Leisure section.





Random Factoid #22

19 08 2009

The worst threatened punishment I have ever received from my parents was to not be able to go see any movies over Christmas break in 2006.  I cried at the thought.





Marshall and the Movies – The Year Ahead

19 08 2009

Dear Reader(s),

Today marks the day where I return to the glorious routine of school.  As you can imagine, homework and studying will come before this blog.  But “Marshall and the Movies” will not die!  I have a plan, and it is getting ready to be executed.  According to my aunt, a good blog needs to have a routine so that any readers will know what to expect when they are visiting the site.  So, drumroll, please…

The Routine

  • Every day a random factoid about myself and my life with movies will be posted.
  • Check back on Friday when I reveal a new weekly feature!  (UPDATE: It has been revealed.  Check out the F.I.L.M. of the Week here.)
  • I am going to be starting the Top 10 project soon and once I get going, I will post articles throughout the weekdays, one movie per week.
  • Reviews and other features and columns will pop up periodically, so keep checking back because you never know when I will post one!

Overall, I hope you bear with me this year.  It will be hard, but hopefully I can keep up the quality of the writing of this blog while maintaining accountability.  I will probably make some mistakes, but I’ll always try to learn from them and make sure that they don’t happen again.  And if you notice a decline in movie reviews, just know that school is getting really hard and I am channeling all my time and effort into it.

Until the next reel,
Marshall





REVIEW: District 9

18 08 2009

In life, we often fear the unknown; with movies, I embrace it.  I saw “District 9” on blind faith, not recognizing the director or actors and knowing virtually nothing about its plot (credit this to the subtle yet effective viral marketing for the film).  I also saw it in spite of the fact that Peter Jackson, who I consider vastly overrated, was giving it a major push.  The element of the unknown only adds to the suspense of “District 9,” which is fresh and exciting to watch unfold.

The less you know about the movie, the more you will enjoy it.  I don’t want to give away too much of the plot, but it involves aliens being segregated in Johannesburg’s District 9 that evokes a powerful comparison to South Africa’s Apartheid era.  And Wikus (Sharlto Copley) works closely with the aliens’ situation but will soon get much closer and gain different insight into their presence.

The first half of “District 9” is sublime.  It has power on so many different levels and you will feel it hit you hard in your gut.  The originality and unpredictability is unlike any movie of its kind you have ever seen.  Unfortunately, its second act lapses into your common, banal action flick.  And it is such a shame because it isn’t your run-of-the-mill movie; it is a smart, inventive tale that takes a concept so surreal and makes it completely believable.  Neill Blomkamp’s masterful direction allows us to be so convinced by utilizing a unique narrative voice, but I wish he had stuck to his vision throughout the movie.  But the success of the movie should be equally attributed to star Sharlto Copley, who provides a tender portrayal of Wikus that really hits home.  The film’s visual effects are breathtaking, making the aliens scary and gross, but also allowing the audience to feel some compassion for them.  But what really sets it apart from the plethora of similar movies is its simplicity.  So many science fiction movies feature really elaborate and intricately woven plots, but “District 9” is straightfoward and doesn’t try to hide anything from you.  It lets one event and motivation drive the movie, eliminating a lot of unnecessary confusion and making it quite a bit easier to watch.  Other sci-fi movies that have executed a similar formula to great success are “Alien” and “The Terminator,” and “District 9,” although not a landmark like the aforementioned, is poised to take its rightful place as a classic in the genre.  A- / 3halfstars





Random Factoid #21

18 08 2009

I hate horror movies.  I hate them not just because they are stupid but because I hate to be scared.  I remember that the first horror movie I watched was “The Grudge.”  I thought it would be really cool on Halloween in eighth grade to watch my first horror movie in the dark to add eeriness, and I wasn’t scared by the movie at all.  It was rated PG-13, so it wasn’t the ultimate in scary movies.  But I plan on facing my fear and going to “The Final Destination” in 3D.  Hopefully that will do what “The Grudge” couldn’t.





Random Factoid #20 / An Experiment

17 08 2009

A major plus about the WordPress platform is the ability to see how people got to your blog.  I am often amused by the searches that send people my way, and I check it multiple times each day.  For instance, someone searched “Pee in Sink” and ended up here last week.  So, to see what people really search for on blogs, I am going to be tagging this post with some very random things that have nothing to do with what I am saying.

My inspiration for this is Judd Apatow for writing Leo Koenig in “Funny People.”  Leo records a YouTube video with him playing with cats because anything with “Cute Cuddly Kittens” in the title gets millions of views.  He attaches it to his account, and he postulates that people will click on his profile and check out his comedy clips.  It was one of the funniest parts of the movie, and thankfully they posted it on YouTube.

I’ll post the results of what got me the most searches in a week or so.  What’s your vote for the tag that will get me the most hits?  Comment, please!





What To Look Forward to in … September 2009

17 08 2009

I guess this sort of serves as a “fall movie preview.” With this, I want to present what I’m looking forward to in September, what other might be looking forward to, and hopefully introduce you to some movies that you might not have heard of yet.

September 4

The movie that I’m most excited for opening this week is “Extract,” the latest comedy from Mike Judge, creator of “Office Space” and TV’s “King of the Hill.”  The movie stars Jason Bateman, who has been in nearly every comedy and yet I still have not tired of him, as the owner of an extract factory who is a bit down on his luck.  Also featuring a great supporting cast which includes J.K. Simmons (“Spider-Man,” “Juno”), Mila Kunis (TV’s “That ’70s Show”), Kristen Wiig (“SNL”), and Ben Affleck, the movie looks to be truly hilarious entertainment.

Other releases this week include “All About Steve,” a comedy with Sandra Bullock and Bradley Cooper (“The Hangover”), and “Gamer,” a non-stop action film with Gerard Butler (“The Ugly Truth”).

September 9 & 11

Opening on 9/9/09, “9” uses a clever marketing ploy to hopefully drive audiences its way.  But I’m not sold.  The ever creepy and quirky Tim Burton is behind it, and I have never really been into his type of movies.  The story revolves around nine CGI animated rag dolls living in a post-apocalyptic world.  Maybe this will be some sort of a breakout hit, but until I hear buzz from friends or other bloggers I trust, I’m not throwing my money at it.

“9” is the big attraction of the week.  Also opening is Tyler Perry’s latest movie “I Can Do Bad All By Myself,” starring Taraji P. Henson of “Benjamin Button” fame, the thriller “Whiteout” starring the gorgeous Kate Beckinsale, and the horror flick “Sorority Row.”

September 18

There are several movies to get excited about that open this weekend.  First and foremost is “The Informant,” starring Matt Damon.  It takes your usual FBI rat story and flips it on its head, turning it into a comedy.  I have always thought Damon has a great knack for subtle comedy, perfectly illustrated in the “Ocean’s” movies.  The director is Steven Soderbergh, Oscar winner for “Traffic,” but has also helmed “Erin Brockovich” and all three “Ocean’s” films.  And the good news is that this is only Matt Damon’s first role of the year with Oscar potential (see the December preview later).

Also opening is “Jennifer’s Body,” which is the first film written by Diablo Cody since winning the Oscar for “Juno.”  It stars Hollywood’s beauty queen Megan Fox as a vampire who eats guys at her high school.  Her presence alone will drive every young guy in America to this movie.  It also features Amanda Seyfried, one of the bright spots in the otherwise disastrous film adaptation of “Mamma Mia!”  I love the quick-witted humor of “Juno,” and although this doesn’t appear to offer similar antics, curiosity (and Megan Fox) will probably get me.

In limited release, “Bright Star” opens, a movie consider by many to be a major Oscar player.  It isn’t the kind of movie that excites me just from watching the trailer, but the buzz surrounding it coming out of the Cannes Film Festival can’t be discarded.  The movie follows the life of the poet John Keats in the early 1800s.  It is directed by Jane Campion, writer/director of “The Piano,” and features a cast of nearly no recognizable names.  I feel obliged to tell you about it because many are sure that you will be hearing about it during awards season and also because so many people love movies set in the beautiful English country with tons of beautiful costumes and people.

Also opening is “Cloudy with a Chance of Meatballs,” an animated adaptation of one of my favorite books growing up. Unfortunately, their idea of adapting it is taking the basic premise of food raining from the sky and destroying the rest of the original story. Maybe I will check it out for old time’s sake, but I’m not expecting anything special. The week also puts forth a romantic drama “Love Happens” starring Aaron Eckhart (“The Dark Knight”) and Jennifer Aniston. And technically, the writer/director of “Babel,” Guillermo Ariaga, releases his latest movie, “The Burning Plain,” to theaters this weekend, but you can watch it on demand starting August 21 if you are that curious.

September 25

Being a musical theater junkie, I feel that it is my duty to push “Fame.”  The movie is a musical that follows a group of talented artists throughout their four years in high school in New York.  At a time in their lives where they don’t know if they have what it takes it to make it big, all the emotions appear to run high.  The movie features no stars. so hopefully this will launch some very promising careers.

For action fans, Bruce Willis is at it again in a high concept sci-fi called “Surrogates,” in which everyone in the world controls a robotic version of themselves from home called a surrogate. Willis plays a detective who investigates the possibility of the surrogates killing the user who operates it.  For sci-fi fans, a screamfest called “Pandorum” with Dennis Quaid and Ben Foster (“3:10 To Yuma”) looks to deliver.  For all those craving a raunchy comedy, a little studio will try to pack you into “I Hope They Serve Beer In Hell,” adapted from the tales of drinking and its consequences in the book of the same name.  In limited release, those who like the costumes of “Bright Star” get “Coco Before Chanel,” the story of the legendary fashion designer.  (NOTE: “The Invention of Lying” was pushed back to October 2.)

So, readers, what is your most anticipated in September?  Anything I left off?  Take the poll and let me know.

Until the next reel,
Marshall





Random Factoid #19

16 08 2009

It should come as no surprise to you that I had several birthday parties when I was younger at the movies.  Here is what I remember about each of them.

Age 5 – 1997: The movie was “Rocket Man,” which I have seen snippets of since and I now realize is one of the dumbest movies ever made.  I don’t remember specifics about the party itself, but I do remember that we had it at the now defunct Meyerland Cinema in Houston.

Age 7 – 1999: The movie was “Toy Story 2,” which is still one of my all-time favorites.  We hosted it at the AMC Studio 30 theater, and I remember that we got to go upstairs, which is restricted to the general public, to the special party room.  The only other thing particularly memorable was that one of my friends had to leave in the first five minutes because he was terrified by Buzz Lightyear on his own planet (which turned out to be Rex playing a video game).  And he was one of the tough kids,

Age 8 – 2000: The movie was “The Grinch,” which disgraces the name of Dr. Seuss.  It was our first party at the new Edwards Greenway Palace 24 theater, and we organized the party through them.  It turned out to be a very bad decision.  They promised to reserve us a row, but they didn’t tell us it would be the FRONT ROW in front of a large rail.  And to make things worse, there was a screaming baby next to us.

Age 9 – 2001: The movie was “Monsters, Inc.,” another classic.  We did the party at Edwards Greenway Palace 24 again, but we didn’t organize it through them.  I remember having a fit because I wanted to have the party on the movie’s first day, but someone else sent out invites for a party that day before I did.

Age 13 – 2005: The movie was “Man of the Year,” a pretty bad one.  I was 13 and dying to go out and see a PG-13 movie despite the fact that anyone can get into one without being 13.  I had 4 friends to my house, and against my better judgement and their will, I made them leave fun in my backyard to go see an awful movie that only I had any desire to see.





REVIEW: Whatever Works

15 08 2009

Anyone who keeps up with this blog or knows me well can probably guess that I often identify with Woody Allen and his neurotic characters, for better or worse.  And as soon as I heard that Larry David, one of the creators of “Seinfeld” and the hilarious star of “Curb Your Enthusiasm,” was going to be starring in Woody’s latest, I knew they could be a scary pair.  However, David’s Boris Yelnikoff unexpectedly proves to be quite likable.  “Whatever Works,” frankly put, works for me.  It is a light, breezy comedy that doesn’t make you strung out like some of Allen’s (or David’s) other projects.  David provides the caustic quips, but a phenomenal supporting cast is equally funny.

Boris (David) is a misanthropic scholar with the belief that humans are a failed species.  He gets living proof of this when Melody (Evan Rachel Wood, “The Wrestler”) shows up on his doorstep one night.  A naïve and dim-witted down home southern girl, Melody slowly starts to melt Boris’ cold heart.  On the other hand, she also begins to randomly spurt his cynical views about life and humanity to anyone who looks at her.  As their time living together lengthens, there are of course the inevitable run-ins with Melody’s mother Marietta (Patricia Clarkson), who disapproves of her new lifestyle, and her firm father John (Ed Begley, Jr.).  All four characters undergo drastic and hilarious changes in the way they see and live their lives, eventually learning to simply enjoy whatever works for them.

I really cannot sing the praises of Larry David enough for making Boris so lovable despite being a suicidal misanthrope.  He stands out among the normal neurotic leads of Allen’s films.  Evan Rachel Wood is also spellbinding.  Her amazing range astounds me; she can do any movie she wants and steal the show.  The rest of the supporting cast is phenomenal, especially Patricia Clarkson as she turns from the good Southern Christian to a very artistic experimenter.

The script is Woody Allen at his best; in fact, it was written in his golden age during the 1970s.  It is delightfully witty and quite thought-provoking too.  There is good dialogue between Boris and the audience through monologues to the viewers, and I found them quite refreshing and inventive.  “Whatever Works” is a comedy to please anyone with a funny bone.  Even for those who find Allen’s movies too zany for their taste, this possesses a charm uncanny to most of his other works.  A- / 3halfstars





Random Factoid #18

15 08 2009

I was always big into having imaginary friends when I was younger, mostly from movie characters.  The only specific ones I remember are the last ones I had, Carmen and Juni from “Spy Kids.”





Random Factoid #17

14 08 2009

I have only been to one midnight showing of a movie.  That was “Harry Potter and the Half-Blood Prince,” the highest grossing midnight showing ever.  It was set up to be a perfect night: an advanced screening of “(500) Days of Summer” at 7:30 and “Harry Potter” at midnight.  But unfortunately, getting to the theater an hour early was not enough to get into the advanced screening.  So my friend and I just kind of hung around, but around 9:00, I could feel my eyes starting to close.  I dashed to Kroger and stocked up on Emergen-C and Diet Coke, and I lasted until 3:30 A.M. when I climbed into my bed.





REVIEW: Cheri

13 08 2009

When I started this blog, my plan was to publish movie reviews in reverse chronological order, that is, starting with the most recent and moving backwards.  However, in my haste to crank out review after review, I skipped over “Cheri.”  I think that is a testament to the movie itself.  It is fairly forgettable and mediocre, the only bright spot being Michelle Pfeiffer’s spectacular performance.  Unfortunately, it will not receive the attention that it rightfully deserves because the rest of the movie is a chaotic mess with no narrative poise.

Lea (Pfeiffer) is an aging courtesan in the Belle Époque period in France who has one last fling with the introverted Cheri (Rupert Friend), the son of one of her best friends (played by Kathy Bates).  She teaches him lessons that his mother never did, including how to be kind to his future wife.  Although she denies it, Lea ends up falling for Cheri.  Unfortunately, he has to be married.  That was the first 30 minutes of the film.  The other hour was an absolute mess that bored me to tears.  By the time that the emotional climax of the film rolled around, I honestly couldn’t have cared less.

Pfeiffer is ablaze in “Cheri,” a welcome comeback to the role of a leading lady for the star.  She is willing to acknowledge and act her age, a rarity in Hollywood nowadays.  Lea is the only character whose emotions seem logical, and I think that is so only because of Pfeiffer.  Kathy Bates is bearable, but Rupert Friend is just horrific.  He thinks he can hide behind his looks and not act, and that never works.  He phones in a performance without any driver whatsoever.  The second act focuses more on him, which may be why it was so gut-wrenchingly awful to watch.

Movies set in this time period seem tailored (no pun intended) to win Oscars for their costumes, and the threads are intricately woven for this movie.  I wouldn’t be surprised if this won the Oscar for Best Costume Design.  The narrative power of the movie is quite frankly atrocious.  A narrator pops up randomly every once in a while to provide some worthless information.  Utilizing such a corny element in a movie that takes itself so seriously was an ill-advised move.  The movie jumps from emotion to emotion constantly, and all of them are poorly developed.  It goes from sensual to sweet to sad to boring to heartbreaking to just plain depressing in a matter of 90 minutes.  Overall, the movie just leaves a bitter taste in your mouth, which is a shame because I do think that Pfeiffer gives one of the best performances of the year.  C+ / 2stars





A Very Proud Moment in the History of “Marshall and the Movies”

13 08 2009

I have been shamelessly plastering my articles all over the film blogs I love the most, and I have received some warm recognition.  But today marks a very proud achievement for me and the blog.  Possibly the most respected movie critic of all-time, Roger Ebert, has acknowledged “Marshall and the Movies” and lauded its goals, specifically the “Mindless Moviegoing” feature.

Roger Ebert's Comment!

Thanks to anyone who has ever read this blog because if you didn’t, I would just be a neurotic teenager talking to myself.  Go see movies like “The Hurt Locker” and “(500) Days of Summer!”  Go off the beaten path!  Explore the boundaries of cinema!  I can’t think of anymore things to say that end in an exclamation point!

Until the next reel,
Marshall





Random Factoid #16

13 08 2009

I guess I just have tickets on the brain, so today’s factoid is another one about my obsession with movie tickets.

I once duped a friend into going to a later showtime of a movie because I had seen the theater that it was showing in and I had just been to see a movie in that same theater.  In an effort to make my collection more diverse, if you will, I convinced him to wait another 30 minutes under the impression that the more recent one was nearly sold out.





REVIEW: G.I. Joe: The Rise of Cobra

13 08 2009

I will admit that I deliberately postponed this review a few days.  After writing “Mindless Moviegoing” in which I claim that there is hope for teens to look beyond the blockbuster, I would have felt like a hypocrite if the first movie I reviewed had been one.  That being said, I took my little brother to see “G.I. Joe: The Rise of Cobra” the morning after I finished the column.  He was begging, and so I just bit the bullet and took him.  Weary after the last disaster based on a Hasbro toy line, I decided I would judge the movie on two grounds: if it had some sort of understandable plot and if there was more to the movie than just explosions and fighting.  Did it pass?  Yes, but barely.  The movie isn’t highly ambitious, but it does attempt to provide a decent story and give its characters some depth (although it might help if the cast wasn’t all models to play this depth).  It provides bearable escapist entertainment, and it scores with the demographic that it targets because my brother now claims this to be his second-favorite movie ever (at least his favorite is “The Dark Knight”).

The movie revolves around a set of four warheads containing nanomites, a new technology with the strength to destroy cities.  They are developed by James McCullen, who sells them to NATO but intends to recapture them for his own use to achieve world domination.  He creates a team of warriors called Cobras that are fearless in the face of danger and virtually invincible.  Fighting these villains is G.I. Joe, an special forces unit comprised of elite soldiers from dozens of countries.  Duke (Channing Tatum, “Step Up”) and Ripcord (Marlon Wayans, “Scary Movie”) are the U.S. soldiers assigned to protect the warheads and, as good soldiers do, refuse to release command until their mission has been completed.  They train and ultimately become a part of G.I. Joe as they attempt to stop the dastardly McCullen from destroying the world.

The acting is sub-par, which can be expected when the cast is comprised mainly of ex-models like Channing Tatum and the gorgeous Sienna Miller.  The comedian of the bunch, Marlon Wayans, doesn’t really provide any laughs.  Instead, the movie lets some corny lines and ridiculous acting take care of that.  Joseph Gordon-Levitt strangely follows up the amazing “(500) Days of Summer” with this.  Although I don’t fault him for maybe wanting to take a trip out of indie world, this seems like a curious movie to choose.  He has a kind of boy-next-door feel, and I didn’t really dig this villainous role for him.  However, I am thrilled that he wants to expand his repertoire.  What really boggles me is how Dennis Quaid chooses movies like this when he could be in any movie he wants.

My main comparison to “G.I. Joe” was the latest “Transformers,” and this is light years better.  It is much easier to digest and entertaining.  The movie makes a fair attempt to bring up some serious themes, such as emotion vs. logic, facing fear, and having a conscience about killing.  However, they are undeveloped and ultimately miss the mark.  If you are looking for escapist and mindless entertainment, this a decent choice.  It provides some cool, fast-paced action that will be fun for kids or the kid in you.  C+ / 2stars