Live Blogging the 2012 Oscars!

24 02 2013

12:53 A.M.  To put the finishing touches on the evening, “Life of Pi” was the big winner with 4 Oscars including Best Director.  “Argo” took home 3 trophies to boot including Best Picture, the one that really counts.  “Les Misérables” had a nice haul of 3 as well, winning Anne Hathaway her first Oscar!  “Django Unchained,” “Lincoln,” and “Skyfall” each won a pair of Academy Awards too.

Thanks for tuning in, everyone!  You were a wonderful audience!  And you helped make this a banner night for the site as well, breaking my all-time daily traffic record.

Check back tomorrow for my Monday morning wrap-up where I attempt to break down the implications of the night, the best-dressed women, and the precise moment I went and returned from heaven during the “Les Misérables” cast reunion.  Take care, readers and Oscar watchers!

11:59 P.M.  Aww, Ben Affleck and Jennifer Garner.  And what an incredible speech of redemption, justice, and vindication!

11:58 P.M.  Giving the Academy the finger with the mention of Affleck as a director.

11:56 P.M.  What a wild ride for Ben Affleck.  Congratulations to all involved on this fantastic movie!

11:55 P.M.  BEST PICTURE: ARGO

Ben Affleck for Argo

11:53 P.M.  Because Bill Clinton on the Golden Globes wasn’t enough, Michelle Obama had to upstage everyone at the Oscars…

11:52 P.M.  Does Jack Nicholson always present Best Picture?

11:51 P.M.  Biggest shocker of the night!  A nice, eloquent speech as always.  History has been made … and will probably be made again when he takes his next role.

11:48 P.M.  BEST ACTOR: DANIEL DAY-LEWIS, “LINCOLN

DDL

11:43 P.M.  BEST ACTRESS: JENNIFER LAWRENCE, “SILVER LININGS PLAYBOOK

JLaw

11:36 P.M.  If “Life of Pi” does not win Best Picture, that means Ang Lee will have won Best Director twice and never won Best Picture.

11:34 P.M.  BEST DIRECTOR: ANG LEE, LIFE OF PI

Netter_PI_1418R - Director Ang Lee on the set of LIFE OF PI

11:29 P.M.  Ugh, really?  Guess my distaste for Tarantino’s latest really killed my ballot.

11:26 P.M.  BEST ORIGINAL SCREENPLAY: “DJANGO UNCHAINED

Django

11:24 P.M.  BEST ADAPTED SCREENPLAY: ARGO

Argo

11:17 P.M.  You da bomb, Adele!  The whole world loves you!

11:16 P.M.  BEST ORIGINAL SONG: SKYFALL FROM SKYFALL

Skyfall

11:10 P.M.  BEST ORIGINAL SCORE: LIFE OF PI

life-of-pi-lop-275_rgb

11:00 P.M.  We miss you, Nora Ephron!

10:57 P.M.  In memoriam, it always gets me…

10:49 P.M.  BEST PRODUCTION DESIGN: “LINCOLN

Lincoln

10:36 P.M.  No one can silence a room quite like Adele.  She is unbelievable.

10:33 P.M.  BEST FILM EDITING: “ARGO

Argo BP

10:25 P.M.  YES YES YES!  “It came true,” channeling her best Mia Thermopolis.  And such a beautiful line about Fantines in real life!

10:22 P.M.  BEST SUPPORTING ACTRESS: ANNE HATHAWAY, LES MISERABLES

I Dreamed a Dream

10:19 P.M.  TIME FOR BEST SUPPORTING ACTRESS!

10:16 P.M.  So cool, never thought I’d see a tie in my lifetime!  This is awesome!

10:14 P.M.  BEST SOUND EDITING: (tie) “ZERO DARK THIRTY” and “SKYFALL

Zero Dark

10:11 P.M.  BEST SOUND MIXING: LES MISERABLES

Les Mis

10:10 P.M.  Glad Seth MacFarlane can joke about his movie’s mediocrity.

"Ted"

10:07 P.M.  Is this what heaven is like?  Oh my god!

10:05 P.M. HYPERVENTILATION!

10:03 P.M.  I CAN DIE HAPPY NOW!  THIS IS SO FANTASTIC!

10:02 P.M.  LES MIS LES MIS LES MIS LES MIS I AM DYING

9:59 P.M.  Jennifer Hudson being amazing is good enough.  Why has she disappeared?!

9:57 P.M.  HOW CAN THEY DO “DREAMGIRLS” WITHOUT BEYONCE!?!

9:54 P.M.  I’ll never look at “Chicago” the same way.  Catherine Zeta-Jones sounds awful and looks like a totally different person than the woman that won the Oscar 10 years ago.

9:53 P.M.  I’m sorry, but I just can’t take John Travolta seriously…

9:50 P.M.  BEST FOREIGN LANGUAGE FILM: “AMOUR

Haneke

9:45 P.M.  “Jaws” theme again?  Wow, so rude.

9:44 P.M.  BEST DOCUMENTARY FEATURE: “SEARCHING FOR SUGAR MAN”

9:41 P.M.  “The actor who really got inside Abraham Lincoln’s head was John Wilkes Booth.”  Yeah, maybe too soon…

9:40 P.M.  By breaking up the Best Picture nominees into 3 trios, I hope this doesn’t mean they think they can get away with not doing one giant montage…

9:37 P.M.  The modern American superhero who isn’t American … Liam Neeson.

9:36 P.M.  Darn, there goes my streak of getting all the short films right.

9:35 P.M.  BEST SHORT FILM (DOCUMENTARY): “INOCENTE”

9:33 P.M.  Love that feeling of getting a short film prediction right!

9:32 P.M.  BEST SHORT FILM (LIVE ACTION): “CURFEW”

9:30 P.M.  This is how I knew who Shirley Bassey was…

9:27 P.M.  Pretty impressive finish for Shirley Bassey there.

9:21 P.M.  So glad “Les Misérables” isn’t going home empty handed!

9:20 P.M. BEST MAKEUP AND HAIRSTYLING: “LES MISERABLES

Anne Hathaway

9:17 P.M.  BEST COSTUME DESIGN: “ANNA KARENINA

Anna Karenina

9:11 P.M.  What a terrible way to play someone off – with “Jaws!”  He was trying to say something meaningful about their company that was going bankrupt and they just totally cut him off!

9:1o P.M.  BEST VISUAL EFFECTS: “LIFE OF PI

9:07 P.M.  BEST CINEMATOGRAPHY: “LIFE OF PI

Life-of-Pi-aerial-sea

9:05 P.M.  Awkwardly missing Scarlett Johansson on “The Avengers” reunion … now it’s a sausage fest.

9:04 P.M.  Adorable flexing Quvenzhané Wallis!  “I really hope I don’t lose to that old lady, Jennifer Lawrence!”

Beasts

9:02 P.M.  Chills all over again for “Les Misérables.”

Les Miserables

9:00 P.M.  Well, sorry for ever doubting Pixar owned this category, except when they don’t.

9:00 P.M. BEST ANIMATED FILM: BRAVE

Brave

8:59 P.M.  So great of the Academy to send out all the short films!

8:58 P.M. BEST ANIMATED SHORT FILM: “PAPERMAN”

8:57 P.M.  Never mind, misread the envelope.

8:56 P.M.  Screenplay already?!  Not again….

8:55 P.M.  Loving all this “E.T.” music!

8:52 P.M.  Well, I guess lightning does strike twice.  The same performance wins another Best Supporting Actor Oscar.

8:50 P.M.  BEST SUPPORTING ACTOR: CHRISTOPH WALTZ, “DJANGO UNCHAINED

Christoph

8:45 P.M.  Sally Field, what a great sport!

8:42 P.M.  So THAT’S why Daniel Radcliffe and Joseph Gordon-Levitt showed up to their first Oscars (which is a fact that surprises me).

8:40 P.M. Channing Tatum and Charlize Theron seem like an odd couple to be doing this dance … but they have some kind of grace!  This reminds me of a “Family Guy” episode with all these random tangents.

8:37 P.M.  This “we saw your boobs” number is true but just rubs me wrong…

8:31 P.M.  Really, Tommy Lee Jones?  Way to break character!  Jimmy Fallon, you are in good company…

TLJ GG

8:29 P.M.  TIME FOR THE SHOW TO START!

Seth

8:20 P.M.  Reminder to COMMENT and I will answer!

8:18 P.M.  By my count, “Life of Pi“ wins five, “Argo“ and “Les Misérables“ take three, and “Amour“ and “Silver Linings Playbook“ steals two trophies.  How’s that for spreading it around?

8:10 P.M.  Best Picture.  The holy grail.

Best Picture

Amour
Argo
Beasts of the Southern Wild
Django Unchained
Les Misérables
Life of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty

Will win: “Argo
Could win: “Silver Linings Playbook
Should win: “Les Misérables
Should be nominated: “The Master

Only the second movie since 1930 to win Best Picture without a Best Director nomination – that is the feat “Argo“ looks to pull off tonight.  On nomination day, I wrote “All that talk of it being a surprise come-from-behind winner all just came to a screeching halt with that Best Director snub.”  That has quickly been proven dead wrong as it wins top honors from the Critics Choice, Golden Globes, PGA, DGA, SAG, and BAFTA.  If it only had that pesky Best Director nomination, we wouldn’t think twice.

SLP BP

What looked to be a tough race to predict has been blown wide open by “Argo.”  But if anything will prove us wrong, it would be “Silver Linings Playbook.”  Then “Lincoln.”  Then “Life of Pi.”

8:05 P.M.  Ladies are looking PHENOMENAL tonight.  Scroll down for Chastain, and also check out Anne Hathaway, Amy Adams, and Jennifer Lawrence!

Amy Adams

85th Annual Academy Awards - Arrivals

reg_634.JLawrence.mh.022413

8:00 P.M.  Best Director will be more interesting tonight than it has been in quite some time … will they do it before or after the leading acting races?  Hopefully it’s just right before Best Picture.

Best Director

Michael Haneke, “Amour
Ang Lee, “Life of Pi
David O. Russell, “Silver Linings Playbook
Steven Spielberg, “Lincoln
Benh Zeitlin, “Beasts of the Southern Wild

Will win: Ang Lee, “Life of Pi
Could win: David O. Russell, “Silver Linings Playbook
Should win: Benh Zeitlin, “Beasts of the Southern Wild
Should be nominated: Kathryn Bigelow, “Zero Dark Thirty

Life of Pi

A part of me wonders if David O. Russell won’t steal this, but his nomination for Best Adapted Screenplay could lead to some vote splitting.  Steven Spielberg just doesn’t feel right, not with how “Lincoln” seems to have faded at the end of the season.  Ang Lee’s work on “Life of Pi” just seems director-y, so something tells me I ought to pick him.

7:50 P.M.  The “breath of fresh air” category of all former winners – Best Supporting Actor.  Who will win their second – or third – Oscar?  Saved this category towards the end because I was still thinking about it…

Best Supporting Actor

Alan Arkin, “Argo
Robert DeNiro, “Silver Linings Playbook
Philip Seymour Hoffman, “The Master
Tommy Lee Jones, “Lincoln
Christoph Waltz, “Django Unchained

Will win: Robert DeNiro, “Silver Linings Playbook
Could win: Tommy Lee Jones, “Lincoln
Should win: Philip Seymour Hoffman, “The Master
Should be nominated: Eddie Redmayne, “Les Misérables

TLJ

He hasn’t won anything yet.  But it’s a gut feeling I’ve had since the nominations.  SAG winner Tommy Lee Jones or Globe/BAFTA winner Christoph Waltz seem to be more safe or likely choices.  But if Riva upsets Lawrence, they run the risk of nominating “Silver Linings Playbook” for all acting awards and then giving it zero wins.  I don’t think that happens, so DeNiro wins on sympathy and insurance votes.

7:40 P.M.  The Best Actress race is crazy tight this year, and I will be on the edge of my seat as the envelope is opened.

Best Actress

Jessica Chastain, “Zero Dark Thirty
Jennifer Lawrence, “Silver Linings Playbook
Emmanuelle Riva, “Amour
Quvenzhané Wallis, “Beasts of the Southern Wild
Naomi Watts, “The Impossible

Will win: Jennifer Lawrence, “Silver Linings Playbook
Could win: Emmanuelle Riva, “Amour
Should win: Jessica Chastain, “Zero Dark Thirty
Should be nominated: Marion Cotillard, “Rust and Bone

Silver Linings Playbook

Between the Golden Globe, the SAG, and “The Hunger Games,” this is Lawrence’s year.  There seems to be a late surge for Riva with her BAFTA win, but I think Jennifer Lawrence should take this one.

7:32 P.M.  How incredible does she look?!

Jessica Chastain

7:30 P.M.  I mean, do I even need to predict the next two categories?

Best Supporting Actress

Amy Adams, “The Master
Sally Field, “Lincoln
Anne Hathaway, “Les Misérables
Helen Hunt, “The Sessions
Jacki Weaver, “Silver Linings Playbook

Will win: Anne Hathaway, “Les Misérables
Could win: Sally Field, “Lincoln
Should win: Anne Hathaway, “Les Misérables
Should be nominated: Shirley MacLaine, “Bernie

Duh.

Best Actor

Bradley Cooper, “Silver Linings Playbook
Daniel Day-Lewis, “Lincoln
Hugh Jackman, “Les Misérables
Joaquin Phoenix, “The Master
Denzel Washington, “Flight

Will win: Daniel Day-Lewis, “Lincoln
Could win: Hugh Jackman, “Les Misérables
Should win: Joaquin Phoenix, “The Master
Should be nominated: Jack Black, “Bernie

Again, duh.

7:20 P.M.  Best Adapted Screenplay is one of the night’s most unpredictable races involving five major Best Picture contenders.  Who will win?

Best Adapted Screenplay

Argo
Beasts of the Southern Wild
Life of Pi
Lincoln
Silver Linings Playbook

Alan Arkin

Will win: “Argo
Could win: “Silver Linings Playbook
Should win: “Argo
Should be nominated: “Bernie

Again, since they can’t give Best Director to Ben Affleck, they’ll give “Argo” some consolation prizes so it doesn’t ONLY win Best Picture. Perhaps this is where “Silver Linings Playbook” breaks through, but I think the momentum is unstoppable for “Argo.”

7:00 P.M.  Time to move into the heavy hitters … can’t believe some of these people will be holding a golden statue soon!

Best Original Screenplay

Amour
Django Unchained
Flight
Moonrise Kingdom
Zero Dark Thirty

Will win: “Amour
Could win: “Zero Dark Thirty
Should win: “Zero Dark Thirty
Should be nominated: “The Master

Amour

Zero Dark Thirty” may be too controversial, but it did win the WGA.  However, it was not competing against Quentin Tarantino’s “Django Unchained” nor Michael Haneke’s “Amour.”  I’m seeing a foreign film triumph like in 2002 when “Talk to Her” unexpectedly took the trophy.  Just a gut feeling I have.

6:55 P.M.  Jennifer Lawrence just referenced “Father of the Bride” – MARRY ME!

6:53 P.M.  The sound categories always prove to be a bit of a conundrum – do you predict a split?  They haven’t done so since 2008!

Best Sound Mixing

Argo
Les Misérables
Life of Pi
Lincoln
Skyfall

Will win: “Les Misérables
Could win: “Life of Pi
Should win: “Les Misérables
Should be nominated: “The Impossible

Did you know they sang live on “Les Misérables?”  No movie has shone more of a light on sound mixing than this one, so it should handily win.  And musicals always seem to score here.

Best Sound Editing

Argo
Django Unchained
Life of Pi
Skyfall
Zero Dark Thirty

Will win: “Life of Pi
Could win: “Skyfall
Should win: “Zero Dark Thirty
Should be nominated: “The Impossible

A “Life of Pi” technical sweep should get back on track and take the other sound category.
6:46 P.M.  Cute Quvenzhané Wallis and her adorable puppy purse!

puppy purse

6:45 P.M.  Best Film Editing, according to Dave Karger, is an even more necessary nomination than Best Director.  So having said that…

Best Film Editing

Argo
Life of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty

Argo

Will win: “Argo
Could win: “Life of Pi
Should win: “Zero Dark Thirty
Should be nominated: “The Master

6:35 P.M. Happy one year anniversary, Angelina Jolie’s protruding right leg!

Angie's Leg

6:30 P.M.  Best Cinematography is a category I appreciate more and more each year.  So who will take it for 2012?

Best Cinematography

Anna Karenina
Django Unchained
Life of Pi
Lincoln
Skyfall

Skyfall

Will win: “Life of Pi
Could win: “Skyfall
Should win: “Skyfall
Should be nominated: “Les Misérables

I think it would be great if Roger Deakins, a perennial Oscar bridesmaid, won for his superb lensing of “Skyfall.”  But his name isn’t on the ballot, just the movie’s name.  And there seems to be a Bond bias in the Academy.  So I say the technical domination of “Life of Pi” continues here.

6:20 P.M.  That one time I ran into an Oscar nominee.  It’s super casual.

IMG_2647

(That’s Emmanuelle Riva of “Amour,” in case you couldn’t tell.)

6:15 P.M.  Almost forgot the other two short film categories … whoops!

Best Documentary Short

“Inocente”
“Kings Point”
“Mondays at Racine”
“Open Heart”
“Redemption”

Will win: “Mondays at Racine”
Could win: “Open Heart”

I’m thinking heartstrings-tugger “Mondays at Racine,” about two female cancer patients who become unlikely friends, will triumph over “Open Heart.”  The latter seems to similar to “Saving Face,” last year’s winner in the category about reconfiguring women’s faces in Pakistan that have been disfigured by acid.

Best Live Action Short

“Asad”
“Buzkashi Boys”
“Curfew”
“Death of a Shadow”
“Henry”

Will win: “Curfew”
Could win: “Death of a Shadow”

I did my research and “Curfew” sounded right, but now I don’t remember what it was about.  I do remember that Matthias Schoenaerts of “Rust and Bone” was in “Death of a Shadow,” though.

6:05 P.M.  Eddie Redmayne arrives!  Why isn’t he nominated for Best Supporting Actor?!

Les Miserables (2)

6:00 P.M.  What was once “Best Makeup” is now “Best Makeup and Hairstyling.”  So that adds a whole new dimension to the category (slightly kidding, slightly serious).

Best Makeup and Hairstyling

Hitchcock
The Hobbit: An Unexpected Journey
Les Misérables

Will win: “Les Misérables
Could win: “The Hobbit: An Unexpected Journey
Should win: “Les Misérables
Should be nominated: “Holy Motors

Anne Hathaway

Consider how much that makeup and hairstyling contributed to Anne Hathaway’s soon-to-be-Oscar winning performance.  I think that’s enough to trump the showier styles of “The Hobbit: An Unexpected Journey.”

5:45 P.M.  Time for my predictions for the costume drama awards.  The movies that win here are usually made solely to win these Oscars.

Best Costume Design

Anna Karenina
Les Misérables
Lincoln
“Mirror Mirror”
“Snow White and the Huntsman”

Will win: “Anna Karenina
Could win: “Les Misérables
Should win
: “Anna Karenina
Should be nominated: “Moonrise Kingdom

I mean, “Anna Karenina” is way too gorgeous to be passed up here.

Keira Knightley in "Anna Karenina"

Best Production Design

Anna Karenina
The Hobbit: An Unexpected Journey
Les Misérables
Life of Pi
Lincoln

Will win: “Anna Karenina
Could win: “Life of Pi
Should win
: “Anna Karenina
Should be nominated: “Beasts of the Southern Wild

Some say the digital scenery of “Life of Pi” will triumph over the traditionally Oscar-y sets of “Anna Karenina,” like how “Avatar” won in 2009.  And maybe it will, indicating a HUGE technical sweep for the movie.  But I think given that the scenery and setting of “Anna Karenina” is a major plot device, it will walk away with the award.

4:45 P.M. 84, soon to be 85 years of Oscar, all in one picture. Awesome.

85 years

4:00 P.M. I saw all the Best Picture nominees so you don’t. Here are some of my favorite quotes from my reviews of each nominated film.

Amour

At times, it can be fairly difficult to watch … but how hunky-dory do you want movies about death to be? How can you even begin to comprehend the ennui of watching someone slowly lose their grip on life when you are treated to watch from a coolly removed distance?

Argo

However, I don’t attribute the success of “Argo” merely to coincidence and fate. The movie works because it was meticulously and intentionally crafted by director Ben Affleck, who continues to make leaps and bounds with each movie he makes.

Beasts of the Southern Wild

Have no doubt about it, “Beasts” is a movie that could only by an uncorrupted visionary like Zeitlin. His ambition soars to the sky, and even in the rare occasions where it falls short, we are left in awe of the sheer gutsiness of the decision.

Django Unchained

[R]ather than use the forward momentum to lead to further exploration of his craft, Tarantino chose to take a victory lap fueled by the high of inhaling too much of the exhaust fumes of his own success. ”Django Unchained” just feels like Tarantino on autopilot, lacking the vibrancy or surprising eccentricity of his prior films.

Les Misérables

Even when the novelty of the close-ups wears off, we are still left to ponder just how radical and revolutionary Hooper’s “Les Misérables” is. The musical genre has favored sweeping grandiosity for years in an attempt to replicate the stage experience for cinematic audiences. Hooper, on the other hand, respects the live theatre’s conventions but throws out those that do not translate well to screen.

Life of Pi

The core ideas of “Life of Pi” get diluted, passed over in favor of a little more cinematic grandeur. Don’t get me wrong, Lee’s grand canvas for the movie is exciting and stunning. But I can get that in any movie; few dare to delve into the psyche like he meagerly attempted to do.

Lincoln

Once the process wraps up, it is revealed that Kushner and Spielberg are really more interested in hagiography than biography with “Lincoln.” While it delves deeper than just mere Honest Abe iconography, their film is not one that attempts to tell his story.

Silver Linings Playbook

Russell’s editing facilitates emotional rapport, [and] the two feel like parts of ourselves that we usually try to pretend don’t exist. But on screen and embodied by Cooper and Lawrence, we embrace them and allow them to illuminate the crazy that lives within us all.

Zero Dark Thirty

Through the journalistic proceedings of “Zero Dark Thirty,” Boal cleverly utilizes Maya as an important through-line to keep us drawn in. And Chastain in turns creates a character so scarily resolute that we can’t help but root and cheer for her.

3:45 P.M. Remember when “Zero Dark Thirty” was the frontrunner for Best Picture? Read my piece for “LAMB Devours the Oscars” to see what happened to what was once a prized darling.

ZDT

3:30 P.M. Animation is a little tougher than normal this year…

Best Animated Feature

Brave
“Frankenweenie”
“ParaNorman”
“The Pirates: Band of Misfits”
Wreck-It Ralph

Will win: “Wreck-It Ralph
Could win: “Brave
Should win: “Wreck-It Ralph

Vanellope

A few years ago, it would be unimaginable that Pixar could lose this category. They may not cede their turf tonight, to be fair. “Brave” won the Golden Globe and BAFTA, but “Wreck-It Ralph” had better reviews and took the PGA and Annie Award. I admit to picking the movie I think is clearly better and hoping the Academy feels the same way. But they could remind us that this category belongs to the studio of Woody and Buzz.

Best Short Film – Animated

“Adam and Dog”
“Fresh Guacamole”
“Head Over Heels”
“Maggie Simpson in The Longest Daycare”
“Paperman”

Will win: “Paperman”
Could win: “Adam and Dog”
Should win: “Maggie Simpson in The Longest Daycare”

Disney’s short film “Paperman” should clean up here. It seems like the most substantial nominee, but I could be totally wrong. I saw it before “Wreck-It Ralph” and was very impressed with the way it rehashed silent film charm.

3:15 P.M.Zero Dark Thirty” jokes are fun.

13GoingonZDT

ZD30Rock

3:00 P.M. Visual effects are fun. Check out some of these awesome videos demonstrating how the nominated films came together on a computer!

Best Visual Effects

The Avengers

The Hobbit: An Unexpected Journey

Life of Pi

Prometheus

“Snow White and the Huntsman”

Will win: “Life of Pi
Could win: “The Hobbit: An Unexpected Journey
Should win: “Life of Pi
Should be nominated: “The Impossible

Best Picture nominees have dominated this category since 2008, so I give the advantage to “Life of Pi.” On the other hand, “The Lord of the Rings” did win this category three times in a row, so a sneak attack is possible.

2:45 P.M. Some more predictions for you … again, I consider these to be pretty much no-brainers.

Best Documentary Feature

“5 Broken Cameras”
“The Gatekeepers”
“How to Survive a Plague”
The Invisible War
“Searching for Sugar Man”

Will win: “Searching for Sugar Man”
Could win: “The Invisible War
Should win: “The Invisible War
Should be nominated: “The Queen of Versailles

Have only seen two of the nominated films, so I can’t speak much from my own aesthetic tastes. But “Searching for Sugar Man” has been totally dominant on the precursors circuit, and I don’t expect its dominance to let up now.

Best Foreign Language Film

Amour
“Kon-Tiki”
“No”
“A Royal Affair”
“War Witch”

Will win: “Amour
Could win: “Kon-Tiki”
Should win: “No”
Should be nominated: “Rust and Bone

Are any movies other than “Amour” in this category nominated for Best Picture? Nope, didn’t think so. Some have speculated crowd-pleasing “Kon-Tiki” could pull a “The Lives of Others”-style upset on Michael Haneke’s downer, but I think that’s doubtful at best.

And I base my should win for “No” on the trailer, which is seriously AMAZING! Shameless plug:

2:30 P.M. Honest posters for the Best Picture nominees. So incredibly accurate.

Amour Honest

SLP Honest

Lincoln Honest

2:25 P.M. Subtext?

2:15 P.M. Might as well start some predictions. What better place to start than with the music categories? This year’s ceremony promises to be quite a celebration of music between performances by Adele, Norah Jones, Barbra Streisand, and Shirley Bassey. There’s also the celebration of “Chicago,” “Dreamgirls,” and “Les Misérables.” And the show will close with a number by host Seth MacFarlane and Kristin Chenoweth. Oy.

Best Score

Anna Karenina,” Dario Marianelli

Argo,” Alexandre Desplat

Life of Pi,” Mychael Danna

Lincoln,” John Williams

Skyfall,” Thomas Newman

Will win: “Life of Pi
Could win: “Argo
Should win: “Anna Karenina
Should be nominated: “The Master,” Jonny Greenwood

Really don’t have any sense of certainty, but “Life of Pi” certainly seems to be headed towards a large below-the-line haul. And it won the Golden Globe. Perhaps if the momentum for “Argo” extends beyond Best Picture, it will lift up Best Score. It would be a much-deserved win for workhorse Alexandre Desplat. Then again, we also should not count out John Williams EVER. But I don’t think that will happen with the lack of “Lincoln” love in the late phase of the season.

Best Song

Before My Time from “Chasing Ice,” music and lyrics by J. Ralph

Suddenly from “Les Misérables,” music by Claude-Michel Schönberg, lyrics by Herbert Kretzmer and Alain Boublil

Pi’s Lullaby from “Life of Pi,” music by Mychael Danna, lyrics by Bombay Jayashri

Skyfall from “Skyfall,” music and lyrics by Adele Adkins and Paul Epworth

Everybody Needs a Best Friend from “Ted,” music by Walter Murphy, lyrics by Seth MacFarlane

Will win: Skyfall from “Skyfall
Could win: Suddenly from “Les Misérables
Should win: Skyfall from “Skyfall
Should be nominated: Who Were We from “Holy Motors

Easiest race of the night to call. It’s “Skyfall” all the way.

2:00 P.M. Kids Oscars. Let’s go!

1:50 P.M. Feel free to comment below and I will respond in the post itself!

1:45 P.M. For reference’s sake, many people will refer to tonight’s proceedings as “The 2013 Academy Awards.” In fact, probably most people will. But I, for whatever reason, choose to refer to the ceremony by the calendar year in which the nominated films were released.

1:40 P.M. Already a quick note to the E! hostesses … stick to fashion, please. Leave punditry to Dave Karger. “Argo” will not win “Best Oscar,” it will win “Best Picture.”

1:30 P.M. Who the heck is already watching Oscars red carpet coverage?! ME, of course! I can’t get enough of this stuff, who cares if no one famous shows up for 5 hours? I’m now on my fourth live Oscars blog, and it has quickly become one of my favorite parts of the night. I love sharing my thoughts with everyone – and also being able to go back and see my thoughts from past ceremonies.

(If curious, check out the live blogs from 2011, 2010, and 2009.)

So who will win Best Picture, Best Director, and other coveted trophies? In a few hours, we will know. But in the meantime, we have this list of nine…

85th Academy Awards Nominations Announcement





OPINION: The Cinema of Casey Anthony

5 07 2011

I know that I’m a movie blogger by name, but if you’ll allow me a brief aside, I’d like to address a different field altogether.  I, like many Americans this summer, have been following the developments in the trial of Casey Anthony.  Today, to the shock (and disgust) of many captivated American television watchers, she was acquitted of murdering her two-year-old daughter, Caylee.

I will inevitably catch heat for this, but I do not sit in front of my computer typing this post in dismay.  Just a day after 311 million Americans celebrated the preservation of the inalienable rights of life, liberty, and the pursuit of happiness that so many men have died for, the trial by jury guaranteed to all citizens in the Bill of Rights produced a verdict of not guilty.  Regardless how much Nancy Grace or Bill O’Reilly told us she is guilty, or will continue to tell us she is guilty, we have to trust the American legal system here.  We have to trust that these jurors listened to the evidence and made the right call.

But this post isn’t about the woman in the courtroom, it’s about the people that watched her courtesy of the courtroom cameras.  I learned a lot about how Americans view concepts of justice, vengeance, and entertainment, three ingredients that can make be quite poisonous when mixed.  Quite frankly, what I’ve seen over the past month should have the Founding Fathers rolling over in their graves.  This cannot be the America they wanted to create.

Just last Christmas, “True Grit” was an unprecedented success, grossing $171 million, scoring nearly unanimous critical support, and raking in 10 Academy Award nominations.  The Coens’ film grapples with the tricky question of revenge; in the movie, Hailee Steinfeld’s spunky 14-year-old Mattie Ross embarks on a journey to kill Tom Chaney, the man who murdered her father in cold blood.  She is seen as the hero of the film, and when she ultimately succeeds, the audience cheers.  The character representing justice, Matt Damon’s LeBoeuf, is a clown that is mostly mocked by the audience.

While the Coen Brothers likely expected this to play mostly for their usual niche audience, the excellent film wound up entering the mainstream and playing well into February and March in most theaters.  Not to insult the average moviegoer, but I don’t think that many of them understood that “True Grit” is supposed to be a meditation on the merit of retribution, not a vindication of it.  The movie is just ENTERTAINMENT, and the Coens deliver a cinematic vengeance that excites inside a theater.  But outside that theater, we aren’t meant to feel inspired to deliver payback in such a dramatic fashion.

Which brings me to the matter in question here, the Casey Anthony trial.  How does an ordinary 25-year-old mother from Orlando, Florida become “The Social Media Trial of the Century,” according to Time?  How does she grace the cover of People alongside Brad Pitt, Angelina Jolie, and Jennifer Aniston?  Simply put, people want VENGEANCE.  They want to see the death of Caylee Anthony avenged, and they want blood to pay for it.

How do I feel so confident in making this statement?  Because most people didn’t need a trial or the deliberations of a jury to reach their own verdict; they just went ahead and pronounced her guilty.  Bill O’Reilly even said, “She is as guilty as they come.”  Although it is not specifically codified in the Constitution, it is considered a part of common law and an American virtue that someone is presumed innocent until proven guilty.  Everyone has the right to due process of law.  Everyone has the right to a trial by jury.  It is not up to people watching the trial on Fox News from their couch, nor is it up to those catching glimpse on CNN from the water-cooler.

But how can Americans have strayed so far from the ideals of our Founding Fathers?  In my opinion, it’s the means of information that induce such expectations for violent ends.  It’s a tired argument, I know.  Let’s blame the media and putting cameras in courtrooms for everything!  But in this case, the drive for ratings and good television has muddled the distinction between justice and vengeance by adding entertainment to the mix.  We have become convinced that the American legal system is only doing its job when it’s convicting people because there is too much crime in this country for punishment to be spared.

All of those title cards for coverage of the Casey Anthony trial, no matter what channel you watched, read “JUSTICE FOR CAYLEE.”  But it was never about justice for them, it was about retribution for her.  They found a woman who represented all sorts of bad parenting and immoral behavior, two things they could prove without a trial.  They made the trial about the condemnation of a woman more for her lack of scruples and less for her action since the case was based largely on circumstantial evidence.  They wasted no time calling her a representative of all evil in society.

This, to any well-versed film watcher, echoes the message of “Chicago,” Rob Marshall’s 2002 Best Picture winning musical movie.  Richard Gere’s Billy Flynn is a master of the media; in the number “We Both Reached for the Gun,” he is shown manipulating everyone literally as marionette puppets, holding their strings and making them dance.  He is the best lawyer in Chicago because he can turn the tide of public opinion in favor of his merry murderesses, thus providing a nice complement to evidence that suggests, but doesn’t prove, their innocence.  Billy has a mastery of the courtroom too and manages to get false acquittals for Roxie Hart (Renee Zellweger) and Velma Kelly (Catherine Zeta-Jones) because he knows one fact: “This trial … the whole world … it’s all … show business.”

Here is a perfect study of opposites: Roxie is a victim of culture’s evils, while Casey Anthony was made to represent them.  The media tried to make her trial a proxy trial for her behavior.  But it’s not; it’s about her actions, and the jury could not find in evidence that her actions included murdering her daughter.  It makes for good television to focus on her unscrupulous behavior in the wake of her daughter’s disappearance, but it does not make for a trial in the American judicial system.

While I’m indulging in pessimism at the moment, I don’t believe this condemnation is a final verdict on America’s fate.  Now perhaps more than ever, I think “12 Angry Men” rings true and relevant.  The movie revolves around a twelve man jury deliberating a case based on reasonable doubt, not unlike the Casey Anthony trial.  When they enter the deliberation move, it seems that all will vote guilty.  However, one juror known as #8, played by the noble Henry Fonda, votes in dissent.  Over the course of Sidney Lumet’s movie, #8 tries to convince the other jurors that their mental picture of the defendant is not enough to justify a vote.  As he so eloquently puts it, “It’s not easy to raise my hand and send a boy off to die without talking about it first …We’re talking about somebody’s life here.”

With the death penalty on the table for Casey Anthony, she found herself in a position very similar to that of the Puerto Rican man in the movie.  But thanks to one noble juryman, he was saved.  As #8 struggles to change the rest of the jury’s mind, they take a second look at the evidence that seems to tell one story yet find that it tells another one – a story where the defendant is innocent.  When there are only three holdouts, #8 makes this speech that gets straight to the heart of the trial that has been the center of American attention for months:

“It’s very hard to keep personal prejudice out of a thing like this. And no matter where you run into it, prejudice obscures the truth. Well, I don’t think any real damage has been done here. Because I don’t really know what the truth is. No one ever will, I suppose. Nine of us now seem to feel that the defendant is innocent, but we’re just gambling on probabilities. We may be wrong. We may be trying to return a guilty man to the community. No one can really know. But we have a reasonable doubt, and this is a safeguard which has enormous value to our system. No jury can declare a man guilty unless it’s sure.”

Perhaps Casey Anthony is guilty.  That’s what many Americans still think in spite of this verdict.  But how many of us have come to this decision based on piecing together the evidence presented in court?  I’m going to guess very few of us have.  However, whatever notions I may have had about Casey Anthony thanks to Fox News or CNN have been wiped clean today with the jury’s verdict.  I’m not sure if the deliberations played out like “12 Angry Men” or if they took on another shape or form entirely.  Yet I am going to trust that however they came to their verdict, it is the right one.  And if you believe in the justice system that our Founding Fathers envisioned is morally right, then you must scorn notions of retribution and entertainment and believe in their verdict too.





Random Factoid #539

18 01 2011

How much would you pay to own a piece of cinematic history?  If you’re looking for a way to waste some time (other than blogging or reading them), click on over to eBay and search movie memorabilia.  They were selling napkins from the “Mr. Deeds” set once, but there’s also plenty of really cool stuff that I would buy if I had a bigger disposable income.  (Or a disposable income that didn’t go all towards feeding myself.)

Do you happen to have $1.65 million in disposable income?  Do you want a house in Chicago?  Do you love “Ferris Bueller’s Day Off” so much that you want to live in?  Thanks to the marvel of real estate, you can!  Buy Cameron Frye’s house, which is now on the Highland Park, Illinois market!

The house was a little too modern for my tastes, but if I could just buy the Ferrari garage, I’d transport it and put it in storage to install when I own a house of my own.

(Thanks to Cinema Blend for the tip.  And to the realtor, if this house is sold through a tip from this site, I expect a share of the profits.)





Random Factoid #299

23 05 2010

All of a sudden, I’m obsessed with the music from “Chicago” again.

I admitted back in Random Factoid #240 that I became hooked on the music back in 2002 after hearing a few bars on TV.  But now it’s like 2002 all over again.  Every time a song comes up on shuffle, I stay on the track and listen.  Now, I have the movie on hold at the library and the music is coming close to “Top 25 Most Played” numbers on my computer and iPod.

Favorite song of the “First ‘Chicago’ Revival” is Queen Latifah’s “When You’re Good To Mama.”  Boy, she can sing that song.





Random Factoid #240

25 03 2010

When I was 10, I heard a five-second clip of Catberine Zeta-Jones singing  “All That Jazz” from the movie “Chicago” on the news and suddenly became obsessed.  I bought the soundtrack knowing nothing of the movie but those five seconds.

I proceeded to learn every musical number in the blink of an eye.  There was a five-year span between buying the soundtrack and seeing the movie, so I knew the music thoroughly when watching it.  But it was weird to put context to the songs I had known for so long.





Random Factoid #220

5 03 2010

I have predicted the Oscars informally for years, often times making wise picks, others quite foolish.

I’ve predicted Best Picture correctly since 2003 (in 2002, I refused to admit that “Chicago” was the frontrunner and not “The Hours”).  Yes, that even includes picking “Crash” to upset “Brokeback Mountain” in 2005 – the pick of which I am the most proud.





REVIEW: Nine

30 12 2009

About midway through “Nine,” Stephanie, the Vogue reporter played by the ravishing Kate Hudson, informs us that “style is the new content” for her readers.  Applying that quotation to Rob Marshall’s latest film adaptation of a Tony Award-winning musical, the movie is a flashy work of pure artistry that dazzles the eye.  While style is a crucial part of “Nine,” the movie will be remembered for its phenomenal cast who turn in mostly solid performances but are thwarted by inept direction.

The movie’s story is indirectly based on the life of Italian film director Frederico Fellini, yet it seems to now have some striking parallels to the recent downfall of Tiger Woods.  Guido Contini (Daniel Day-Lewis) is a beloved director, yet his last two films have been somewhat underwhelming.  He hopes to steer himself back on the path to success with a new film, “Italia.”  However, he is in such mental anguish because he cannot commit himself to anything or anyone.  Guido has a gorgeous wife, Luisa (Marion Cotillard) at home whom he constantly neglects in favor of the temptress Carla (Penelope Cruz).

And the problems with women don’t end there.  He has to deal with his indignantly querulous muse (Nicole Kidman), an American reporter who is quite the flirt (Hudson), a sassy costume designer and old friend who can sense the torment (Judi Dench), and his mother (Sophia Loren) whose legacy still haunts him.  As Guido tries to find inspiration through these women, bouncing between past and present, he only finds himself more conflicted and lost.  One major success of “Nine” is using cinematic devices like choppy editing and constant changes between black and white and color to show this torture.  Daniel Day-Lewis is plenty capable of showing it as well, although his voice lacks some of the vocal power that the Broadway actors had in this part.

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